Posts Tagged ‘Capture the Light’

It may seem that, of late, that I’ve been surfing my “essential” albums as if on some sort of erratic spacetime wave, lurching one way before lurching another. I’m not. No, instead I’m replicating the way the mind works, which isn’t as logical as we like to think. As often as Memory X leads to the next stop on the timeline, aka Memory Y, it also leads us back or ahead to a tangentially linked event days, weeks, months or years before or after X occurred.

For instance, when I think of CSN’s Daylight Again, which I picked up in January 1984, my mind doesn’t leap ahead to any of the CSN-and-related albums I splurged on in the weeks and months that followed, or even to when I first saw them in concert eight months later. No, my mind’s eye centers on a spring day in my freshman honors English class. Our assignment: bring in a 45, LP or cassette, play a song from it, and then dissect it.

Yeah, I know: Fun times!

My pick is beside the point – though, given my recent CSN/Stephen Stills obsession, I’d wager fairly predictable. No, my appearance is more important: I had longish hair. A mustache. Unshaven, as it was an off-work day for me. Bedecked in jeans and a flannel or paisley shirt, with a leather jacket draped over the back of my desk chair. And the distinct scent of cloves exuded from me – I smoked clove cigarettes in those days. I looked and smelled far from the clean-cut Young Republicans of the day, in other words, and more like a holdover from Ravi Shankar’s Sunday afternoon set at Monterey Pop.

At the front of the class, a young woman – who looked like a picture postcard for everything preppy and peppy – surprised me by playing “Beneath the Blue Sky,” a song by the Go-Go’s from their recent Talk Show LP. She explained how the lyrics echoed the Cold War concerns of the day – a thematic anomaly not just for the group, she said, but for the pop music of the day.

When she was finished, she took her seat beside me and asked how she’d done. “Good,” I assured her, before telling her how I thought Talk Show was a great album.

Befuddlement swept her face. “You like the Go-Go’s?!”

“Of course,” I said. “What’s not to like?” (As my desk diary shows, I bought it two weeks after its release, on May 31st.) I recommended she give the Call’s Modern Romans a spin, as “When the Walls Came Down” seemed like it might be up her alley.

Like many in those days – and these days, for that matter – she made certain assumptions about me based on my yesteryear fashion sense. (Just as, to be fair, I assumed certain things about her based on her polished looks.) 

Anyway, “Beneath the Blue Sky” – written by Kathy Valentine and Jane Wiedlin – is a cool song. Lyrically, it’s a smart call for peace that goes the person-to-person route. Musically, it’s pop and perky, which was the canvas the Go-Go’s often worked from, yet complements the words.

To back up a moment, the Go-Go’s were a breath of fresh air in the sometimes stale climate of the early ‘80s. Their 1981 debut, Beauty and the Beat, swatted away the ‘70s cliches of the breezy SoCal Sound by blending elements of pop, punk and surf-rock into snappy songs that never went on too long. It’s perfect, just about, and – to my ears – their best work.

As a whole, Talk Show is moodier and, at times, lyrically downbeat, with tracks tackling – in addition to the Cold War – isolation, breakups and depression, as well as the old stand-by of romantic attraction. It’s more rock than pop, with raucous guitars accenting many of the tracks.

“Head Over Heels,” the infectious first single, just missed the Top 10. Written by Charlotte Caffey and Kathy Valentine, it’s a bit of an outlier due to the prominence of the piano.

Written by Charlotte Caffey and Jane Wiedlin, “Turn to You” – the second track and single (which topped out at No. 32) – better makes the case for raucous guitars.

(If you didn’t click play on the video, you should. It features a young Rob Lowe as well as four-fifths of the Go-Go’s making like Joyce Hyser in Just One of the Guys a year before that movie was released.)

Another highlight: the Jane Wiedlin-penned “Forget That Day,” a dramatic tour de force that’s also the longest song in their canon.

“I’m the Only One,” written by Kathy Valentine, Danny B. Harvey (of the Rockats) and Carlene Carter, flat-out rocks.

“Capture the Light,” another Wiedlin-penned tune, is my favorite song on the album; it features one of Belinda’s best-ever vocals and lyrics that mean more than most. “Everybody wants/To touch the stars/Take a piece of happiness/Hold on tight/Keep trying hard/To capture the light…”

As most fans know, behind the scenes the band was at loggerheads for a myriad of personal and creative reasons, with the tensions undoubtedly fueled in part by their hard slog to success. (In a sense, the LP’s cover reflects the divisions within the band.) Overnight success is rarely overnight, and the pressure to stay on top takes a toll, including on those who got there with you. As a result, on Talk Show the effervescent fun of a few years earlier is replaced by more serious – aka adult – concerns. While it may not be the equal of Beauty and the Beat, it is a great work.

It was also, despite the retro-hippie mode I was in for much of the year, my favorite album of 1984.

The track listing:

 

 

“Album of the Year” is an honorific I’ve bestowed on one album (sometimes two) every year since beginning my journey into music fandom. I started the practice one late-December evening in 1978 on a piece of looseleaf paper, selecting my favorite LP from the dozen or so LPs I owned. In time, I transferred the list to typing paper, entered it into our first computer, saved it to a floppy disc and, in the late 2000s, moved it to an external hard drive. I now have it stored in the Cloud along with all my Pages documents.

And, for the longest time, that’s all it was – a list that I returned to every year to add another line. Even when we had our Old Grey Cat website in the late ‘90s and early ‘00s, I never wrote year-end summations of my favorites – I was too busy critiquing Neil Young bootlegs. It wasn’t until 2008 on Facebook that I posted my top picks for the year; and, on and off over the next few years, I followed with missives until launching this blog on the Hatboro-Horsham Patch in 2012. (I’ve since moved to wordpress.com, obviously.)

I think I best explained the way I go about it in this 2010 post: “The candidates are drawn from what I’ve purchased, so the pool is decidedly limited in comparison to, say, what the writers at Rolling Stone or Allmusic.com are exposed to. Some years I buy a lot and some years not, primarily due to my listening habits – I play albums I love over and over and over until they become one with my subconscious (obsession, not variety, is my spice of life). So the more I like certain albums, the less overall I hear.”

I mention all this because, on the ride downtown to see Garland Jeffreys at the Tin Angel last night, Diane read my last post and was surprised to see that Talk Show by the Go-Go’s was my Album of the Year in 1984. That was the year, of course, of Bruce Springsteen’s Born in the U.S.A., Prince’s Purple Rain, the Pretenders’ Learning to Crawl and R.E.M.’s Reckoning, among others.

Does Talk Show rate with them? Even after all these years, to my ears (and heart) the answer is a resounding yes; and, to that point, I play it more often than any of those other albums. I listened to it one night just last week, in fact, and again today while writing this. The music marries pop sensibilities with a punk ethos; lyrically, it’s just plain great, touching upon love (“Head Over Heels”), peace (“Beneath the Blue Skies”) and happiness (“Capture the Light”); and Belinda Carlisle’s vocals are the thing of dreams.

That’s not to say that I feel the same about each of my past selections. Some, yes, I’d like to go back in time and re-do. I was (and am) a major McCartney fan, but London Town and Back to the Egg weren’t his best, let alone the best of their respective years. I know that now, but at the time…I was a kid on a limited budget. More recently, I’d flip my top two picks in both 2010 and 2012 – in 2010, as I wrote at the time, I relegated Rumer’s Seasons of My Soul (one of my all-time favorites) to the second slot because it hadn’t been officially released in the U.S.; and, in 2012, I was simply smitten with Susanna Hoff’s perfect solo effort, Someday – I still am, but Neil’s Psychedelic Pill has received more play in the years since, as I explained in 2014 rumination I titled On Albums of the Year & the Pono Player.

But, in a way, that’s beside the point. The list, as I see it, is less a critical exercise and more a reflection of the evolution (or lack thereof) of my musical tastes. At Diane’s urging, I’m sharing it… (and, where possible, I’ve linked to past blog posts about each of the albums or artists).

2015 – The Staves – If I Was
2014 – First Aid Kit – Stay Gold
2013 – Susanna Hoffs & Matthew Sweet – Under the Covers Vol. III
2012 – Susanna Hoffs – Someday (1); Neil Young & Crazy Horse – Psychedelic Pill (2)
2011 – Juliana Hatfield – There’s Always Another Girl
2010 – Tift Merritt – See You on the Moon (1); Rumer – Seasons of My Soul (2)
2009 – Diane Birch – Bible Belt
2008 – Juliana Hatfield – How to Walk Away
2007 – Maria McKee – Late December
2006 – The Dixie Chicks – Taking the Long Way
2005 – Juliana Hatfield – Made in China
2004 – Juliana Hatfield – in exile deo
2003 – Maria McKee – High Dive
2002 – Neil Young – Are You Passionate?
2001 – Natalie Merchant – Motherland
2000 – Juliana Hatfield – Beautiful Creature
1999 – Natalie Merchant – Live in Concert
1998 – Lucinda Williams – Car Wheels on a Gravel Road
1997 – Steve Earle – El Corazon
1996 – Neil Young – Broken Arrow; Maria McKee – Life Is Sweet (tie)
1995 – Natalie Merchant – Tigerlily
1994 – Neil Young & Crazy Horse – Sleeps with Angels
1993 – Maria McKee – You Gotta Sin to Get Saved
1992 – 10,000 Maniacs – Our Time in Eden
1991 – Mary Black – Babes in the Wood
1990 – Rosanne Cash – Interiors
1989 – Neil Young – Freedom
1988 – Steve Earle – Copperhead Road
1987 – 10,000 Maniacs – In My Tribe
1986 – Paul Simon – Graceland; Bangles – Different Light (2)
1985 – Lone Justice – self-titled debut; Long Ryders – State of Our Union (2)
1984 – The Go-Go’s – Talk Show; Prince – Purple Rain (2)
1983 – Neil Young – Trans
1982 – Paul McCartney – Tug of War
1981 – Neil Young & Crazy Horse – re*ac*tor (1) / Go-Go’s – Beauty & the Beat (2)
1980 – Bob Seger & the Silver Bullet Band – Against the Wind
1979 – Wings – Back to the Egg
1978 – Wings – London Town