Posts Tagged ‘Don’t Let Me Down’

In my Top 5 on Sunday, I mentioned about Weller that “there’s a whole host of covers to be had via the YouTube rabbit hole.” His willingness to share and pay tribute to his inspirations in concert and/or on vinyl is just one of the many cool things about him – and some of those recorded efforts, such as “Stoned out of My Mind” by the Jam, rate among my favorite sides of his.

Anyway, today at work, I began wondering if he’d covered John Lennon’s “Well, Well, Well” – but, if he ever did, it’s not on YouTube. There are tons of Fab-related tunes, however…

1) “Ticket to Ride” –

2) “All You Need Is Love” –

3) “Sexy Sadie” –

4) “Birthday” –

5) “Don’t Let Me Down” (with Stereophonics) –

6) “Come Together” –

And here are his spins on two JL classics…

7) “Instant Karma” –

8) “Love” –

And, just because, here are his takes on two Neil Young songs…

9) “Birds” –

10) “Out on the Weekend” –

And one bonus: Circling back to Sunday’s Top 5, which featured Bob Dylan’s cover of this classic Dion single, here’s Weller’s take…

11) “Abraham, Martin & John” –

Juliana Hatfield has a new album, Pussycat, due out at the end of the month – on the 28th, to be specific, four days after we’re slated to see her in Philly. Here’s a taste:

I lead with that simply because…well, why not?

But way back in 2004, just about this time of year, I was anxiously awaiting another of her albums – in exile deo, which was due on May 15th. That set earned many plaudits, including – at year’s end – the Old Grey Cat’s much-ballyhooed Album of the Year Award.

After its release, I wrote on the (original) Old Grey Cat website that in exile deo “is a tour de force packed with tasty, guitar-driven melodies and lush, to-die-for vocals – and may well be her best recorded effort yet.” I also observed that “introspective may well be the keyword for Juliana’s recorded oeuvre as a whole. With her wistful, vulnerable vocals and oft-wounded lyrics set aside sarcastic, spiteful rejoinders accented by jangling guitars, listening to a Juliana album can, at times, feel like you’re listening to an audio diary. in exile deo maintains that feel. Many songs ache; others mix sly asides with brash confessions. The acoustic ‘Tomorrow Never Comes,’ written by Dot Alison, quivers with hurt and regret. It’s fragile beauty in a song. Fragile beauty buttressed by strength, I hasten to add.”

Anyway, not long thereafter, I did what I often did in those days: I created a best-of CD for the car that incorporated some of the new tunes. Such endeavors can be maddening endeavors – so much good music, so little room! But I managed to squeeze in quite a bit, including a few of my favorite Blake Babies songs.

Below is the cover art, which I found on one of my external hard drives this morning, as well as a YouTube recreation of the mix itself. (Click play and it should play straight through.) Unfortunately, I had to drop “Yeh Yeh” (from the Fathers & Sons soundtrack) as it’s not available on YouTube. In its stead: “You Are the Camera” from Bed.