Posts Tagged ‘E Street Band’

Here’s an unlikely opening: On May 24, 1984, President Ronald Reagan introduced the Navy’s first female ensign, Kristine Holderied, during a press event at the White House.

That clip, I should mention, is well worth watching in full. It features all of President Reagan’s public events on this specific day. In addition to Holderied, he meets with National Wildlife Federation president Jay Hair; the Multiple Sclerosis Society’s mother and father of the year; AMVETS’ commander; and Chiu Luu, who arrived in this country from Vietnam in 1979. Luu, I should mention, taught himself English after arriving on these shores and, by the time of this meeting with America’s 40th’s president, was graduating as valedictorian from City College of New York. 

The clips are interesting for several reasons. First and foremost: Reagan’s affection for those he meets. He doesn’t seem to think of these greetings as a chore, in other words, or as something to be endured, but as events to be cherished. When you see him reading the notes on Luu prior to meeting with the young man, one sees admiration sink into his face and demeanor.

I share that, along with this: I wasn’t a fan of Ronald Reagan or many of his policies. But I did agree with him when it came to his unbridled optimism in America, and his belief in the “shining city on the hill.” He articulated it throughout his time in the public spotlight, but summarized it best in his January 1989 farewell address:

“I’ve spoken of the shining city all my political life, but I don’t know if I ever quite communicated what I saw when I said it. But in my mind it was a tall, proud city built on rocks stronger than oceans, wind-swept, God-blessed, and teeming with people of all kinds living in harmony and peace; a city with free ports that hummed with commerce and creativity. And if there had to be city walls, the walls had doors and the doors were open to anyone with the will and the heart to get here. That’s how I saw it, and see it still.”

Note that he didn’t say the doors were closed.

But back to May 24, 1984, which was a Thursday. Light rain fell in the Delaware Valley, which saw a high of 75 and low of 54. I’d just wrapped my first year at Penn State Ogontz, one of Penn State’s satellite campuses; worked as an usher at the now-defunct Hatboro Theater; and had purchased a slew of albums over the past few weeks, including the Flying Burrito Brothers’ self-titled third album on the 1st; the Buffalo Springfield’s Last Time Around on the 3rd; Gram Parsons’ G.P. and Return of the Grievous Angel, also on the 3rd; Cyndi Lauper’s She’s So Unusual on the 11th; Todd Rundgren’s Healing on the 14th; Rogers Waters’ The Pros and Cons of Hitch Hiking on the 18th; and, on the 24th, Joni Mitchell’s Blue. Yet to come: Spinal Tap’s This Is Spinal Tap and Van Halen’s 1984, both on May 29th.

And with that, here’s today’s Top 5: May 24, 1984 (via Weekly Top 40; the chart is for the week ending May 26th). Unlike other looks back, I’m going to hop, skip and jump down its rungs…

1) Deniece Williams – “Let’s Hear It for the Boy.” This effusive song, which is ingrained in my brain due to its inclusion in the Footloose movie, landed at No. 1 this week. As I said above, I worked as an usher at a movie theater – and the film flickered across our fraying screen for at least two weeks, and I worked more nights than not. Unlike the other Footloose songs, it’s one I never grew tired of.

2) Cyndi Lauper – “Time After Time.” Rising from No. 6 to No. 3 is this classic Cyndi Lauper song, which she co-wrote with Rob Hyman of the Hooters.

3) The Go-Go’s – “Head Over Heels.” In its 11th week on the charts, this infectious single reaches No. 11. Here they are performing it at the Greek Theater in August ’84…

4) John Mellencamp – “Authority Song.” Mellencamp’s “I Fought the Law” rewrite rises a notch, from No. 16 to 15…

5) The Style Council – “My Ever Changing Moods.” Further down the charts, at No. 34 (up from No. 36), is this classic tune from Paul Weller’s second band. It was the lead single from the Style Council’s debut album, which was titled Café Bleu in the U.K. and My Ever Changing Moods in the U.S. 

And three bonuses…

6) Bruce Springsteen & the E Street Band – “Dancing in the Dark.” Entering the charts this week, at No. 36, is this lead single from Springsteen’s now-classic Born in the USA album, which would be released on June 5th. Brian De Palma directed the video, which features a young Courteney Cox as the fan the Boss picks to dance with him on stage.

7) Joe Jackson – “You Can’t Always Get What You Want (’Til You Know What You Want).” Jackson’s Body and Soul, from which this song is drawn from, is a true overlooked gem. That this song would eventually hit No. 15 was a surprise to me then and now, given how out of step it was with the times. This week, it’s still on its slow upwards climb, landing at No. 29.

8) Wang Chung – “Dance Hall Days.” One of the week’s power plays, at No. 45, is this nostalgic New Wave pop tune from the U.K. band. In a sense, their “Come Dancing” or “Ballroom Dancing”… 

Fun, but frustrating. That, in a nutshell, summarizes my reaction to the Facebook challenge of naming 10 all-time favorite albums over the course of 10 days. I have far more than 10 all-time favorites, many of which are equally weighted on the scale I employ to rate records. (Among my measurements: “wondrous,” “wow. just wow,” “sublime,” “mesmerizing,” “transcendent” and “it takes you there, wherever there is.”)

Selecting them also meant adopting a different mindset than when choosing my ballyhooed Album of the Year honor. There, I look back at what I’ve bought and played most often during the previous 12 months, and gauge what resonated with my soul at such a deep level that I know, just know, I’ll be listening to it for the rest of my life. (Sometimes I’m right, sometimes I’m wrong.)

Memes weren’t created to be fair, however, but to entertain. And, with that, here’s today’s Top 5: 10 All-Time Favorite Albums, Part 2. (Part 1 can be found here.)

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Day 6: Juliana Hatfield – in exile deo. I’ve yet to feature this album in my “Essentials” series, but will at some point. It’s one of Juliana’s best albums – and her second to nab my esteemed Album of the Year honor.

Day 7: Joan Jett & the Blackhearts – I Love Rock ’n Roll. It may not be Joan’s best album (her debut, Bad Reputation, is likely that), but it’s her most important – and, in my estimation, one of the most important albums in rock history. Thus, its “Essential” status. 

Day 8: 10,000 Maniacs – Our Time in Eden. As perfect an album ever released, in my opinion. And another “Essentials” pick.

Day 9: Stephen Stills – Manassas. A two-LP (now one-CD) gem. Another “Essentials” pick.

Day 10: Bruce Springsteen & the E Street Band – Darkness on the Edge of Town. This 1978 album is one of the greatest albums of all time. What’s amazing about it, to me, is that the themes that Springsteen explores, both lyrically and musically, speak to their time and to all times. (It’s a future “Essentials” pick, in other words.)

And a three non-Facebook bonuses…

Day 11: Dusty Springfield – Dusty in Memphis. Another perfect record. And another “Essentials” pick.

Day 12: The Jam – Snap!. One of the greatest best-of compilations to be released on vinyl, and a set I’ve listened to as much in the past year as I did in the first year I bought it. It never grows old. (It’s an “Essential,” in other words.)

Day 13: Courtney Marie Andrews – Honest Life. It may be a relatively recent album, and as such doesn’t qualify for “essential” status just yet (my homegrown rule is an album has to be at least five years old for that), but it shot to the top of my internal charts the moment I heard it, and hasn’t left. It’s everything good about music. 

I’d planned to trip back in time today to the fabled Summer of Love, but found myself distracted by the events of the present.

As I write, Hurricane Irma is ravaging Florida’s west coast. We’ve weathered a few hurricanes here in the Delaware Valley through the decades, though nothing of Irma’s magnitude – we’re far enough inland that they’re generally teetering on tropical status by the time they reach us. But I remember one – Irene I believe, in 2011 – that found Diane and I, and our wooly bully of a cat, huddled in our stairwell (the safest place in our old apartment) while the storm thrashed outside and tornado warnings flashed incessantly on our cell phones.

Storms (of all kinds) eventually pass, just never as fast as we would like.

1) Which leads to the first entrant in today’s Top 5, “Waitin’ on a Sunny Day” by Bruce Springsteen and the E Street Band. Springsteen wrote it following a storm of another stripe, of course, and paired the joyous melody with bittersweet lyrics about overcoming grief.

2) Storms, as evidenced by that Bruce song, work well as metaphors. This Nanci Griffith song, which was penned by her former husband, Eric Taylor, is another example…

3) …as is this one from the Nobel Prize-winning bard, Bob Dylan:

4) There’s also this classic from Neil Young:

5) And, finally, “Shelter” from Lone Justice, a song I could play on a loop for weeks on end.

Can it be? Thirty-three years ago as I write, I was basking in the glow of having just seen Crosby, Stills & Nash show at the Mann Music Center, an open-air venue, in Philly. The ticket stub for the concert, which was paper clipped into my Doonesbury-themed desk diary for decades, is currently AWOL…not that it matters much. I have my memories.

Two weeks earlier, on July 24th, I saw Roger Waters (with Eric Clapton on guitar) at the Spectrum – another great show despite the former Pink Floyd bassist chiding the audience to “stop the fookin’ whistling.” (He apologized after intermission; in England, he said, whistles equate with boos, but Eric explained to him that in the States – or, at least, Philly – they equate with cheers.) And nine days later, on the 14th, I found myself at the back of the Mann’s ample lawn, right where it turns to pavement, to see Huey Lewis & the News.

In that same time span, I picked up three albums: Stephen Stills’ Right by You, Otis Redding’s Best of and the Byrds’ Greatest Hits, Vol. II; and, as the month unfolded, just two more: John David Souther’s Home by Dawn and Jefferson Airplane’s Volunteers, which I already owned on cassette but wanted on vinyl. I wasn’t quite walking in lockstep with pop culture, in other words, though I owned eight of the top 25 albums listed in this month’s Record charts.

And if you’re feeling a slight twinge of deja vu – that’s because, yes, we have been here before. My plan to spin this intro into a Top 5 based on this month’s Record magazine has been waylaid by forgetfulness on my part: Once I retrieved said issue from the temperature-controlled vault and saw the cover…oops. l featured it in a Top 5 on January 30, 2016.

What I didn’t say then, but will share now: Those few purchases were due to me being out of work for a spell: The single-screen Hatboro Theatre, where I worked (and worked, and worked) as an usher for the previous year, closed its doors for the final time on Sunday, July 22nd. To rephrase a Joni Mitchell lyric, they paved paradise and put up a Wendy’s. (That’s me in the doorway in the accompanying picture, which I scanned way back in 2003; if I ever come across the original photo again, and it’s here somewhere, I’ll scan it at a higher resolution.)

There was good news on the horizon, however: On the same day that I saw Huey Lewis, I interviewed for and scored a new job as sales associate at a major department store – in the Domestics department. I learned to fold towels and sheets, and keep my cool when accosted by overzealous customers.

Also, an interesting side note – as my desk diary shows, the day before that CSN concert, I received the bill for the fall semester at Penn State Ogontz, which was one of a dozen-plus PSU satellite campuses scattered across the commonwealth. The total cost: $1123. Today, to attend the same campus – which has since been renamed Penn State Abington – the cost is $6770 for tuition, $236 for the student fee and $252 for the Information Technology Fee – $7258 altogether. That’s more than twice the (cumulative) rate of inflation! That’s just not right.

In the wider world, the dominant stories in the news revolved around the Summer Olympics, which were taking place in L.A. The presidential race between incumbent Ronald Reagan (R) and challenger Walter Mondale (D) was in the offing, but the campaign was on the back burner – unlike today, political campaigns were not year-round exercises. The economy was doing okay, but not great: Unemployment stood at 7.5 percent on August 1st; and inflation was 4.29 percent.

Popular movies of the summer included the feature-length music video known as Purple Rain, which opened on July 27th; Ghostbusters and Gremlins, which had been in the theaters since June 8th; and not Police Academy, which was released in March and, at this point in time, was past the end of its life cycle. (Those were the kinds of films the Hatboro Theatre had towards the end.) On the TV front – aside from the Olympics, everything was in repeats. TV in the summertime was always dull, in those days; the (wrong) assumption was that few people watched.

Anyway, enough of this voluminous intro. Here’s Today’s Top 5: 33 Years Ago Today (Aug. 6, 1984), though the charts – courtesy of my go-to site for such things, Weekly Top 40, are for the week ending the 4th. They’re the top songs of the week.

1) “When Doves Cry” by Prince. The now-classic ode to pigeon love ruled supreme for the fifth week in a row.

2) “Ghostbusters” by Ray Parker Jr. The theme to the original Ghostbusters clocks in at No. 2.

3) “State of Shock” by the Jacksons with Mick Jagger. Moving up from No. 4 to No. 3 is this unlikely collaboration…

4) “Dancing in the Dark” by Bruce Springsteen & the E Street Band. Slipping to No. 4 from No. 3 is this great song from the Boss, which remains a delight to hear in concert.

5) “What’s Love Got to Do With It” by Tina Turner. In its 11th week on the charts, this instant classic – which, according to Wikipedia, had been first offered to Cliff Richard(!) – jumps from No. 9 to No. 5 on its way to No. 1.

And a few bonuses…

6) “The Glamorous Life” by Sheila E. This semi-mainstay of today’s oldies radio (at least as heard on WOGL-FM in Philly, which I’ve been groovin’ to of late) reaches its top spot on the charts this week…No. 31.

7) “Cruel Summer” by Bananarama. The seventh single by the British girl group was its first U.S. top 10 single. Here, in its third week of release, it’s one of the “power plays,” jumping from No. 55 to 43.

8) “Let’s Go Crazy” by Prince. And, to bookend this Top 5, here’s another chart entry from the Purple One, a “power play” that enters the charts at No. 45.