Posts Tagged ‘Oasis’

So I watched the Oasis: Supersonic documentary on Netflix last night. The 2016 film, which I recommend, makes ample use of home movies, archival footage and fresh interviews to chronicle the band’s ascent to U.K. superstardom, which culminated in 1996 with back-to-back headlining gigs at Knebworth for 250,000 fans. (Some 2.5 million applied for tickets.)

A similar level of success in the States was not theirs to be had, though they did do well – especially with their sophomore set, (What’s the Story) Morning Glory, in 1995.

I enjoyed their guitar-driven music at the time, especially on that album, but found brothers Liam and Noel Gallagher blowhards and, language-wise, unnecessarily crude. So it came as a surprise to me when, during the doc, a self-aware Noel explains what made that second set resonate. “The songs on that record, they’re extraordinary songs. And they’re not extraordinary songs because of anything that I did. I only wrote them, and we only played them. It’s the millions of people who f***ing sing them back to you, to this day, that have made them extraordinary.”

It’s a remarkable observation – putting the onus on the listener/fan – because it’s a truth often missed by artists, fans and critics alike, and yet is applicable to every song ever written and every song yet written. While the inspiration, intent and development of a song are (usually) interesting, they can and will never explain why it does or doesn’t connect with the listener(s). That’s the great intangible. Or as Noel puts it, “We made people feel something that was indefinable.”

It once was customary for songs to come our way without their backstories shared in interviews for months or even years after their release. The tunes simply floated in from the ether (aka the radio or our turntables), and we made of the lyrics what we would. We interpreted them, debated them, and saw ourselves in them. In today’s age, when over-sharing has become the norm, my fear is that artists confide too much of the whys and wherefores of their art. (To borrow a phrase from Iris DeMent, let the mystery be.)

My original plan for this week’s Top 5 was to countdown cool songs from 1996, when the Netflix series Everything Sucks! is set. If you haven’t seen the show, it’s a comedy-drama about a handful of high-school kids, and two of their parents, in Boring, Ore., that’s cut from the same cloth as Freaks & Geeks. (I won’t say more for spoiler reasons.) It’s good, if flawed, hitting the funny bone as often as it tugs at the heartstrings.

But that would’ve required a time commitment that, this Sunday, I couldn’t make. So, instead, here’s one song from ’96 – an overlooked wonder that kicked off the American Routes radio show today on XPN – and four relatively new releases.

1) Dale Watson – “A Real Country Song.” This song, which laments the disappearance of authentic country music from the airwaves, was released in 1996. Sad to say, 22 years on, real country music remains on life support.

2) Kasey Chambers & the Fireside Disciples – “The Campfire Song.” The Aussie country singer-songwriter (one of my favorites) announced this week that her next album, Campfire, will be released in mid-April.

3) The Last of the Easy Riders – “Unto the Earth.” I discovered this Colorado-based band, whose music conjures the Byrds and Flying Burrito Brothers, via a review in the most recent Uncut, and listened to their full-length debut, Unto the Earth, this morning. It’s quite good. (Side note: The opening guitar solo in this, the title tune, recalls Blondie’s “Call Me.”)

4) Caitlyn Smith – “Scenes From a Corner Booth at Closing Time on Tuesday.” The singer-songwriter has co-written songs recorded by Rascal Flatts, Garth Brooks, Lady Antebellum and Meghan Trainor, among others, but only released her debut, Starfire, earlier this year.

5) Violetta Zironi – “Oasis.” I don’t know much about this folksinger beyond this: She’s Italian; has a gorgeous voice; and released her debut EP, which doesn’t include this gem, last month.