Most folks are familiar with the cliche “where all the bodies are buried,” and understand that it’s a metaphor about knowing secrets. In my case, though, it’s more like I know where all the pot holes are – and I’m speaking literally. From sunken manhole covers to tire-killing craters, I know when and where to slide to the side to avoid a slew of unpleasant bumps regardless of how fast or slow traffic is going, and whether or not I can actually see beneath the car in front of me. Like others in countless communities across the country, I’ve been driving the same set of streets for the bulk of my life. Some take me to work, some to family and friends, and some to stores. No matter where I’m going, the odds are good that I’ve driven the same roads before.
Which leads to this: Just as my life’s trek was grooving along with minimal bumps, I’ve hit a stretch of ripped-up road: In the coming months, the OGC’s HQ will be transitioning from the Philly ‘burbs to North Carolina’s Durham region.
Yeah, I know. Talk about your major moves.
But the thing about a ripped-up road is this: It’s rarely ripped up for long. In this neck of the woods, the cause is usually due to PennDOT milling old asphalt before laying down a new batch. It’s temporary, in other words, and in time the ride will be better than before.
On Thursday, Diane and I drove down to explore the area. The small slice of Durham that we saw, the American Tobacco Historic District, reminded me of Philadelphia’s brick-laden Old City neighborhood, while the outlying communities of Cary and Chapel Hill conjured such Philly suburbs as Horsham, Warminster and Warrington. Carrboro – home to the legendary Cat’s Cradle – had a funkier, New Hope/South Street vibe. Each looked like a good place to call home.
Anyway, on the ride down and again on the ride north on Saturday, we listened to – what else? – music. But unlike years long ago, when one was at the mercy of the radio, or the tapes and CDs one remembered to bring, we simply clicked on Apple Music, picked a title, and hit play.
Our first agreed-upon choice: Diane Birch’s Bible Belt. The album (my top pick for 2009) has retained its original luster, and rightly deserves to be mentioned in the same breath as Carole King’s Tapestry – not that anyone but my Diane and I would say so, I suppose. It has a timeless vibe.
I should add that the Church of Birch pastor has a new single slated for release in the next week. Look for it. Buy it. She has a knack for writing songs that take up residence in the soul like few others.
My second choice: Juliana Hatfield Sings Olivia Newton-John, which – thus far – rates as my favorite album of 2018. “Suspended in Time” is simply sublime, as is the album as a whole.
My third choice: Another of my favorites of this year, Erin O’Dowd’s Old Town. To quote my wife, “It’s excellent.” (There’s a magic to be found in the album’s grooves.)
My last choice: the new Stone Foundation album, Everybody, Anyone, which I plan to review in full next week. It mixes a wide variety of influences into a very cool, original whole.
