Posts Tagged ‘I See You’

Juliana Hatfield has a new album, Pussycat, due out at the end of the month – on the 28th, to be specific, four days after we’re slated to see her in Philly. Here’s a taste:

I lead with that simply because…well, why not?

But way back in 2004, just about this time of year, I was anxiously awaiting another of her albums – in exile deo, which was due on May 15th. That set earned many plaudits, including – at year’s end – the Old Grey Cat’s much-ballyhooed Album of the Year Award.

After its release, I wrote on the (original) Old Grey Cat website that in exile deo “is a tour de force packed with tasty, guitar-driven melodies and lush, to-die-for vocals – and may well be her best recorded effort yet.” I also observed that “introspective may well be the keyword for Juliana’s recorded oeuvre as a whole. With her wistful, vulnerable vocals and oft-wounded lyrics set aside sarcastic, spiteful rejoinders accented by jangling guitars, listening to a Juliana album can, at times, feel like you’re listening to an audio diary. in exile deo maintains that feel. Many songs ache; others mix sly asides with brash confessions. The acoustic ‘Tomorrow Never Comes,’ written by Dot Alison, quivers with hurt and regret. It’s fragile beauty in a song. Fragile beauty buttressed by strength, I hasten to add.”

Anyway, not long thereafter, I did what I often did in those days: I created a best-of CD for the car that incorporated some of the new tunes. Such endeavors can be maddening endeavors – so much good music, so little room! But I managed to squeeze in quite a bit, including a few of my favorite Blake Babies songs.

Below is the cover art, which I found on one of my external hard drives this morning, as well as a YouTube recreation of the mix itself. (Click play and it should play straight through.) Unfortunately, I had to drop “Yeh Yeh” (from the Fathers & Sons soundtrack) as it’s not available on YouTube. In its stead: “You Are the Camera” from Bed.

I picked up new specs this summer – tinted, like my last ones and the ones before those, and the ones before those, going back decades. Insurance covered 70 percent of the overall cost, but the insurance also has rules about when coverage kicks in. An annual checkup? Yes. Lenses every year? Yes. Frames? No. Those are an every-other-year thing. Which is fine; for the minimal money I lay out every month for the insurance, I have no complaints.

It does make getting a second pair of specs, for backup purposes, a pricey affair, however. I’d keep my old ones, but my vision has changed so much, and the lenses were so scratched, that it’s not a good idea – especially now that I can see everything that I couldn’t before.

But paying the non-insurance rate for another set? Nah. Instead, I opted for 39dollarglasses.com, and wound up paying just $18 more than my out-of-pocket cost for the first pair, and that was because I chose transition lenses – sunglasses outside, crystal-clear inside. Ten days later, they arrived. They fit, I can see without issue, and like them. The lack of tint annoys me, however;  I wore them to my over-bright office one day last week and found myself near-blinded. My eyes have become accustomed to a gradient-shaded reality – a metaphor of some kind, no doubt.

So, anyway, for today’s Top 5: Vision.

  1. The Chi-Lites – “Have You Seen Her?”

2) Juliana Hatfield – “I See You”

3) Matthew Sweet & Susanna Hoffs – “I See the Rain”

4) The MonaLisa Sisters – “I Saw Her Standing There”

5) Paul McCartney & Wings – “I’ve Just Seen a Face”

And a few bonuses…

Pete Townshend – “Eyesight to the Blind”

Roberta Flack -“First Time Ever I Saw Your Face”

Suzanne Vega – “Night Vision”