Posts Tagged ‘Caroline Spence’

Live music is better. At its best, in concert, time trips over itself and lands you smack dab in that sweet spot of spacetime where the earth doesn’t whirl, clocks don’t tick, and nothing much matters beyond the rhythms and melodies rolling like the sonic waves they are from stage to shore.

Such was the case, at any rate, when Caroline Spence and her band headlined the Cat’s Cradle back room in Carrboro, N.C., on June 5th – our first time at the legendary club. For those unaware of her, which I suspect is many, she’s a country-tinged singer-songwriter whose music conjures, among others, Mary Chapin Carpenter, Sheryl Crow, Patty Griffin, Emmylou Harris and Lucinda Williams.

“The Long Haul,” about what Merle Haggard dubbed “White Line Fever” (aka life on the road), opened her 80-minute (give or take) set in perfect fashion, given that she and her band drove straight from Nashville for the gig (a 7 1/2-hour journey according to Apple Maps): “Town after town and it’s all the same/They say expecting something different’s the definition of insane/But here I go, I follow those highway stripes leading the way/Down that fine line between making a living and digging your grave.” Here’s the studio track:

One highlight was “Wait on the Wine.” Here she is, a few nights earlier, performing it at Atwood’s Tavern in Cambridge, Mass.:

Another highlight: “Sit Here and Love Me”:

The bulk of the set, which was split by a solo-acoustic turn in its center, was drawn from her stellar 2019 release on Rounder Records, Mint Condition, though she worked in quite a few older tunes, too. My favorite moment came with “Who Are You,” which floated through the ether like a long-lost Emmylou Harris & Spyboy track:

Although you can’t see them in the clip, her backing band – Charlie Whitten on guitar, Luke Preston on bass, and drummer Aaron Shafer-Haiss – was phenomenal. Another moment when they shined was  “Slow Dancer,” a track from her 2017 Spades & Roses album. Here’s the studio version:

The night ended with her rendition of Lucinda Williams’ “Passionate Kisses,” which she first heard via Mary Chapin Carpenter when she was 6. It quickly became, and still remains, one of her favorite songs.

In short, good times never seemed so good. If Caroline comes to your town, be sure to catch her. You won’t be disappointed.

 

“Tucson Train,” the latest tune released from Bruce Springsteen’s forthcoming Western Stars album, is another trek through the windswept sounds of a distant era. Like “Hello Sunshine,” it conjures the Jimmy Webb-penned classics of Glen Campbell, this time while spinning the tale of a man who fled his life in San Francisco in order to save himself from himself: “I come here looking for a new life/one I wouldn’t have to explain/to that voice that keeps me awake at night/when a little peace would make everything right.”

And, with that, here’s today’s Top 5: Boss Sounds.

1) Caroline Spence – “Racing in the Streets.” Caroline Spence’s Mint Condition (which, due to time constraints, I’ve yet to review) is as stunning and strong an album as I’ve heard all year. Here she is, two years back…

2) Nichole Wagner – “Tougher Than the Rest.” The Austin-based singer-songwriter recently released last year’s and the sky caught fire on vinyl – it comes with a cool baseball card, and is well worth the investment. Likewise, this understated performance of the Tunnel of Love tune is well worth a listen:

3) Steve Earle & the Dukes – “State Trooper.” Is this the greatest cover of a Bruce song? Perhaps not, but it definitely ranks near the top. (That said, if Jade Bird ever covers this Nebraska song, that rendition is sure bet to become the best ever.) 

4) LeAnn Rimes – “Secret Garden.” LeAnn is anything but blue during this mesmerizing spin on the oft-forgotten (at least be me) Springsteen song.

5) Soccer Mommy – “I’m on Fire.” Although not as mesmerizing a performance as the Staves’, this is a solid cover that’s grown on me.