Posts Tagged ‘Harvest Moon’

If I could turn back time, one thing I’d do – aside from noting the digits of a Powerball drawing – would be to expand my music-discovery process. Among other things, I’m still vexed that Lucy Rose’s tuneful musings escaped my notice until early 2017, when the Staves shared one of her songs on social media. 

Given that I routinely scour the music magazines and blogs for new artists and releases, the oversight leaves me apoplectic. How could I have missed someone so good for so long?

For those unfamiliar with the British singer-songwriter, she’s released three studio albums, a live set and a remix disc since 2012. Wikipedia fills in more of the blanks, but her best-known song is probably one of her first: “Shiver,” from her debut, Like I Used To, which broke semi-big a few years later when it was used as the theme during Season 2 of the popular Mushishi anime series. Here she is, pre-debut in 2011, singing it on The Crypt Sessions. 

As you can hear, she’s essentially a diamond cutter who crafts precise, heartfelt gems from the vagaries of her life. In 2015, she told The 405, “Lyrics really are my hardest thing. I find them so hard, and a real challenge sometimes. To find something to write about and know what I want to say. You know, I don’t just want to write about anything, and write something for the point of writing a song. If I don’t have anything to say, then I feel like there really isn’t any point.”

That approach, of writing about what means the most to her, still echoes in her work. Check out the hypnotic “Solo(w)” from her No Words Left album, which is due out on March 22nd:

Also from No Words Left: the equally powerful “Conversation.”

Echoes of other artists, though not other songs, can be heard in those tunes, of course. As she explained to Arcadia Online in 2015, “I went through that whole stage when I was first starting out where I went into the back catalogues and listened to every Joni Mitchell album and every Neil Young album, and they’re those things that I’ll always go back to consistently.” She shared more influences in 2017 with The Pool, when she also incorporated Nico, Nick Drake, Carole King and Tom Waits into a playlist of influences. She also included all of them, plus others, in this Music Radar countdown of her top albums of all time. It makes me yearn to hear her sing something from Neil’s Harvest… but Harvest Moon works. This is delightfully sweet:

I wouldn’t be surprised if, somewhere along the way, she also cited Jackson Browne as an influence. Like him, she has an eye for incorporating details that add depth and weight to her songs. Here, she covers “These Days” – which was first sung by Nico in 1967 – on the BBC in 2013:

Speaking of cover tunes (and possible influences), here she is singing Dolly Parton’s “9 to 5” on Fearne Cotton’s last Radio 1 show in 2015.

But enough covers. Here she serves up a haunting rendition of “Is This Called Home,” from her 2017 album Something’s Changing, for 7 Layers:

And, finally… I’ve featured this song many times on the blog since its 2017 release. How it didn’t become a massive hit escapes me, still.

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All in all, as I remember it, 1992 was a good year. In the spring, Diane and I flew the friendly skies to Californ-i-a, where we toured Hollywood and Beverly Hills, explored Haight-Asbury and Fisherman’s Wharf, and mined for gold in the hills of Nevada City. (That’s me, in San Francisco, above. I was 26.) And, in the fall, we saw one of my Top 10 Concerts of All Time: 10,000 Maniacs at the Mann Music Center in Philadelphia.

screen-shot-2017-01-16-at-11-03-06-amIn between, and before and after, we saw many good-to-great shows, beginning in January with John Mellencamp at the Philadelphia Spectrum and ending with…well, my memory’s blank. The early ‘90s have blurred together for me, and rather than list an act we may have seen in 1991, ’93 or ’94, I’ll share the certainties: Neil Young at the Tower Theater (from the very last row in the balcony); Bruce Springsteen and the Non-Street Band four times at the Spectrum; Shawn Colvin at the TLA; and Graham Parker with Lucinda Williams at the Trocadero. We also took in Billy Bragg, Nanci Griffith and others at the WXPN Singer-Songwriter Weekend at Penn’s Landing – unlike their mid-summer fetes nowadays, it was free.

Of the uncertainties: the Tin Angel, which is slated to close next month, opened its doors that year; and the Chestnut Cabaret was still open. I’m sure we saw shows at both venues. The Keswick Theater in Glenside was open for business, too, and we definitely saw a show or two there…though who, I can’t say. The Valley Forge Music Fair was another favorite concert stop – provided there was someone we wanted to see, of course. (And we did see Trisha Yearwood there on her Hearts in Armor tour…but that could have been 1993.)

Diane and I, by then, were also in the sandboxed universe of Prodigy.

In the wider world, Microsoft released Windows 3.1 in April; riots in L.A. erupted in April after four LAPD officers were acquitted of using excessive force against Rodney King; Johnny Carson retired from The Tonight Show and Jay Leno was named as his replacement; the siege at Ruby Ridge in Idaho helped spark the antigovernment/militia movement that culminated in 1995 with the Oklahoma City bombing; and Bill Clinton won that fall’s presidential election.

Oh, and there was one other important event this year: Bob Fest!

And, with that, today’s Top 5: My Top Albums of 1992.

1) 10,000 Maniacs – Our Time in Eden. As I mentioned in this Top 5, I pretty much played this, the studio swan song of the 10,000 Maniacs with Natalie Merchant, nonstop – well, as close to nonstop as possible. It’s everything I love about music: It’s poppy, rocky, bright, light and deep, with melodies that soar and lyrics that, if one listens to them, mean more than most. The juxtaposition of the jangly with the profound is something I adore.

2) R.E.M. – Automatic for the People. Released on October 6th, the same day as Our Time in Eden, this classic offering from R.E.M. is just that – a classic. “Hey, kids, rock ’n’ roll…”

3) Neil Young – Harvest Moon. So, perhaps, my memory is playing tricks with me: Although I remember playing Our Time in Eden nonstop…this low-key classic from Neil Young, released on October 27th, received much attention from me (as did R.E.M.’s Automatic for the People, for that matter). Of note, in typical Neil fashion, he toured with the album long before it was released; when we saw him in March, he pretty much played the entire album with just a smattering of past favorites.

4) Lucinda Williams – Sweet Old World. Above, I mentioned having seen Graham Parker and Lucinda in concert this year – one of the more unlikely pairings we’ve witnessed, really. Guitarist Gurf Morlix was with her, and he was just phenomenal; and by the time she and the band left the stage…well, I have no memory of Parker, who was the headliner. Which speaks volumes, given that I remember quite a bit about Lucinda’s set – “Hot Blood,” especially.

5) Suzanne Vega – 99.9F. Up until this point, Suzanne was a somewhat conventional urban folkie. On this album, however, she expanded her straightforward sound to include electronic textures and seductive rhythms. The title song is a masterpiece; and the album is, too.

There were quite a few other solid albums released this year: Juliana Hatfield’s solo debut, Hey Babe; Bruce Springsteen’s Human Touch and Lucky Town; Tracy Chapman’s Matters of the Heart; Robert Cray’s I Was Warned; the Lemonheads’ It’s a Shame About Ray; Mary Chapin Carpenter’s Come On Come On; Gin Blossoms’ New Miserable Experience; Trisha Yearwood’s Hearts in Armor; the Jayhawks’ Hollywood Town Hall; Keith Richards’ Main Offender… and another longtime favorite of mine, Neneh Cherry’s jazzy Homebrew. Here’s “Move With Me” from it: