Posts Tagged ‘Jackson Browne’

In many respects, the magic and mystery of music has melted away much like a tape left atop a dashboard on a hot summer’s day. And since most folks never bought pricey blocks of Maxell XLII-S and TDK-SA cassettes, or even the cut-rate packs of Realistic wonders, they don’t care. Tapes, and the music therein, hold little value to them. (This is a half-assed metaphor, I know, but bear with me.) To them, mixtapes (and even mixCDs) are a thing of yore that they never bothered with except, occasionally, as unwanted gifts.

Growing up, I believed there were two types of music fans: AM and FM. The AM set enjoyed the hit singles, while the FM variant immersed itself in albums, and that belief held even when, for music, the AM band faded to staticky silence. I’ve come to realize that I was wrong. Simply put, there are those who care deeply for music, be it the latest hits or yesteryear’s album tracks; and there are those who care deeply for background noise.

A college professor of mine, way back in the early ‘80s, observed that many people are afraid of silence – and not just when around others. He said they turned on the TV or radio when they arrived home out of an unconscious fear of being alone with their thoughts. It makes sense. In today’s world, of course the “TV or radio” usually translates to a smart phone or computer, and the noise accompanies them while they surf the modern equivalent of tabloid newspapers (aka social media).

They don’t buy music. They don’t rent it via subscription tiers. Instead, they click-click-click into readymade playlists on ad-supported streaming sites and leave it at that. A simple search within those same sites often gives one the ability to hear specific songs after commercials, too, so music – at the top tier, at any rate – has become commercial bait. (In a way, the illegal-downloading boom spurred by Napster and its clones assured that entire generations would know of no other experience.)

That my Top 5s feast at the same trough I decry is an irony not lost on me. And, with that, here’s today’s Top 5: Relics of a Bygone Age…

1) Bruce Springsteen – “Thundercrack.” A 1973 performance by Bruce and an early incarnation of the E Street Band from the Ahmanson Theater, Los Angeles.

2) Jackson Browne – “Running on Empty.” A Joel Bernstein photo montage set to the classic song, which – along with its album namesake – was reissued in remastered form on July 5th.

3) Lucy Rose – Live at Decoy Studios. Lucy’s artistry harkens back to a time when fans dropped LPs onto their turntables and studied the lyric sheets. This short set of No Words Left songs features “Conversation,” “Solo(w),” “Song After Song” and “Treat Me Like a Woman.” 

4) Caroline Spence – “Who’s Gonna Make My Mistakes.” The sterling singer-songwriter owes a big debt to ’90s-era Sheryl Crow on this Mint Condition tune. (The video was released on July 9th.)

5) Anna Calvi – Live at Salle Pleyel. The fine folks at ARTE Concert have shared this intoxicating concert, filmed earlier this year in Paris, from the always mesmerizing Ms. Calvi, who seems to have stepped through a time portal from an era when music mattered for art’s sake, not commercial gain. (It helps, of course, that she channels everyone from David Bowie to Maria McKee (circa Life Is Sweet). 

On April 14, 1978, a Friday, I woke, got ready for school and was out the door at what seemed like an ungodly hour, but not before eating breakfast and downing some orange juice. I was a 7th grader, i.e. 12 years old, and finishing the last of two years at Loller Middle School in Hatboro. (Unlike many other school districts, the Hatboro-Horsham School District had two middle schools: one for 6th- and 7th-graders, and one for 8th- and 9th-graders.) Anyway, given that the temps were chilly that morn – the day’s low was 44 degrees Fahrenheit – and I had a near mile trek, I likely wore my winter coat, as well as a button-down shirt. I was also bedecked in corduroy pants (denim jeans were banned by the school principal).

The biggest concern in my life: making the Honor Roll, which I’d done in all the previous marking periods at Loller. The second concern, as I charted here: A little thing called rock ’n’ roll. I’d just caught the bug, though my idea of “rock ’n’ roll” was more pop-oriented.

But my concerns were not the concerns of the nation. Inflation and the ever-increasing cost of living dominated the news. Here’s the ABC Evening News from eight days prior:

I’ve written about 1978, and many of the issues that dominated the headlines before, so won’t go in-depth here. Suffice it to say, however, that times were tough, and getting tougher. (Not much had changed since January, in other words.)

And, with that, here’s today’s Top 5: 40 Years Ago Today… (courtesy of Weekly Top 40; the chart is for the 15th).

1) The Bee Gees – “Night Fever.” The Brothers Gibb ruled the singles charts this week – as they had for much of the year, just as Saturday Night Fever ruled the albums chart. “Stayin’ Alive” had hit No. 1 on February 4th, and remained there for four weeks, when it was displaced by younger brother Andy’s “(Love Is) Thicker Than Water.” That tune was bumped out two weeks later by “Night Fever,” which held onto No. 1 for eight weeks. (And, as with most of the previous weeks, “Stayin’ Alive” was No. 2.)

2) Yvonne Elliman – “If I Can’t Have You.” Entering the Top 5 is this addictive pop gem, which was written by the elder Barry, Maurice and Robin Gibb. (It and “How Deep Is Your Love” are my favorites of the Fever songs, for what that’s worth.)

3) Jackson Browne – “Running on Empty.” Rising to No. 15 (from 18) is this classic tune, which I never tire of.

4) Wings – “With a Little Luck.” Jumping from No. 57 to 17 is this ode to optimism and love. As I’ve noted before, this is the song that fast-tracked my music fandom. I still love it.

5) Dolly Parton – “Two Doors Down.” The country legend wasn’t a legend at this point in her career. The previous year, however, she’d finally found success on the pop charts with the title track to her Here You Come Again album. This song, the follow-up single (which ranks at No. 36), is actually a re-working of the original album version, and eventually replaced the original on the album itself, as well. (It has more of a pop sheen.)

The original:

The remake:

And one bonus…

6) The Patti Smith Group – “Because the Night.” Entering the charts at No. 82 is this timeless tune written by Bruce Springsteen and recast by Patti Smith.

It’s early morn on Thanksgiving Day as I write and, all through the house, not a creature is stirring – aside from the feline who’s stalked me since his breakfast at dawn. Just now, he poked his head up beside me and bellowed a mew. It’s his version of “please, sir, may I have some more?” but instead of “sir” it’s “serf,” and he’s added and subtracted a few other words, too. “Serf, I want seconds. Now!”

I jest, of course.

Thanksgiving is, as its name makes clear, a time for giving thanks, and there’s much to be thankful for this year, as there is every year, even though – as a whole – 2017 will go down in the history books as one of the all-time worst. It sometimes feels as if horrors from a parallel universe are bleeding into ours.

But here’s one reason (of many) to give thanks: Tomorrow, sisters Jessica, Camilla and Emily Staveley-Taylor, aka the Staves, release a new album, a collaboration with the chamber sextet yMusic titled The Way Is Read. The three tracks they’ve released to promote the project are breathtaking. “Silent Side,” which they shared last week, is aural beauty personified:

Their show at the World Cafe Live in March, I should mention, was a highlight not just of this year’s concert slate, but of all my years’ concerts. It was akin to stepping through a portal to a magical, mystical land where everything’s groovy and everything’s alright. In other words, it’s in the running for the Old Grey Cat’s esteemed Concert of the Year Honors.

One of the things I like about them, aside from their songs and vocals, is their knowledge of music past, which they obviously use to inform their music present. One can hear it in the borrowed tunes they sometimes sing – as I’ve written before, a well-chosen cover song is like a glimpse into the soul of the singer(s); and the sisters’ picks, which range from the sublime to silly, are illuminating.

Here’s today’s Top 5: The Staves – Borrowed Tunes.

1) “After the Gold Rush” (Neil Young)

2) “These Days” (Jackson Browne)

3) “A Case of You” (Joni Mitchell)

4) “I’m on Fire” (Bruce Springsteen)

5) “Long Time Gone” (Dixie Chicks)

And two bonuses…

6) “Helplessly Hoping” (Crosby, Stills & Nash)

7) “Afternoon Delight” (Starland Vocal Band)

We watched Ordinary People last night. It’s a film we’d both seen before, though not in decades. Diane first saw it in a movie theater not long after its Sept. 19, 1980, release and I first saw it on PRISM, a now-defunct regional premium cable channel that was popular in the Philly area at the time, about a year later. An understated and powerful movie, it won a bevy of Academy Awards, including Best Picture, Best Director (Robert Redford, in his directorial debut) and Best Supporting Actor (Hutton).

ordinarypeopleFor those unfamiliar with it, the drama delves into the dynamics of a dysfunctional family following the death of eldest son Buck (Scott Doebler), who perished in a sailing accident that youngest son Conrad (Timothy Hutton) survived. As the story opens, Conrad has recently returned from a stay at a psychiatric hospital after a failed suicide attempt; he’s racked with survivor’s guilt. Mother Beth (Mary Tyler Moore, in an Oscar-nominated performance) is emotionally distant, more concerned with appearance than addressing his (or her, for that matter) needs. Father Calvin (Donald Sutherland), on the other hand, just wants everyone to get along. As Roger Ebert put it in his review, he’s “one of those men who wants to do and feel the right things, in his own awkward way.” Enter psychiatrist Tyrone Berger (Judd Hirsch) and the down-to-earth Jeannine (Elizabeth McGovern), a girl who catches Conrad’s eye. Both, in their ways, help him overcome the guilt – one knowingly, the other not.

In other entertainment events from that September, the Dionne Warwick-hosted Solid Gold syndicated music series debuted on the 13th.

I have no memory of whether I watched it or not; likely not. If I wasn’t out at a movie – at the Hatboro Theater in downtown Hatboro or the Eric Theater in the Village Mall in Horsham – I was likely reading the Sunday newspaper while listening to the oldies on the radio, listening to music in my room and/or watching TV. (How’s that for narrowing it down?) I was 15, a high-school sophomore and serious music fanatic.

Among the album releases for the month: Kate Bush’s Never for Ever; David Bowie’s Scary Monsters (and Super Creeps); the Doobie Brothers’ One Step Closer; Ozzy Osbourne’s Blizzard of Ozz; Barbra Streisand’s Guilty; Utopia’s Deface the Music; Stevie Wonder’s Hotter Than July; and Molly Hatchet’s Beatin’ the Odds.

And, with that – onward to today’s Top 5: September 20, 1980, in which I cherry pick my favorite hits from the Weekly Top 40 for the week in question…

1) Diana Ross – “Upside Down.” For the third week in a row, Diana held the top spot with this infectious song. It, like the 1980 diana album as a whole, was written and produced by Chic’s Nile Rodgers and Bernard Edwards, though the end result was not what they intended. Afraid that the original mix was too disco, which was quickly falling out if favor, Diana and engineer Russ Terrana gave the set a sleek, more pop-oriented makeover.

2) Irene Cara – “Fame.” Holding steady at No. 4 is this classic theme song. If you watched the above Solid Gold clip, you know that Irene sang (or lip-synced) it there; it’s such a great song, though, that I can’t help but share it again (And, yes, I know I’ve shared this same clip before – here, to be precise.)

3) Paul Simon – “Late in the Evening.” Clocking in at No. 7 is this classic from Paul Simon, which is one of my favorite songs by him.

4) Olivia Newton-John & Electric Light Orchestra – “Xanadu.” Just bubbling under the Top 10, at No. 12, is this, the title song to the movie musical, which was released the previous month. I saw the film at the aforementioned Eric Theater and, like most who did, didn’t find it a five-star affair. (An understatement, that.). The soundtrack, however, was darn good; I played it to death.

5) Bob Seger & the Silver Bullet Band – “You’ll Accompany Me.” Here’s a classic song from Michigan’s rock ’n’ roll laureate. Against the Wind, the album that it’s from, was my Album of the Year for 1980; I still think it’s great.

And, for today, a few bonuses…

6) Christopher Cross – “Sailing.” Falling from No. 5 to 15 is this Grammy Award-winning song from Christopher Cross. I imagine that this song, from Cross’ debut, would be lumped into what’s now known as “yacht rock.” Whatever. At the time, I found it a pleasant diversion that I didn’t need to own – it was played fairly often on the radio, after all. Nowadays? I often play Rumer’s version from her 2014 B-Sides & Rarities collection.

7) Olivia Newton-John – “Magic.” This classic ONJ number held the top spot for four weeks in August before beginning its downward drift. This week, it fell from No. 13 to 27.

8) Jackson Browne – “That Girl Could Sing.” Debuting on the charts this week, at No. 82, is this classic song from Hold Out, Browne’s only album to reach No. 1.