Breathe deep, and exhale: We, as a people, have survived another run around the sun. I may (or may not) share my thoughts on the year writ large later this month, but suffice it to say that 2017 has had its share of good and bad times, and many moments that fall somewhere in-between. We’ve all weathered days not with smiles or frowns, but a stoic determination to get the job – whatever it may be – done. We soldier on.
Anyway, this is my 126th post of the year – almost double the 68 missives I made in 2016. That increased activity has resulted in increased traffic – 3000 more visitors this year than last, and 5000 more page views. Thank you to every one who stops by. Time is a precious commodity; I appreciate that you spend some of yours here.
And with that – drumroll please! – Here are the top 5 new posts of the past 12 months…
1) The Natalie Merchant Collection – The Review. “When was it? Fall of ’85? Spring of ’86? Difficult to say, but I suspect it was sometime in the spring that I first heard 10,000 Maniacs. They were one of several of the era’s new folk-flavored acts that I discovered while deejaying the weekend Folk Show on Penn State’s studio-run radio station at the time, WPSU. (It’s now a professionally-run station, with WKPS filling the void for students.)”
2) Neil Young: Hitchhiker – The Review. “1976 was a weird year to be Neil Young. From February to June, he and Stephen Stills were hunkered down at Criteria Studios in Miami recording their lone duo project, Long May You Run, that didn’t turn out as hoped. And in June, Neil embarked on a much-anticipated tour with Stills – only to quit after nine dates for reasons that may or may not have had to do with a throat ailment. The now-infamous telegram he sent his compadre read ‘Dear Stephen, Funny how some things that start spontaneously end that way. Eat a peach. Neil.’”
3) The Essentials: Stephen Stills – Manassas. “In today’s age, the double album seems almost quaint: two vinyl slabs that, combined, hold anywhere from 70 to 100 minutes of music. But they were a Big Deal back in the day, as that second slab substantially upped the cost to the consumer. Instead of $5.99-7.99 (plus tax), which was the average price of an LP when I began buying them in the late 1970s, a fan had to plunk down almost twice that ($9.99-11.99) – unless it was an Elvis Presley compilation on Pickwick, that is. I picked up the 2-LP Double Dynamite for $3.99 at a Montgomery Ward. (Of course, one look at the song list explains the low cost.)”
4) Of Concerts Past: Maria McKee @ the TLA in Philly, 9/18/1993. “Ah, Maria. Sweet, sweet, sweet Maria. Last night she tweeted a link to a YouTube video of a 1993 TV appearance with the Jayhawks…and I was thrust through a time portal to that very year, which is when I first saw her in concert.”
5) Today’s Top 5: Albums MIA From NPR’s “Made by Women” List. “There are far more important concerns than NPR’s 150 Greatest Albums Made by Women list. This, we know. Yet, while breezing through it Monday afternoon, I couldn’t help but to (silently) scream.”
And, just because, here are No.s 6 and 7…
6) Juliana Hatfield’s 1993. “When Juliana Hatfield and the Three reunited in 2015 to record the album that became Whatever, My Love, they funded themselves via PledgeMusic. There was a cornucopia of cool premiums, from autographed CDs and photos to musical instruments, but what I’d hoped to snare—the soundcheck/concert tickets—sold out before I got there.”
7) Grrrl Rock: The Juliana Hatfield Three at the Boot & Saddle in Philly, 4/24/2017. “The Juliana Hatfield Three delivered a loud, sweaty and raucous show at the Boot & Saddle in South Philly last night. In fact, you could say it was a night of true grrrl rock (it is the Pussycat tour, after all). The 20-song set opened with a ferocious “Got No Idols” from Become What You Are. As evidenced by the video, Todd Phillips was a monster on drums, Dean Fisher equally brutal on bass and Juliana – well, Juliana was Juliana, full of grace, grit and growls on guitar and vocals.”
And here’s the list as a whole…