Posts Tagged ‘Love Is the Answer’

Last week, Diane and I began re-watching Season 1 of Joan of Arcadia, about a teen (Amber Tamblyn) who speaks to God – and by “speaks,” I mean has actual conversations and debates with Him. He – and She, as God changes bodies and genders episode to episode and often within episodes – often has what seems to Joan to be a mundane, silly or overwhelming task for her to perform, such as joining the chess club or debate team, or throwing a party. Inevitably, however, it leads to a larger, positive event occurring within Joan’s world.

Interwoven throughout are the stories of Joan’s family – her father (Joe Mantegna), a cop in a big (but not too big) Maryland city; her mother (Mary Steenburgen), who works at her school; older brother Kevin (Jason Ritter), who’s still coming to terms with being a paraplegic following a car accident a year-and-a-half earlier; and younger brother Luke (Michael Welch), a brainiac who should never, ever, drink caffeine.

That summary doesn’t do the series, which lasted a scant two seasons (2003-2005) justice, I should add. 

All in all, it’s good with glimmers of greatness. The cast is excellent. The stories are a mix of sweet and bittersweet, with some surprising grittiness thrown into the mix – and not just when focused on the father, who faces evil – and politics – on the job. The give-and-takes between Joan and God are adroit, funny, smart, and even philosophically deep. And the growing concern of Joan’s folks over her eccentric behavior rings true. (They don’t know about her pipeline to the above, after all.)

Anyway, it’s a series I wanted to watch when it first aired, but in those days we were often out on Friday nights, and OnDemand didn’t include much network fare. We’d unhooked our VHS recorder in favor of a DVD player by then, too, so recording it was out. I did keep an eye on the DVD sets when they became available (and when I remembered to look), but was unwilling to fork over the $45-60 per season retailers originally wanted to charge. I was also shocked by its lack of availability on Netflix, Hulu or Amazon Prime. But, finally, God heard my prayers: Two years back, I stumbled across a sweet deal on Amazon. ($16 per season. Woo hoo!) 

We watched it in about a month, filed the DVDs away, and moved on. As one does.

But, as I said at the outset, we’re watching it again. I love the philosophy behind it. The notion that a good deed, no matter how small, can cause a domino-like run of goodness in the wider world that eventually circles back to you is the essence of karma, which I’ve subscribed to since I first heard “The End” by the Beatles a long, long time ago: “And in the end, the love you take is equal to the love you make.” What we put out is what we take in. Good begets good.

And Joan of Arcadia begets a smile. It’s a perfect escape from the insanity that has befallen the world, where kindness is too often seen as a vice.

And, with that, here’s today’s Top 5: God, Faith & Joan…of Arcadia.

1) Joan Osborne – “One of Us.” The theme song to Joan of Arcadia is this song, written by Eric Brazilian of the Hooters. It reached No. 4 on the pop charts.

2) Courtney Marie Andrews – “May Your Kindness Remain.” Kindness, goodness, sympathy and empathy all go hand in hand. This clip is from Courtney’s appearance in the Paste Studios earlier this week…

3) The Stone Foundation with Paul Weller – “Your Balloon Is Rising.” The Stone Foundation has a new album in the works, but this one – from their last studio set, Street Rituals – says it all. “May your words go on forever/May your kindness show no measure/Keep on breathing your life into every little thing…”

4) Paul Weller – “Above the Clouds.” And speaking of Weller and clouds…

5) Rumer – “Love Is the Answer.” The British singer-songwriter’s cover of the Todd Rundgren song was a match made in heaven when she recorded it in 2015, and remains so three years later. Love is the answer, indeed.

And in the end… the Beatles – “The End.”

I’m not sure which is worse: the mendacious Chump, the Clown Car of Corrupt Cronies (aka the current incarnation of the GOP), or the Grammy Awards. Since this is a music blog, I’ll skip the first two. And, for the same reason, I’ll just sideswipe the Grammy Awards and say that, for as long as I can remember, they’ve been simultaneously entertaining and meaningless. Which is why, at 10 o’clock last Sunday night, with an hour left in the ceremony, I felt no remorse in turning off the tube and turning in for the night.

And with that, here’s today’s Top 5: #ReleaseThisBlogPost.

1) Bob Dylan – “It’s Alright, Ma (I’m Only Bleeding)” from Bringing It Back Home (1965).

2) Neil Young – “Ambulance Blues” from On the Beach (1974).

3) Juliana Hatfield – “On Video” from Made in China (2005).

4) Paul Weller – “Wake Up the Nation” from Wake Up the Nation (2010).

5) First Aid Kit’s Klara Söderberg – “The Times They Are a-Changin’” from The Freewheelin’ First Aid Kit (2017).

And two bonuses…

6) Courtney Marie Andrews – “Heart and Mind” (2017). Written shortly after the 2016 election

7) Rumer – “Love Is the Answer” from the Love Is the Answer EP (2015) – a cover of the Todd Rundgren/Utopia classic.

staves_ifIwas

What a long, strange year it’s been – a wealth of music released and unheard by me, primarily due to the greying demographic I find myself in and the continued cloistering of my catholic tastes. Variety is the spice of life, it’s said, and I enjoy a wide range of styles and genres – everything from adult contemporary, pop, rock, R&B and soul to Americana, old-school country, folk and jazz. Yet, I find myself feasting less often on a sonic stew sautéed by up-and-coming chefs and, instead, savoring the sounds of the tried-and-true, with the chief stewards including such stalwarts as (small surprise) Paul McCartney, Linda Ronstadt and Neil Young.

That’s what I told myself going into this annual exercise, at any rate, but the results – as you’ll soon read – tell a slightly different story.

The British singer-songwriter Rumer, for instance, is still relatively new, given that her debut album, the classic Seasons of My Soul, dates to 2010. Theoretically, Into Colour, her third long-player, could be among this year’s picks, given that it was released in the U.S. in February. It’s not, though, because it was initially released in the U.K. in October 2014, made my Top 5 for that year, and I don’t go for double-dipping. She also put out – on her own label – the odds-and-sods B Sides & Rarities collection in late 2014, which was given wider release (and received many nice reviews) this year. It, too, is worth tracking down – as is my first Honorable Mention “album” of the year, her (very) recent Love Is the Answer.

IMG_0072“Album” is in quotes because Love Is the Answer is an extended play that features the Todd Rundgren/Utopia title tune and re-recordings of three songs that didn’t make the B Sides set due to (I believe) licensing issues – the Hall & Oates classic “I Can’t Go for That (No Can Do),” which she first sang with Hall on Live from Daryl’s House; Carole King’s “Being at War With Each Other,” which she first covered with the Brit R&B singer Lemar at a BBC Radio 2 event in 2011; and a silky-smooth spin of William DeVaughan’s “Be Thankful for What You Got,” which she also sang with Daryl Hall on his TV show.

My second Honorable Mention is another E.P. – Greta Isaac’s Oh Babe. My only criticism: its brevity. I reviewed it (and her 2014 E.P., Down by the Water) earlier this year, so won’t repeat myself other than to say: They’re magical songs that resonate long after the final note fades to silence.

liannelahavasI discovered my No. 5 album during one of our regular B&N jaunts. While sitting in the cafe flipping through a Mojo or Uncut magazine, and sipping a vente white chocolate mocha with an extra shot of espresso and a dash of raspberry (a delicious confection, I hasten to add), an uptempo melody whirled and swirled around us like an age-old friend, yet it was one I’d never before heard. Diane liked the music, too, and before you know it I was headed to the music department to learn who, exactly, was singing. Lianne La Havas, an up-and-coming Brit jazz-R&B singer, was her name.

Blood, the album in question, is an intoxicating ride of melodies that move and groove like the soul classics of yesteryear, with Prince and Janet Jackson influences, too – most notably on “What You Don’t Do.”

rickielee_desireMy pick for No. 4: Rickie Lee Jones’ The Other Side of Desire. As I wrote in my Nothing to Do But Today: Top 5 post in July, the album “possesses a vibe that radiates instant familiarity.” Part of that, I’m sure, is due to me being a longtime fan of the hipster songstress, but I’d like to think the larger reason is because of the music itself. “Feet on the Ground,” which I highlighted then, remains one favorite (and my overall favorite track from the set). “Jimmy Choos” is another –

– and “Christmas in New Orleans” yet another. Here’s a stripped-down version of it:

neil_monsantoMy pick for No. 3: The Monsanto Years by Neil Young & Promise of the Real. Oh, I can hear the groans from some folks, most of whom either haven’t heard it or, if they have, didn’t actually listen to it. (That’s a distinction not everyone will get, I’m sure.) It’s an anti-GMO, anti-corporate, anti-greed broadside with much heart and (black) humor strewn throughout – which explains why the songs resonated with audiences when he played them live with Promise of the Real over the summer. They possess a glorious Ragged Glory vibe, with thick chords, even thicker rhythms, and melodies that linger long after the morning fog has burned off. “Big Box,” which conjures “Crime in the City” and “Ordinary People,” is one highlight; and the opening “A New Day for Love” is another.

Melody Gardot’s Currency of ManIMG_4459, my No. 2 for the year, is a riveting, R&B-infused collection of songs, possessing fat chords, sinewy melodies and incisive lyrics that delve deep into the state of the world. Homelessness and racism are among the themes  – as are matters of the psyche and soul. In concert, as is often the case, the music took off into a deeper dimension, but the recorded effort is just plain great. “Bad News,” as I wrote here, sounds like an out-take from Peggy Lee’s Black Coffee. Above all, though, there’s that voice…

…and “Preacherman,” the lead single, is a haunting, powerful and propulsive ode.

In fact, in almost any other year, that likely would’ve been my No. 1 (and, for a time, it was). This year, however, the honor goes to… (drumroll, please!)… If I Was by the Staves, three sisters (Emily, Jessica and Camilla Staveley-Taylor) from England whose harmony-rich folk-rock songs echo those of Crosby, Stills & Nash. In my initial take on the Greta Isaac E.P.s, I opined that when she and her sisters blend their voices together it’s akin to listening in on heaven. The same is true here. Whether one is singing alone, their voices are joining together or their vocals are swooping in and out like doves from above, it’s a sonic marvel.

The martial drums in “Make It Holy,” for instance, are a perfect touch, as is the addition of Justin Vernon’s voice to the mix. (Vernon, who’s the force behind Bon Iver, produced the album.)

As is common when creating my year-end lists, I listen to all the contenders, some of which have been collecting digital dust for months. I didn’t have to with this, which was released in March, simply because I’ve never stopped playing it for too long. (About the only time I did: in the initial weeks after the Currency of Man‘s release.) Many nights, after climbing into my car for my commute home from work, I plug my Pono Player into the aux jack, select If I Was and crank it up. (Listening to it loud is a requirement.) That it’s grown stronger with repeated listens speaks volumes.

One song that strikes me is “Sadness Don’t Own Me.”

Another: “Let Me Down.”

And another:

And that’s that.