Posts Tagged ‘2010s’

Make no mistake: We have been here before. The 1918-20 flu pandemic infected some 500 million people around the globe, with experts citing anywhere from 17 to 100 million succumbing to it. Social-distancing measures were employed in some U.S. cities, and while they fared much better health-wise than those that didn’t, they suffered economic downturns. Life looked like it might be forever changed. But it wasn’t. As this World Economic Forum article shows, once the flu faded away, life pretty much picked up where it had left off.

That doesn’t lessen the stress of today’s stay-at-home orders, grocery shortages, economic disruptions and the incompetent federal response, mind you, or the fear of falling victim to COVID-19. The days may blur into weeks and the weeks may soon morph into months, but we, as a people, will endure.

That said, to me it feels like we’re stuck in the opening stanza of “Band on the Run” by Paul McCartney and Wings: “Stuck inside these four walls/never seeing no one…”

I haven’t been listening to much in the way of new music these days, preferring instead to treat the isolation blues with a heap of old favorites, including (but not limited to) McCartney, Rumer, Bob Seger, Bruce Springsteen, Suzanne Vega, Neil Young and, though she’s not “old” per se, Courtney Marie Andrews. There’s a comfort to be found in their tried-and-true grooves. They soothe the soul.

I thought I’d share select songs from some of them today.

Courtney Marie tapped into the collective unconscious for her 2016 Honest Life album, a set o’ songs I consider one of the best of the 2010s. “Put the Fire Out” slays me every time I hear it, especially when the backup voices come in on “hear the rock ’n’ roll at the Blue Moon Tavern.”

On a not unrelated subject, I experienced something of a spacetime anomaly in early March when I celebrated my 30th anniversary at my 23-year-old company. (I was grandfathered in during several takeovers, for those curious.) Anyway, the company doles out virtual tokens for such events, which can then be used to pick out a reward or rewards from a fairly extensive catalog. I used mine to get Diane the latest iPad Mini and both of us the Apple HomePod, as I’ve wanted one since it was first introduced. It may not be an audiophile’s dream, but the sound is excellent – and we subscribe to Apple Music, so it works out.

The first thing I asked Siri to play is a song I never tire of:

This morning’s picks included Van Morrison’s Inarticulate Speech of the Heart, which flows through and buttresses the soul like few others. It’s been one of my favorites of his since first hearing it during my college years; the poetic “Rave on John Donne” with its literary references and floating saxophone stops time for me.

Last night, I watched the April 7, 1979 episode of Saturday Night Live on Hulu, though not for the skits but the musical guest: Rickie Lee Jones, who performed “Chuck E.’s in Love” and “Coolsville.” This morning, after Van, I played her debut for what must be the 1000th time in my life (okay, maybe I’m exaggerating!). It sounds as fresh today as it did in 1979.

Stay safe, people. 

Diane and I were driving in the car this morning, on our way to brunch, with SiriusXM tuned to – what else? – E Street Radio, which was playing the February 2, 2016 concert from Toronto. It was the sixth date on that year’s River tour, which was tied to the 35th anniversary of the album and, too, the Ties That Bind box set released in 2015. (We’d see him 10 days later in Philly.)

For those unfamiliar with the specifics of that tour, Bruce and the band performed The River from start to finish. In this Toronto show, he introduced “Independence Day” – a song he wrote in 1977, debuted in concert in 1978 and recorded in 1980 – with a monologue similar to what we heard in Philly. “It was the first song I wrote about fathers and sons,” he explained. “It’s the kind of song that you write when you’re young and you’re first startled by your parents’ humanity.”

Today, the fourth verse stood out to me: “Well, Papa, go to bed now, it’s getting late/Nothing we can say can change anything now/Because there’s just different people coming down here now and they see things in different ways/And soon everything we’ve known will just be swept away.”

It’s about the father-son dynamics unique to Springsteen’s own (self-mythologized) life, obviously, and yet it’s also more. It’s about the changing realities everyone confronts, at some point, in his or her life. When young, such change is expected and embraced. In the song, it leads the narrator to set out on his own. But for the old? Though the world we knew is no more, the memories – and our faded hopes – remain. That’s when bitterness sets in.

“Resolution” differs from “revolution” by a letter, but – as the Oxford Dictionary definitions demonstrate – there’s more than a consonant that differentiates them. A resolution is “a firm decision to do or not to do something” while “revolution” is “a forcible overthrow of a government or social order, in favor of a new system.” In colloquial terms, however, a resolution is what we often make on New Year’s Eve and sometimes break a few weeks or months later. Revolution, on the other hand, has become synonymous with non-violent change that upends society – the first and second industrial revolutions, for instance, or the (mis)information age we now live in. The secondary definition of revolution, however, is “the movement of an object in a circular or elliptical course around another or about an axis or centre.” 

As I see it, a resolution can result in a personal revolution that spins out a new you. It’s not easy, as we humans are flawed creatures: stumbles are as likely to happen as perfect pirouettes. But resolve to revolve, anyway. It takes time, patience and stick-to-itiveness, and the willingness to forgive yourself when or if you tumble.

To that end: There’s a new wave coming…

One thing that struck me when compiling my Top Posts of 2019 was that my Top 5 lists accounted for an astounding 35 percent of posts over the past 12 months, while my First Impressions came in at just 27 percent and Essentials at only 13 percent…and, of my now-70 posts for the year, only two were Of Concert Pasts. Concert reviews were minimal, as well.

Which leads to this: In 2020, I resolve to overthrow that status quo and focus more on new releases and old favorites, while reducing the Top 5s. Already, the Year of Visual Acuity is shaping up to be a magical, momentous 12 months of music due to forthcoming releases from such longtime favorites as Diane Birch, Maria McKee and Rumer. New favorites, including Emma Langford and Harriet, also have albums due, too, and a slew of archival wonders are sure to be shared by Bruce Springsteen and Neil Young, among others.

See ya in the new year.

Breathe deep and exhale: We, as a people, have survived another run around the sun. I may or may not reflect on the year writ large in the next week, but suffice it to say that 2019 has had its share of good and bad times, and plenty of moments that fell somewhere in-between. We’ve all weathered days not with smiles or frowns, after all, but a stoic determination to get the job – whatever it may be – done. We soldier on.

That said, I posted less often over the past 12 months than the past few years – about 75 percent of what I managed last year, which was curtailed by preparations for our move, and a little more than half of what I shared in 2017, when life was groovy. The main reason? As David Crosby sang on a now decades-old song of his, “time is the final currency/not money, not power/the time will come/when you will give/anything for one more hour.” Life’s demands took a toll, in other words.

(Hopefully, the Year of Visual Acuity – aka 2020 – will see me return to frequent postings.)

Yet, despite the steep drop-off in my posts, traffic actually ticked up by a bit more than 15 percent; it was my best year, stats-wise, since resurrecting The Old Grey Cat back in 2014. Thank you to everyone reading this for that.

Below are the top 20 posts (old and new) for the past 12 months, along with the published date and links to each.

  1. Neil Young: The Best of the Unofficial Canon (9/27/2015)
  2. Shelby Lynne: Here I Am (Movie Soundtrack) – The Review (8/12/2018)
  3. The Natalie Merchant Collection – The Review (7/4/2017)
  4. Today’s Top 5: Linda Ronstadt’s Rare TV Appearances (1/21/2019)
  5. The Essentials: Stephen Stills – Manassas (9/23/2017)
  6. The Essentials: Maria McKee’s Life Is Sweet (6/23/2018)
  7. Blinded by the Light: A Fan Is Born (8/17/2019)
  8. The Essentials: Natalie Merchant’s Live in Concert (7/4/2019)
  9. Of Concerts Past: Bruce Springsteen & the E Street Band in Philadelphia, 9/24/1999 (7/6/2019)
  10. Today’s Top 5: The Paisley Underground (3/9/2019)
  11. Today’s Top 5: March 21, 1966 (via Newsweek) (12/17/2016)
  12. Linda Ronstadt: Live in Hollywood (2/2/2019)
  13. First Impressions: Juliana Hatfield’s Weird (1/6/2019)
  14. Neil Young’s 1973, Part I (4/24/2018)
  15. The Essentials: Psychedelic Pill by Neil Young & Crazy Horse (9/7/2019)
  16. First Impressions: 3×4 – The Bangles, The Three O’Clock, The Dream Syndicate, Rain Parade (2/24/2019)
  17. First Impressions: Neil Young & Crazy Horse – Colorado (10/27/2019)
  18. Melody Gardot: Live in Europe – The Review (2/11/2018)
  19. Neil Young & the Santa Monica Flyers – ROXY: Tonight’s the Night Live – The Review (4/28/2018)
  20. Stone Foundation: Everybody, Anyone – The Review (9/2/2018)