Archive for the ‘Carole King’ Category

 

Thirty-eight years ago tomorrow, as I write, the No. 1 song on the Billboard pop charts was “Coming Up” – but not the catchy tune by one-man-band Paul McCartney from his madcap McCartney II endeavor, but the slightly less catchy live version by Paul McCartney & Wings (Mach III), taken from a December 1979 concert in Glasgow on what turned out to be the final Wings flight. 

Columbia Records, his label home, apparently didn’t think the American public would appreciate his sped-up vocals, so – although the live version is clearly the B-side on the 45, where it’s paired with the eccentric “Lunchbox/Odd Sox” – they promoted the Wings rendition as the A.

And lest fans who bought McCartney II be upset that the song they heard on the radio wasn’t on the LP, Columbia included a special one-sided single of the live version. It even came with a helpful “play other side” instruction on the flip side.

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Let me back up, albeit for a moment: I was 14 on this day, soon to be 15; and having a good time – it was summer, after all. No school. That meant late nights and late mornings, hanging with friends, and – yep, you guessed it – listening to plenty of music. In my neck of the woods, that meant tuning in WIFI-92, WMMR, WYSP and WIOQ.

In the wider world, Ronald Reagan was gearing up to accept the Republican presidential nomination in Detroit in a mere 11 days. President Jimmy Carter, on the other hand, was in the midst of stamping out an insurgency within his Democratic Party, as he was being challenged by Ted Kennedy, and wouldn’t secure his second shot at the Oval Office until the following month, at the Democratic National Convention in New York.

The reason for the tepid enthusiasm for Carter: the economy. Unemployment was rising – it crested at 7.8 percent this month, its highest mark since he took office in 1977, and inflation was at obscene levels – 13-plus percent for the month, and 13-plus for the year. There was also the matter of the ongoing Iranian hostage crisis.

The big movies of the day included Fame, The Empire Strikes Back, Urban Cowboy, Bronco Billy, The Blues Brothers, Airplane!, and, released on this very day in 1980, The Blue Lagoon. I don’t remember seeing any of them in the theaters, though I did eventually see all of them on PRISM, the local premium cable channel that also carried the home games of the Philadelphia Flyers.

As far as TV – it was summer, and summer meant reruns.

And when it comes to music – well, that’s what today’s Top 5: July 5, 1980 (via Billboard, which I occasionally bought), is about. Here are a few selected highlights…

1) Bob Seger & the Silver Bullet – “Against the Wind.” Dropping out of the Top 5 to No. 6 is this classic Seger song, which I rate not just with his best, but with the best of all time. It’s the title track to one of my “essential” albums.

2) Olivia Newton-John – “Magic.” In its seventh week, the Xanadu single inches up two spots to No. 14. Here she is lip-syncing to the song on The Midnight Special

3) Carole King – “One Fine Day.” “One Fine Day” is a song with a rich history – written by King and Gerry Goffin, it was first a hit for the Chiffons in 1963, when it reached No. 5 on the pop charts. Seventeen years later, King recorded it for her Pearls: Songs of Goffin & King album, and released it as a single. It reaches No. 16 this week (on its way to No. 12).

4) The Blues Brothers – “Gimme Some Lovin’.” Saturday Night Live’s John Belushi and Dan Aykroyd turned a love for the blues into a side project with legs. They released a hit album in 1978, and a hit movie and hit soundtrack in 1980. This week, the lead single from that soundtrack bounces (like a rubber biscuit) up seven spots to No. 22.

5) Pete Townshend – “Let My Love Open the Door.” Townshend had an unlikely Top 10 hit with this uptempo ditty, the lead single from his classic Empty Glass LP. This week, it’s No. 35 (on its way to No. 9).

And two bonuses…

6) Irene Cara – “Fame.” Cara sounds so much like Donna Summer on this, the joyous title track to the hit movie, that it almost seems unfair to say so. That said, I love the song and performance. 

7) Linda Ronstadt – “Hurt So Bad.” Falling from No. 26 to 80 in its 13th week on the charts is Linda’s spine-tingling rendition of the Little Anthony & the Imperials hit from 1965. (It hails from her 1980 Mad Love album, of course.) 

This is my 67th post of 2016. Some missives were good, others not, and most a mix of the two, primarily due – I see now – to my over-reliance on the Top 5 format. In and of itself, that tip of the hat to High Fidelity works well – especially when I’m digging through an old magazine. But week in, week out, it grows tiresome. As a result, in the new year, I plan less Top 5s and more straightforward essays and reviews.

And, yes, I see the irony in saying that within a Top 5.

With that said, onward to today’s Top 5: An Old Grey Cat Retrospective, Part 2. In Part 1, of course, I listed the most popular posts of the year along with a clip from each. Here, I’m sharing – in chronological order – the posts I most enjoyed writing.

1) Today’s Top 5: Classics, Old & New (1/9/16): “Whether they come from the pen of Wallace Stevens or piano of Carole King, or the hills of Appalachia, expressions of the heart, soul and psyche have remained constant through the ages. It’s why music, like all art, doesn’t come with an expiration date. We, as a people, live, long, love, lose and love again, and argue amongst ourselves, forever and ever. Amen.”

2) The “Nous” Church of Birch (2/6/16): “We expect life, when young, to unfold much like school: first grade leads to second leads to third, and on down the line until, one late-spring day, we’re tossing our caps in the air at high-school graduation. But life – for most, at any rate – doesn’t unfurl like the step-by-step directions proffered by Google or Apple maps. Detours and wrong turns are inevitable. We stride forward, stumble, tumble backwards and regroup, and head out yet again.”

3) Bruce Springsteen in Philly, 2/12/16: We Have Met the Future and It Is Us (2/14/16): “The young 30-something who released The River and the young fans who first embraced it would likely laugh at the idea that, 35 years on, they’re still spirits in the night, albeit just for the night.”

4) Today’s Top 10: It Was 30 Years Ago Today… (9/5/16): “Looking back, the ‘80s were somewhat like a snow globe: America was shaken at its start, but everything settled into place by decade’s end. That the era is often derided for its fashion miscues, pop music and political retrenchment is a shame; there was much good to be found.”

5) Bruce Springsteen: A Fleeting Meet-and-Greet (10/1/16): “Life can be challenging. We wake, roll out of bed and, often, dread the day to come – maybe it’s the morning commute or pile of work awaiting us at the office; perhaps a dead-end job for dead-end wages; or, at times, something much, much worse. But the music takes us away from whatever it is, albeit for a few minutes, and helps us muster the strength to soldier on.”

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And two bonuses…

6) Today’s Top 5: The Promise of Tomorrow (circa 1970 & Billboard) (11/26/16): “When we strip the gauzy nostalgia from the reality of any time, we’re left with this: What often made the time wonderful was less day-to-day life and more the promise of what had yet to come. It’s why succeeding generations continue to embrace the music of the ‘60s and ‘70s, I think – despite the tumult of the ‘60s and woes of the ‘70s, the messages that powered much of the music were hopeful. And, by and large, we’re a hopeful lot.”

7) Album(s) of the Year, 2016 (12/4/16): “And so the year comes to a close not with a bang or whimper, but a melody that’s older than my time on Earth: ‘What the World Needs Now Is Love.’”

Humans have lived, longed, loved, lost and loved again, forged wars and fought peace, and argued about politics familial, social and cultural, since the dawn of time. Such is the grist of poetry and song, of course, and while many lyrical laments litter the byways of history, forgotten, much has stuck around – thanks to the advent of, first, paper; second, recordings; and, last, the resonance of the works themselves. Whether they come from the pen of Wallace Stevens or piano of Carole King, or the hills of Appalachia, expressions of the heart, soul and psyche have remained constant through the ages. It’s why music, like all art, doesn’t come with an expiration date. We, as a people, live, long, love, lose and love again, and argue amongst ourselves, forever and ever. Amen.

I mentioned in my last post that I sent my niece CDs for her 21st birthday. (A few more than I intended, actually, but the prices on two were obscenely low.) Three harken back to the 1970s and the others hail from the past few years. The lines that lead from those of yore to the present are right there, to be heard.

One thing that I did, and I have no idea if it worked as intended, was to turn Amazon’s free gift cards into short notes about each album. So, for today’s Top 5: Classics, Old & New, here are the picks with my notes (and a bit extra) included.

1) Carole King – “So Far Away” from Tapestry, 1971. King, of course, is one of the all-time greats; and this album is, too. I wrote in the note, “Blue, Rickie Lee’s debut and Tapestry are stone-cold classics that have influenced many, including Diane Birch, FAK & the Staves.“ In retrospect, I should have singled out Tapestry specifically, as it was the top-selling album for 15 weeks in a row during the winter and spring of ’71. Rolling Stone rates it the No. 35 Album of All Time.

2) Joni Mitchell – “River” from Blue, 1971. I wrote: “This is rightfully considered one of the greatest singer-songwriter albums of all time, and has influenced generations of artists. ‘River’ is amazing.” Rolling Stone rates it the No. 30 Album of All Time.

3) Rickie Lee Jones – “Chuck E.’s in Love” from Rickie Lee Jones, 1979. I wrote: “Rickie Lee’s debut was and remains a stunner, building upon the blueprints laid down by Joni Mitchell, Laura Nyro and Patti Smith, among others.” I’d add: Rickie Lee radiates utter coolness on everything she does, which is why she’s the Duchess of Coolsville. (Her most recent album was one of my favorites from last year, too, for what that’s worth.)

4) Diane Birch – “Nothing but a Miracle” from Bible Belt, 2009. I wrote, borrowing an observation from my Diane: “This album, in many ways, is a modern-day Tapestry.” That’s a tad over-the-top, granted, but there’s no denying the charm of this modern-day wonder. I remember reading the review of it in Rolling Stone a month or so before its street date; it sounded like something I’d like, so I looked her up on Facebook, where she’d posted four of the songs from the album. Within a few minutes, Diane called in: “Who is that? I really like her!” We’ve been fans ever since.

5) First Aid Kit – “Cedar Lane” from Stay Gold, 2014. I wrote: “This was my favorite album of 2014 – FAK are two sisters from Sweden who mine an Americana sound.” Notes, of course, can’t include hyperlinks, so I’ll include one here instead: my Albums of the Year, 2014 post.

6) The Staves – “Make It Holy” from If I Was. 2015. I wrote: “This album is a gem – my favorite from last year.” (Here’s that post.)