Posts Tagged ‘Ohio’

The past week has found me excavating the Ruins of First Aid Kit. In addition to their U.S. tour, which just kicked off, they’ve been out in force promoting the release, appearing on CBS This Morning and The Ellen DeGeneres Show, among other TV venues, and stopping by the always cool KCRW “Morning Becomes Eclectic” radio show in L.A. on January 23rd. The latter, which I watched this morning, is an informative and fun session that finds the Sisters Söderberg performing an eight-song set and fielding some good questions –

If you don’t have 45 minutes to spare, however, fast forward to the 32-minute mark and enjoy their rollicking take of Heart’s classic “Crazy on You”…or watch this clip, from the next night in Oakland:

Hopefully they keep it in the set.

Of course, one cool cover leads to another…in this case, a taste of a much-anticipated (by me) LP: Juliana Hatfield Sings Olivia Newton-John. I’m sure some folks will scratch their heads over the project, which is slated for release on April 13th, but I’m thrilled that JH is letting her geek flag fly. (Of note, the video is shot in Bensonhurst, the Brooklyn neighborhood home to Tony Manero in Saturday Night Fever.)

(Juliana Hatfield Sings Olivia Newton-John, I should mention, is available for preorder over at the American Laundromat one-stop web shop.)

Here’s an oddity that I stumbled over the other night: Bob Dylan with Clydie King, from 1980, covering the Dick Holler-penned Dion hit, “Abraham, Martin & John.”

Speaking of Dylan, here’s Paul Weller’s take on “All Along the Watchtower” (from 2004):

With Weller, there’s a whole host of covers to be had via the YouTube rabbit hole. Here’s one of my favorites: performing CSNY’s classic “Ohio” at Glastonbury 1994. (For what it’s worth, he also released a live version of it on the 1993 The Weaver EP.)

And two bonuses…

One of my favorite covers of all time is the Jam’s take on the Chi-Lites’ “Stoned Out of My Mind.” I featured it recently, however, so here’s another take on the classic tune…by  Joss Stone (from 2012). It’s great.

And since every time I listen to Joss, I wind up listening to her a lot – here’s her take on the Impressions’ 1965 hit “People Get Ready” at the Melbourne Festival in 2011:

1989 was a year for the history books: Tiny cracks in the Iron Curtain grew into a chasm that brought down the Berlin Wall; a pro-democracy movement in China, known now as the Tiananmen Square protests, ended in bloodshed; and, closer to home, the mercurial-tempered Ron Hextall of the Philadelphia Flyers became the first goalie in history to score a goal in the playoffs. Oh, and I saw Neil Young for the first time.

The date: June 10, 1989. The place: Bally’s Grandstand Under the Stars in Atlantic City. As I remember it – and I was only there two or three times – the open-air venue consisted of very steep bleachers placed in front of a stage. The Atlantic Ocean served as the backdrop.

The Indigo Girls opened with a concise set that, despite the dreaded opening-act slot, was quite good. Folks flowed into the makeshift coliseum, their shoes and boots clanging on the metal steps (or maybe that’s my memory playing tricks on me), while Amy Ray and Emily Saliers sang with confidence. Their voices carried like Aimee Mann’s with ’Til Tuesday, sweet and spot-on from the opening “Closer to Fine” to the closing “Strange Fire.” Amy Ray, as I remember it, hit home runs with “Secure Yourself” and “Kid Fears.”

Neil_Young_FreedomBy nine, or thereabouts, the sun had set and Neil, wearing a Chinese worker’s cap, strolled out. It was basically a solo acoustic show, though he was joined by Ben Keith and Frank “Poncho” Sampedro for a few songs.

After closing the ‘70s on the back-to-back high notes of Rust Never Sleeps and Live Rust, Neil embarked on a decade-long journey that veered from hard rock to techno to rockabilly to country to horn-driven R&B; and that had left him, for many (though not me), an afterthought. Along the way, he was sued by his new record company, Geffen Records, for not sounding like himself. It was a surreal time to be him, to be sure, and no more surreal than the year before when, after returning to the Reprise label, he scored a surprise hit – his first of the decade – with the satirical “This Note’s for You.”

Anyway, by the time my friends and I had clomped up the bleachers to our seats that late-spring night, Neil was back to being Neil – not that he’d stopped, of course, but he was mining a more familiar terrain.

Forget the fact that the show was “acoustic”; it was as electric a set as I’ve seen. Neil prowled the stage with a handless microphone strapped to his face, his guitar a shield and a weapon at the same time. He opened with a sterling “Hey Hey My My (Out of the Blue)” and followed with a fierce “Rockin’ in the Free World,” turning the satirical knife he’d wielded on “This Note’s for You” on George H.W. Bush’s “kinder, gentler nation.” His guitar on “Crime in the City” was like a machete, the chords chopping at one’s knees, while the harmonica worked like a blackjack and blunted the back of one’s head. Other highlights included an unsentimental presentation of “Sugar Mountain”; the one-two punch of “The Needle & the Damage Done” and “No More”; and a heart-thumping “Ohio” that he dedicated to the students slain in China’s Tiananmen Square less than a week before – everyone was on their feet, fists in the air and lungs as one while we shouted the lyrics. Incredible, that’s how I remember it. Just incredible. A second stab at “Rockin’ in the Free World” was followed by the night’s final number, ““Powderfinger.” “Red means run, son,” takes on a new meaning in the context of Tiananmen Square, if you think about it.

The Philadelphia Inquirer carried a review of the show here.

Neil Young: My My, Hey Hey (Out of the Blue)/Rockin’ in the Free World/Comes a Time/Sugar Mountain/Pocahontas/Helpless/Crime in the City/For the Turnstiles/This Old House/Roll Another Number/Too Far Gone/This Note’s for You/The Needle and the Damage Done/No More/After the Gold Rush/Heart Of Gold/Ohio/Rockin’ in the Free World//Powderfinger

Indigo Girls: Closer to Fine/Secure Yourself/Love’s Recovery/Kid Fears/Land of Canaan/Prince of Darkness/Strange Fire