Archive for the ‘Roberta Flack’ Category

It’s early Sunday morn as I write, and Roberta Flack is killing me softly with her songs. My trusty Tribit headphones cover my ears, and – though Bluetooth capable – are plugged into my Macbook Pro via an M-Audio Micro DAC. It’s a plug-in sound card that, as the picture shows, is just a tad larger than a thumb drive, and enables me to listen to 24-bit, 192-kHz music files in all their glory without first copying said files to my Pono player. 

A MacBook Pro can output 24/96 through its headphone jack, of course, by switching the settings in the MIDI utility, and the sound quality is quite good for both high-res files and the Neil Young Archives, which streams up to 24/192. But this $100 Micro DAC improves the sound, be it through my headphones or solid Logitech Z623 THX-certified 2.1 computer speakers.

I should mention that, a few summers back, I stopped using the Pono player on a regular basis. It overheated once, then twice, and then a few more times during the summers of ’16 and ’17 while I was out and about, and then, while listening in our den one hot-and-humid afternoon, it didn’t just overheat, but fried the 128g micro-SD card inside. (I made the “mistake” of listening while charging.) By that point, however, I’d already grown tired not just of adding and subtracting files from my micro-SD cards, but of toting two gadgets around.

Around the same time, I decided to give Apple Music a go. While there was a drop-off in quality, there wasn’t a drop-off in what – to me, at least – is the most important factor when it comes to music: emotional quotient. And, truthfully, what I hear via my iPhone or MacBook Pro is better than what I enjoyed via the Realistic stereo system my parents gifted me with for Christmas ’77  and the Realistic cassette deck I installed in my little brown Chevette in ‘85, to say nothing of staticky AM radio. All things are relative, in other words. Sometimes “good enough” is enough.

Yet, when at my desk and in the mood, I often fire up the Vox app and play some of the high-res files I collected from 2014 through early ’17 – or just stream from the NYA site. How to enjoy that music to its fullest? While there are many options, some of which are rather pricey, for me right now it’s the M-Audio Micro DAC. It gets the job done.

And, with that, here’s today’s Top 5: Sunday, 9/1/19. 

1) Roberta Flack – “Bridge Over Troubled Water.” A few years back, Diane and I watched Killing Me Softly: The Roberta Flack Story, a one-hour documentary about Roberta’s ascent to stardom, on (I think) Amazon Prime. For me, it was something of a revelation – I picked up a few of her albums from the Pono Store in the weeks that followed. This, her rendition of the Simon & Garfunkel classic (found on her 1971 Quiet Fire album), is just mesmerizing. 

2) Simon & Garfunkel – “American Tune.” One of Paul Simon’s greatest songs, from his 1973 There Goes Rhymin’ Simon album, was given the Simon & Garfunkel treatment during their now-legendary 1981 Central Park concert. The lyrics are as appropriate now as they were in ‘73: “And I don’t know a soul who’s not been battered/I don’t have a friend who feels at ease/I don’t know a dream that’s not been shattered/or driven to its knees/But it’s all right, it’s all right/We’ve lived so well so long/Still, when I think of the road/we’re traveling on/I wonder what went wrong/I can’t help it, I wonder what went wrong.”

3) Courtney Marie Andrews & Deer Tick – “You’re the One That I Want.” Speaking of duets… and to lighten the mood… there’s this clip of a Grease cover, which I just discovered last night. Trust me when I say, “It’s electrifying!”

4) Courtney Marie Andrews – “Downtown Train.” Speaking of Courtney, she’s part of the forthcoming collection of Tom Waits songs, Come on Up to the House, which also includes Shelby Lynne and Allison Moorer, Rosanne Cash, Iris DeMent, Phoebe Bridgers and Patty Griffin, among others.

5) Allison Moorer – “The Rock and the Hill.” One album I’m anticipating is Allison Moorer’s Blood, which will be released alongside her memoir of the same name in late October. If this tasty track is any indication, it’s going to be flat-out great. (If you’re so inclined, head over to Allison’s website and pre-order both it and the book. And then check out her online journal, which is always an interesting read.)

And one bonus…

6) Neil Young & Crazy Horse – “Milky Way.” Another album I’m looking forward to is Colorado, which is also due out in October. It features Neil backed by a reconstituted Crazy Horse (with Nils Lofgren on guitar in place of Frank “Poncho” Sampredo). This, the first single, is both stirring and subdued at once.

Last night, Diane and I veered away from the never-ending Gilmore Girls marathon on Up to give the Amazon Prime series Good Girls Revolt a try. If you’re unfamiliar with it, the polished drama is a fictionalized adaptation of Lynn Povich’s 2012 book The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace. Names have been changed, characters invented and/or combined into one, and the magazine has been retitled News of the Week – but the gist remains the same. As with most professions in 1969 America, which is when the series is set, women were relegated to secondary and supportive roles in most newsrooms. It took a group of brave women to change that.

At essence, then, Good Girls Revolt is sort of a feminist spin on Mad Men. No, it’s not as solid as that series was out of the gate, but it is a step up from the other Mad Men-inspired series I’ve seen. My biggest complaint: the characters are more archetypical than fully formed. For instance, hippie-in-spirit researcher Patti (Genevieve Angelson) – the lead character – sometimes seems little more than a mature Karen Arnold (Kevin’s one-dimensional big sister on The Wonder Years); and her erstwhile reporter-boyfriend Doug (Hunter Parrish) comes across as a cardboard cut-out of a reporter-boyfriend.

I sound a tad harsher there than I intended; the series is a step above most network fare. It peels the gauzy nostalgia from our collective memory and shows that, indeed, not everything in the past was hunky-dory or better than the present. In fact, as most things societal go, the past was worse.

And, for purposes of this blog, it inspired today’s Top 5: Good Girls Revolt (circa 1969). 

1) Janis Joplin – “Work Me, Lord” From The Woodstock Art & Music Fair, 8/17/1969.

2) Jefferson Airplane – “Somebody to Love.” From Dick Cavett’s post-Woodstock episode (8/19/1969) – note David Crosby playing tambourine beside Paul Kantner.

3) Laura Nyro – “He’s a Runner/Save the Country.” From Bobby Darin’s Sounds of the Sixties TV special (though I believe only “Save the Country” aired), which aired Jan. 22, 1969.

4) Roberta Flack – “First Time Ever I Saw Your Face.” Not sure where this is from, just that it’s 1969. Great song, under-appreciated singer.

5) Dusty Springfield – “Son of a Preacher Man.” From a rather psychedelic 1969 German TV special.

And three bonus songs…

6) Jackie DeShannon – “Put a Little Love in Your Heart.”

7) Joni Mitchell – “Woodstock.” From a 1970 appearance on the BBC.

8) Diana Ross & the Supremes – “Someday We’ll Be Together.” The last No. 1 hit of the 1960s…

I picked up new specs this summer – tinted, like my last ones and the ones before those, and the ones before those, going back decades. Insurance covered 70 percent of the overall cost, but the insurance also has rules about when coverage kicks in. An annual checkup? Yes. Lenses every year? Yes. Frames? No. Those are an every-other-year thing. Which is fine; for the minimal money I lay out every month for the insurance, I have no complaints.

It does make getting a second pair of specs, for backup purposes, a pricey affair, however. I’d keep my old ones, but my vision has changed so much, and the lenses were so scratched, that it’s not a good idea – especially now that I can see everything that I couldn’t before.

But paying the non-insurance rate for another set? Nah. Instead, I opted for 39dollarglasses.com, and wound up paying just $18 more than my out-of-pocket cost for the first pair, and that was because I chose transition lenses – sunglasses outside, crystal-clear inside. Ten days later, they arrived. They fit, I can see without issue, and like them. The lack of tint annoys me, however;  I wore them to my over-bright office one day last week and found myself near-blinded. My eyes have become accustomed to a gradient-shaded reality – a metaphor of some kind, no doubt.

So, anyway, for today’s Top 5: Vision.

  1. The Chi-Lites – “Have You Seen Her?”

2) Juliana Hatfield – “I See You”

3) Matthew Sweet & Susanna Hoffs – “I See the Rain”

4) The MonaLisa Sisters – “I Saw Her Standing There”

5) Paul McCartney & Wings – “I’ve Just Seen a Face”

And a few bonuses…

Pete Townshend – “Eyesight to the Blind”

Roberta Flack -“First Time Ever I Saw Your Face”

Suzanne Vega – “Night Vision”