Posts Tagged ‘Roberta Flack’

1978 was a monumental year in my life, so much so that I’ve littered this blog with posts about it. (Click here for those.) For the uninitiated: I was 12 when the year dawned, and 13 when it faded to black; and graduated from listening to the oldies to the era’s new music during those 12 months.

This day was a Saturday, the first of the traditional start of summer, Memorial Day Weekend. Which meant I slept later than usual, watched Saturday morning TV while reading the morning newspaper, and…who knows? We likely visited the grandparents, or great-aunts and -uncles. Temperatures were in the 60s for the day. 

In the wider world: As with most of the decade, life could have been better: The unemployment rate was a notch below 6 percent, and inflation clocked in at 7 percent. Even if you had a job, in other words, it was difficult to get ahead. Beyond those pocketbook issues, at the end of the prior month, the Women’s Army Corps (WAC) was discontinued, with the units being integrated into the Army proper. And, though we didn’t know it at the time, the first Unabomber attack took place just two days earlier.

Here’s an entire newscast, complete with commercials, for this day from WJKW in Cleveland:

When it came to popular films and music, America had been gripped by a “Night Fever” for much of the winter and spring thanks to Saturday Night Fever and the Bee Gees. But “Disco Inferno” was slowly subsiding. Among the movies in the theaters this weekend: FM; I Wanna Hold Your Hand; The End; The Buddy Holly Story; and Thank God It’s Friday. And among the songs on the radio…

Yep, you guessed it. Here’s today’s Top 5: May 27, 1978 (via Weekly Top 40).

1) Wings – “With a Little Luck.” The single concludes its two-week run at the top of the charts. I featured the music video for it a few weeks back, so here’s something a tad different: the 1978 UK DJ promo 45. I know some folks hear the song as lightweight, but I hear it as great: A commercial for the London Town album that featured the song spurred me to begin investigating new music, after all.

2) Johnny Mathis & Deniece Williams – “Too Much, Too Little, Too Late.” The oeuvres of these artists are blind spots for me, and unlike the other songs in this week’s chart, I have no memory of this specific song, which clocks in at No. 2. According to Wikipedia, Mathis is the third best-selling artist of the 20th century, behind only the Beatles and Frank Sinatra; and Williams, who has a four-octave range, would go on to win a Grammy in 1987.

3) John Travolta & Olivia Newton-John – “You’re the One That I Want.” The week’s No. 3 single is another song that I never grow tired of. Grease wouldn’t open for a few weeks, so it’s success, thus far, was due to its own charms.

4) Andy Gibb – “Shadow Dancing.” To my ears, the No. 4 sounds a lot like Andy’s older brothers, the Bee Gees. But that’s a conclusion I’ve come to after only a few cursory listens.

5) Roberta Flack & Donnie Hathaway – “The Closer I Get to You.” Rounding out the Top 5 is this sweet love song.

And two bonuses…

6) The O’Jays – “Used Ta Be My Girl.” One of the week’s power plays is this propulsive ode about a lost love, which jumps from No. 54 to 44.

7) Steve Martin – “King Tut.” Debuting on the charts is this catchy novelty tune, which still makes me laugh. Here he is on Saturday Night Live performing it…

Last night, Diane and I veered away from the never-ending Gilmore Girls marathon on Up to give the Amazon Prime series Good Girls Revolt a try. If you’re unfamiliar with it, the polished drama is a fictionalized adaptation of Lynn Povich’s 2012 book The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace. Names have been changed, characters invented and/or combined into one, and the magazine has been retitled News of the Week – but the gist remains the same. As with most professions in 1969 America, which is when the series is set, women were relegated to secondary and supportive roles in most newsrooms. It took a group of brave women to change that.

At essence, then, Good Girls Revolt is sort of a feminist spin on Mad Men. No, it’s not as solid as that series was out of the gate, but it is a step up from the other Mad Men-inspired series I’ve seen. My biggest complaint: the characters are more archetypical than fully formed. For instance, hippie-in-spirit researcher Patti (Genevieve Angelson) – the lead character – sometimes seems little more than a mature Karen Arnold (Kevin’s one-dimensional big sister on The Wonder Years); and her erstwhile reporter-boyfriend Doug (Hunter Parrish) comes across as a cardboard cut-out of a reporter-boyfriend.

I sound a tad harsher there than I intended; the series is a step above most network fare. It peels the gauzy nostalgia from our collective memory and shows that, indeed, not everything in the past was hunky-dory or better than the present. In fact, as most things societal go, the past was worse.

And, for purposes of this blog, it inspired today’s Top 5: Good Girls Revolt (circa 1969). 

1) Janis Joplin – “Work Me, Lord” From The Woodstock Art & Music Fair, 8/17/1969.

2) Jefferson Airplane – “Somebody to Love.” From Dick Cavett’s post-Woodstock episode (8/19/1969) – note David Crosby playing tambourine beside Paul Kantner.

3) Laura Nyro – “He’s a Runner/Save the Country.” From Bobby Darin’s Sounds of the Sixties TV special (though I believe only “Save the Country” aired), which aired Jan. 22, 1969.

4) Roberta Flack – “First Time Ever I Saw Your Face.” Not sure where this is from, just that it’s 1969. Great song, under-appreciated singer.

5) Dusty Springfield – “Son of a Preacher Man.” From a rather psychedelic 1969 German TV special.

And three bonus songs…

6) Jackie DeShannon – “Put a Little Love in Your Heart.”

7) Joni Mitchell – “Woodstock.” From a 1970 appearance on the BBC.

8) Diana Ross & the Supremes – “Someday We’ll Be Together.” The last No. 1 hit of the 1960s…

I picked up new specs this summer – tinted, like my last ones and the ones before those, and the ones before those, going back decades. Insurance covered 70 percent of the overall cost, but the insurance also has rules about when coverage kicks in. An annual checkup? Yes. Lenses every year? Yes. Frames? No. Those are an every-other-year thing. Which is fine; for the minimal money I lay out every month for the insurance, I have no complaints.

It does make getting a second pair of specs, for backup purposes, a pricey affair, however. I’d keep my old ones, but my vision has changed so much, and the lenses were so scratched, that it’s not a good idea – especially now that I can see everything that I couldn’t before.

But paying the non-insurance rate for another set? Nah. Instead, I opted for 39dollarglasses.com, and wound up paying just $18 more than my out-of-pocket cost for the first pair, and that was because I chose transition lenses – sunglasses outside, crystal-clear inside. Ten days later, they arrived. They fit, I can see without issue, and like them. The lack of tint annoys me, however;  I wore them to my over-bright office one day last week and found myself near-blinded. My eyes have become accustomed to a gradient-shaded reality – a metaphor of some kind, no doubt.

So, anyway, for today’s Top 5: Vision.

  1. The Chi-Lites – “Have You Seen Her?”

2) Juliana Hatfield – “I See You”

3) Matthew Sweet & Susanna Hoffs – “I See the Rain”

4) The MonaLisa Sisters – “I Saw Her Standing There”

5) Paul McCartney & Wings – “I’ve Just Seen a Face”

And a few bonuses…

Pete Townshend – “Eyesight to the Blind”

Roberta Flack -“First Time Ever I Saw Your Face”

Suzanne Vega – “Night Vision”