Posts Tagged ‘Dusty Springfield’

A Song Roundup: Up on the Roof

Posted: July 28, 2019 in 1960s, 1970s, 1990s, 2000s, 2010s, Bruce Springsteen, Carole King, Dusty Springfield, Gerry Goffin, James Taylor, Julie Grant, Kenny Lynch, Laura Nyro, Neil Diamond, Robson & Jerome, Song Roundup, The Drifters
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Is there a better song than “Up on the Roof”?

According to Rolling Stone, the answer is yes – 113 songs, to be precise, as the original rendition by the Drifters, which was released in 1962, ranks No. 114 on Rolling Stone’s “500 Greatest Songs of All Time” list, which was put together in 2004.

I rate it higher.

Written by the husband-and-wife team of Gerry Goffin and Carole King, the single peaked at No. 5 on the pop charts and No. 4 on the R&B charts in early 1963. In the years since, it’s been covered by an array of artists, both in concert and on vinyl. The idea for the song came to King – who was all of 20 at the time – while she was out for a drive; her original title was “My Secret Place.” Goffin suggested the roof as the escape destination, as he was a West Side Story fan, and penned poetic lyrics that echo a universal truth. (American Songwriter delves deep into the song’s sophistication here.) 

Here’s the demo for it, which features Goffin singing and King playing piano.

As wonderful as the Drifters’ single is, however, it flopped in England – but East London-born Kenny Lynch’s version made it to the Top 10.

Up-and-coming singer Julie Grant made her U.K. chart debut with the song right around the same time.

In 1970, fellow New Yorker Laura Nyro recorded it for her Christmas and the Beads of Sweat album; it became her sole single to crack the Top 100, peaking at…No. 97?!

That same year, Carole King recorded it for her debut album, Writer.

A year later, Dusty Springfield performed it on the BBC’s The Rolf Harris Show…

In 1975, Bruce Springsteen and the E Street Band covered it in concert:

In 1979, James Taylor – who had performed it with Carole King on Writer and their early tours together – scored a Top 40 hit with it.

Jumping ahead a few decades, Neil Diamond covered it on his 1993 salute to Brill Building songs…but the orchestral touches are a tad over the top, IMO.

The British pop duo Robson & Jerome topped the U.K. charts with their faithful cover of it in 1995…

 … and actor-singer Sutton Foster does a sweet version of it on her 2009 debut album, Wish.

There are far too many additional covers of the song to list here, so I’ll close with this: Carole King and James Taylor at the Troubadour in 2010. does it get any better than this?

Today’s Top 5: Songs I’d Pay Diane Birch to Cover (If I Had the Cash)…

Posted: October 6, 2018 in 2010s, 2018, Diane Birch, Dusty Springfield, Laura Nyro, Linda Ronstadt, Neil Diamond, Paul Weller, PledgeMusic, Sandy Denny, Style Council, Top 5
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I rarely discuss matters of faith, but – when or if pressed – will confess to membership in the cross-denominational Church of Birch, whose charismatic prelate turns on the light of love and salvation in her melodic testimonies.

I’m speaking of singer-songwriter Diane Birch, of course.

Yesterday, she unveiled a PledgeMusic project. One could say she’s passing the donation plate to fund her next album, and promising a plethora of cool premiums in return. I pledged last night, though not for the premium I most desire – a cover song of my choice. That clocks in at a reasonable $400; if not for our impending move, and the upfront costs that will entail, I’d have clicked on it without a second thought. (Instead, I’m settling on the dream journal and USB thumb drive of demos.)

The Pastor Birch has a knack for turning the songs of others into her own. The first time we saw her live, in July 2009, she turned a fun rendition of Tom Petty’s “You Don’t Know How It Feels” into a way-cool moment by linking it with the Beatles’ “I Got a Feeling.” The second time we saw her, in 2010, it was a Hall & Oates song – “Rich Girl,” I believe. And in-between those two shows, on French TV, she turned in a mesmerizing spin of Gossip’s “Heavy Cross” that spliced in a little Screamin’ Jay Hawkins…

Which leads to today’s Top 5: Songs I’d Pay Diane Birch to Cover (If I Had the Cash)… 

1) Carole King/Gerry Goffin – “Up on the Roof.” My first choice. Simply put, it’s one of the greatest songs ever written…and Diane would send it into the stratosphere. Here’s Dusty Springfield’s take on it…

2) Laura Nyro – “The Sweet Sky.” My Diane’s first choice would be this deep cut from Laura Nyro’s 1978 Nested album.  (That’s Felix Cavaliere of the Rascals on electric piano, by the way.)

3) Paul Weller – “The Soul Searchers.” From Weller’s recent five-star album, True Meanings, this song is perfect fit for DB. I think she’d do wonders with it.

4) Neil Diamond – “Holly Holy.” DB would slay this stirring stream-of-consciousness song. It’s perfect for her.

5) Sandy Denny – “I’m a Dreamer.” Recorded for Sandy’s final studio album, Rendezvous, in 1977. Here’s an alternate take from the Notes and Words box set. (It’d go doubly well with DB’s own “Stand Under My Love.”)

And two bonuses…

6) Karla Bonoff – “Someone to Lay Down Beside Me,” which was recorded by Linda Ronstadt for her 1976 Hasten Down the Wind album. 

7) Style Council – “Shout to the Top.” I realized, looking at the first six picks, that I’d leaned hard on mid-tempo tunes. Here’s a remedy…and what a remedy!

A Song Roundup: This Guy’s in Love With You/This Girl, Too

Posted: June 9, 2018 in 1960s, 1968, 1969, 1970, 1970s, 1980s, 1982, 2000s, 2010s, 2014, 2016, Aretha Franklin, Burt Bacharach, Diana Ross, Dionne Warwick, Dusty Springfield, Hal David, Herb Alpert, Petula Clark, Rumer, Sammy Davis Jr., She & Him, Smokey Robinson & the Miracles, Song Roundup, The Reels, The Supremes, The Temptations
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As I mentioned in Friday’s countdown, “This Guy’s in Love With You” may well have been lost to time if not for Herb Alpert reaching out to Burt Bacharach and asking if he had any old tunes lying around that had never been recorded. Bacharach offered him “This Guy.” Alpert liked the melody, that there was a break where he could insert a trumpet solo, and that it didn’t require vocal gymnastics on his part. He was a horn player, after all, not a singer.

That clip comes from Alpert’s TV special The Beat of the Brass, which aired on CBS on April 22, 1968. The 45 was released the same month, and flew up the charts, eventually spending four weeks at No. 1 and becoming the year’s seventh most popular single.

The song’s soothing, sweet melody can’t be denied; it lingers with you long after the song is over. Lyrically speaking, it’s the declaration of a head-over-heels guy (or gal) laying it on the line to his dream gal (or guy). It works equally well no matter the gender of the singer, or who they’re singing to. Love is love, after all.

Anyway, it quickly became one of those songs every vocalist of note wanted to sing, and I thought it might be fun to spotlight some of those other versions here. Dusty Springfield, for example, recorded it for her Dusty…Definitely LP, released on November 22, 1968 – not that folks in the U.S. heard it (except via import). Dusty was on different record labels in the U.S. and the U.K., and Atlantic – her American home – decided not to release the album. It wouldn’t become available in the States until 1972, when it was included on the A Tribute to Burt Bacharach compilation LP. (It’s since been included on a handful of best-of/rarities collections, including Dusty in London.)

Here’s the audio of her singing it on the All Kinds of Music TV special, which was broadcast in the UK on Christmas Day 1968:

That same November, the Temptations and the Supremes released their own version on Diana Ross & the Supremes Join the Temptations LP.

Before both of them, however, Petula Clark included her rendition of it on her 1968 Petula LP, which was released in the U.S. in September 1968.

Dionne Warwick, a frequent collaborator with Burt Bacharach and Hal David, also recorded it for her Promises, Promises album, which was also released in November 1968. It would become one of her greatest hits when it was released as a single the following year; it rose to No. 7 in the charts.

Also in 1969, Ella Fitzgerald covered it on her Sunshine of Your Love album. Here she is on TV performing it…

Sammy Davis Jr. also laid down a jazzy rendition of it on The Goin’s Great the same year. Here he is in Germany:

In early 1970, Aretha Franklin released her This Girl’s in Love With You album, though the song wasn’t issued as a single.

That same year, Smokey Robinson & the Miracles covered it on their whatlovehas… concept album.

Hundreds of others have covered it in the years since (and thousands more in karaoke bars). In 1982, the Reels – an Aussie pop-rock band – scored a No. 7 hit with it Down Under:

In 2009, jazz-pop singer Jane Moneheit included her dreamy take on the song on her The Lovers, the Dreamers and Me album:

Here’s She & Him (Zooey “One Day You’ll Be Cool” Deschanel & M. Ward) from their 2014 album Classics:

Finally, British singer-songwriter Rumer released her rendition of it on This Girl’s in Love: A Bacharach & David Songbook in late 2016. (That’s Burt Bacharach himself at the song’s start.) It and Dusty’s are my favorite versions, though every rendition has something going for it.

Today’s Top 5: 10 All-Time Favorite Albums, Part 2

Posted: April 22, 2018 in 10000 Maniacs, 2010s, 2018, Bruce Springsteen, Courtney Marie Andrews, Dusty Springfield, Joan Jett, Juliana Hatfield, Natalie Merchant, Stephen Stills, The Jam, Top 5
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Fun, but frustrating. That, in a nutshell, summarizes my reaction to the Facebook challenge of naming 10 all-time favorite albums over the course of 10 days. I have far more than 10 all-time favorites, many of which are equally weighted on the scale I employ to rate records. (Among my measurements: “wondrous,” “wow. just wow,” “sublime,” “mesmerizing,” “transcendent” and “it takes you there, wherever there is.”)

Selecting them also meant adopting a different mindset than when choosing my ballyhooed Album of the Year honor. There, I look back at what I’ve bought and played most often during the previous 12 months, and gauge what resonated with my soul at such a deep level that I know, just know, I’ll be listening to it for the rest of my life. (Sometimes I’m right, sometimes I’m wrong.)

Memes weren’t created to be fair, however, but to entertain. And, with that, here’s today’s Top 5: 10 All-Time Favorite Albums, Part 2. (Part 1 can be found here.)

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Day 6: Juliana Hatfield – in exile deo. I’ve yet to feature this album in my “Essentials” series, but will at some point. It’s one of Juliana’s best albums – and her second to nab my esteemed Album of the Year honor.

Day 7: Joan Jett & the Blackhearts – I Love Rock ’n Roll. It may not be Joan’s best album (her debut, Bad Reputation, is likely that), but it’s her most important – and, in my estimation, one of the most important albums in rock history. Thus, its “Essential” status. 

Day 8: 10,000 Maniacs – Our Time in Eden. As perfect an album ever released, in my opinion. And another “Essentials” pick.

Day 9: Stephen Stills – Manassas. A two-LP (now one-CD) gem. Another “Essentials” pick.

Day 10: Bruce Springsteen & the E Street Band – Darkness on the Edge of Town. This 1978 album is one of the greatest albums of all time. What’s amazing about it, to me, is that the themes that Springsteen explores, both lyrically and musically, speak to their time and to all times. (It’s a future “Essentials” pick, in other words.)

And a three non-Facebook bonuses…

Day 11: Dusty Springfield – Dusty in Memphis. Another perfect record. And another “Essentials” pick.

Day 12: The Jam – Snap!. One of the greatest best-of compilations to be released on vinyl, and a set I’ve listened to as much in the past year as I did in the first year I bought it. It never grows old. (It’s an “Essential,” in other words.)

Day 13: Courtney Marie Andrews – Honest Life. It may be a relatively recent album, and as such doesn’t qualify for “essential” status just yet (my homegrown rule is an album has to be at least five years old for that), but it shot to the top of my internal charts the moment I heard it, and hasn’t left. It’s everything good about music. 

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