Tag Archives: Kris Kristofferson

Today’s Top 5: Timeless Songs

This morning, during a rather hellacious commute, I whiled away the time listening to Courtney Marie Andrews’ May Your Kindness Remain, which is an early contender for my esteemed Album of the Year honors, and then listened to it again. I listened to it on the way home yesterday, and the day before that, and almost every day since its release.

It’s everything good about music. As I said in my First Impressions piece, “it’s the sound not of a generation, but of the generations.”

I told Diane as we were leaving her Boot & Saddle show last month that it’s likely the last time she’ll play there. The next time she’s in Philly (XPoNential Festival aside), she’ll be headlining the World Cafe Live’s downstairs room, which holds 300 to 600 (depending on whether tables are present; let’s hope for tables, as us old folks can only go so long on our feet), and instead of 100 fans in the room, it’ll be sold out. (Of course, I predicted that after we learned from Dillon Warnek that they were slated to appear on NPR’s World Cafe radio show two days later.) I hope I’m right.

Anyway, one of the thoughts that crossed my mind this morning: Songs that Courtney could and should cover – and not just any songs. Timeless songs, like hers.

And with that, here’s today’s Top 5: Timeless Songs.

1) Iris DeMent – “Livin’ in the Wasteland of the Free.” This is one of Iris’ most passionate and political songs, and even now – 20-plus years later – it resonates because, truth be told, not much has changed in the intervening years. And twang accent aside, it’s a perfect fit for Courtney. 

2) Merle Haggard – “If We Make It Through December.” One of the greatest songs about hard times ever written or performed.

3) Kris Kristofferson – “Help Me Make It Through the Night.” Another stone-cold classic, though one that’s been covered many, many times by many artists through the years.

4) Steve Earle – “Someday.” Another gem about working-class realities, and dreams of escape. (From Steve’s essential Guitar Town album.) Courtney would kill it. 

5) June Carter – “Juke Box Blues.” Long before she became Mrs. Cash, June was Nashville royalty – for good reason, of course. That said, she was often cast into comedy numbers due to the fact that she often shared the stage with sister Anita, whose voice is beauty set to song. “Juke Box Blues” was the B side to “No Swallerin’ Place,” a 1953 single. Unlike the A side, which is a joke set to a melody, the song is comedic primarily due to June’s delivery; the lyrics themselves are a testament to the power of music. (It was written by June’s mother Maybelle and sister Helen, for what that’s worth.) It’s long overdue for a revival – plus, Dillon could have a field day on guitar.)  

And one bonus…

6) Nanci Griffith – “If Wishes Were Changes.” What can be said about this gem? In short, to use one of my many overused words, it’s wondrous.

Today’s Top 5: Cover Songs, Part Two

I’ve written before of my affinity for cover songs. There’s just something magical when a singer tackles a contemporary’s tune and/or digs deep into the charts of history to celebrate an influence. It sheds light on him or her, I think, in a way that one’s own work doesn’t.

Back in the ‘60s and ‘70s, of course, cover songs were somewhat de rigueur. Many a Motown LP followed a simple pattern: the artist’s current single(s); versions of their stablemates’ hits; and renditions of Beatles’ songs and other current tunes. Gladys Knight & the Pips’ If I Were Your Woman album, from 1971, includes her renditions of Traffic’s “Feelin’ Alright” and the Beatles’ “Let It Be,” for instance, and her Standing Ovation features her sultry take on Kris Kristofferson’s “Help Me Make It Through the Night.”

In today’s world, many an aspiring singer has a YouTube channel loaded with their renditions, many of them very good, of current and classic songs. I’m sidestepping that rabbit hole to focus primarily on artists who’ve released original works, however.

So, without further adieu, here’s today’s Top 5: Cover Songs, Part Two.

1)  Rumer – “Balance of Nature.” This is another tasty treat from the Brit singer-songwriter’s upcoming album, This Girl’s in Love: A Bacharach and David Songbook. (It was originally recorded by Dionne Warwick for her 1972 Warner Brothers’ debut, Dionne.)

2) Rylie Bourne – “Fist City.” One of my favorite new artists shows off her roots with this rendition of the feisty Loretta Lynn classic.

3) The MonaLisa Twins – “God Only Knows.” So, above, I mentioned the rabbit hole of YouTube. The MonaLisa Twins, who I discovered courtesy of YouTube’s algorithms, are singing sisters from Austria who moved to Liverpool a few years back – and, man, what voices! This hails from their 2014 MonaLisa Twins Play Beatles & More album.

4) Paul Weller – “What’s Going On.” The “modfather” is joined by Lena Fiagbe for this cover of the timeless Marvin Gaye song.

5) Britta Phillips – “Drive.” A cover of the Cars’ song; a studio version can be found on her recent album, the sublime Luck or Magic.

And a few bonuses…

Elvis Presley – “Bridge Over Troubled Water.” Presley expanded his Vegas sets with a plethora of contemporary tunes. This wondrous rendition of the Simon & Garfunkel chestnut comes from the That’s the Way It Is film, which documented his 1970 return to live performance in Las Vegas.

Alicia Keys – “Someday We’ll All Be Free.” Here’s Alicia from the America: A Tribute to Heroes TV special in 2001 performing a stirring rendition of the 1973 Donnie Hathaway classic.

Juliana Hatfield – “It Never Rains in Southern California.” A few years back, Juliana offered to record song requests for one of her PledgeMusic projects – for $1000 a pop, if my memory is correct. That was far and away out of my budget then, and still is now, but hey – someone ponied up the cash. Here’s one of them: a wistful version of the 1972 hit by Albert Hammond.