Posts Tagged ‘Is This Called Home’

If I could turn back time, one thing I’d do – aside from noting the digits of a Powerball drawing – would be to expand my music-discovery process. Among other things, I’m still vexed that Lucy Rose’s tuneful musings escaped my notice until early 2017, when the Staves shared one of her songs on social media. 

Given that I routinely scour the music magazines and blogs for new artists and releases, the oversight leaves me apoplectic. How could I have missed someone so good for so long?

For those unfamiliar with the British singer-songwriter, she’s released three studio albums, a live set and a remix disc since 2012. Wikipedia fills in more of the blanks, but her best-known song is probably one of her first: “Shiver,” from her debut, Like I Used To, which broke semi-big a few years later when it was used as the theme during Season 2 of the popular Mushishi anime series. Here she is, pre-debut in 2011, singing it on The Crypt Sessions. 

As you can hear, she’s essentially a diamond cutter who crafts precise, heartfelt gems from the vagaries of her life. In 2015, she told The 405, “Lyrics really are my hardest thing. I find them so hard, and a real challenge sometimes. To find something to write about and know what I want to say. You know, I don’t just want to write about anything, and write something for the point of writing a song. If I don’t have anything to say, then I feel like there really isn’t any point.”

That approach, of writing about what means the most to her, still echoes in her work. Check out the hypnotic “Solo(w)” from her No Words Left album, which is due out on March 22nd:

Also from No Words Left: the equally powerful “Conversation.”

Echoes of other artists, though not other songs, can be heard in those tunes, of course. As she explained to Arcadia Online in 2015, “I went through that whole stage when I was first starting out where I went into the back catalogues and listened to every Joni Mitchell album and every Neil Young album, and they’re those things that I’ll always go back to consistently.” She shared more influences in 2017 with The Pool, when she also incorporated Nico, Nick Drake, Carole King and Tom Waits into a playlist of influences. She also included all of them, plus others, in this Music Radar countdown of her top albums of all time. It makes me yearn to hear her sing something from Neil’s Harvest… but Harvest Moon works. This is delightfully sweet:

I wouldn’t be surprised if, somewhere along the way, she also cited Jackson Browne as an influence. Like him, she has an eye for incorporating details that add depth and weight to her songs. Here, she covers “These Days” – which was first sung by Nico in 1967 – on the BBC in 2013:

Speaking of cover tunes (and possible influences), here she is singing Dolly Parton’s “9 to 5” on Fearne Cotton’s last Radio 1 show in 2015.

But enough covers. Here she serves up a haunting rendition of “Is This Called Home,” from her 2017 album Something’s Changing, for 7 Layers:

And, finally… I’ve featured this song many times on the blog since its 2017 release. How it didn’t become a massive hit escapes me, still.

I’ve never been good about multitasking musical passions. I’m either all-in, or searching for the next album to be all-in with. For example, from the moment NPR began streaming Courtney Marie Andrews’ May Your Kindness Remainalbum to now, some two weeks and change later, I’ve listened pretty much only to it. And why wouldn’t I? The 10 songs hit the trifecta, connecting with the heart, soul and intellect.

Oh, last Sunday, while out and about doing errands, I gave Diane (who loves the album, but isn’t as obsessive as me) a break from the madness; we listened to XPN for a spell. And I’ve cranked up a few YouTube videos, too – including this one from CMA’s Boston show on March 26th.

Yes! It’s the Stax-like song whose title escaped both Diane and I by the time we’d made it to the car after Courtney Marie’s Philly show last Saturday. I actually hear a bit of Aretha’s “Baby I Love You” in there now, which I didn’t hear last week in the frenzy of the live performance. It’s phenomenal.

But, by and large, it’s been May Your Kindness Remain (plus the “Near You” single) that I’ve been listening to, and listening to again and again. The album just keeps getting better, and my favorite songs from it keep shifting. First it was the title track and “Kindness of Strangers,” then “Rough Around the Edges” and “Took You Up.” Now? It’s “Two Cold Nights in Buffalo.”

This morning, however, I made a conscious effort to seek out something new: Dillon Warnek’s three-song EP, Demos 2018. (Dillon, for those unaware, is the guitarist playing those killer licks in “Two Cold Nights” above.) Demos 2018 is pure Dillon – and shouldn’t be ignored. The songs conjure a young Steve Earle or Townes Van Zandt, yet possess his own sense and style. Listen to the EP below, then head over to his Bandcamp page and buy it.

Then, this afternoon, my Juliana Hatfield Sings Olivia Newton-JohnXanadu” bundle (along with the Hey Babe vinyl reissue) arrived on my doorstep…

I’ve only heard the album straight through once, thus far, but… I love it. I honestly love it. I should add that I don’t think it will matter whether one came of age during ONJ’s hey day, as I did, and thus has a soft spot in the heart for the songs, only knows ONJ from Grease, or – heaven forbid – is a lifelong Juliana fan who thinks the project is a misstep. (ONJ has never had much critical cachet, after all.) The songs sound like prime Juliana, whose “prime” period – as last year’s Pussycat attests – has never ended.

I’ll have more to say about it in the weeks to come, guaranteed.

Right now, however, I have to flip the switch yet again, as we’re seeing the singer-songwriter Lucy Rose tomorrow night. We saw her open for Paul Weller last October, and she delivered a solid set despite a rather rambunctious crowd. Before an audience of her fans, I suspect she’ll be as spellbinding as her last album, Something’s Changing. Here she is at the Paste studios this past week…