Posts Tagged ‘Rumer’

Last week, Diane and I began re-watching Season 1 of Joan of Arcadia, about a teen (Amber Tamblyn) who speaks to God – and by “speaks,” I mean has actual conversations and debates with Him. He – and She, as God changes bodies and genders episode to episode and often within episodes – often has what seems to Joan to be a mundane, silly or overwhelming task for her to perform, such as joining the chess club or debate team, or throwing a party. Inevitably, however, it leads to a larger, positive event occurring within Joan’s world.

Interwoven throughout are the stories of Joan’s family – her father (Joe Mantegna), a cop in a big (but not too big) Maryland city; her mother (Mary Steenburgen), who works at her school; older brother Kevin (Jason Ritter), who’s still coming to terms with being a paraplegic following a car accident a year-and-a-half earlier; and younger brother Luke (Michael Welch), a brainiac who should never, ever, drink caffeine.

That summary doesn’t do the series, which lasted a scant two seasons (2003-2005) justice, I should add. 

All in all, it’s good with glimmers of greatness. The cast is excellent. The stories are a mix of sweet and bittersweet, with some surprising grittiness thrown into the mix – and not just when focused on the father, who faces evil – and politics – on the job. The give-and-takes between Joan and God are adroit, funny, smart, and even philosophically deep. And the growing concern of Joan’s folks over her eccentric behavior rings true. (They don’t know about her pipeline to the above, after all.)

Anyway, it’s a series I wanted to watch when it first aired, but in those days we were often out on Friday nights, and OnDemand didn’t include much network fare. We’d unhooked our VHS recorder in favor of a DVD player by then, too, so recording it was out. I did keep an eye on the DVD sets when they became available (and when I remembered to look), but was unwilling to fork over the $45-60 per season retailers originally wanted to charge. I was also shocked by its lack of availability on Netflix, Hulu or Amazon Prime. But, finally, God heard my prayers: Two years back, I stumbled across a sweet deal on Amazon. ($16 per season. Woo hoo!) 

We watched it in about a month, filed the DVDs away, and moved on. As one does.

But, as I said at the outset, we’re watching it again. I love the philosophy behind it. The notion that a good deed, no matter how small, can cause a domino-like run of goodness in the wider world that eventually circles back to you is the essence of karma, which I’ve subscribed to since I first heard “The End” by the Beatles a long, long time ago: “And in the end, the love you take is equal to the love you make.” What we put out is what we take in. Good begets good.

And Joan of Arcadia begets a smile. It’s a perfect escape from the insanity that has befallen the world, where kindness is too often seen as a vice.

And, with that, here’s today’s Top 5: God, Faith & Joan…of Arcadia.

1) Joan Osborne – “One of Us.” The theme song to Joan of Arcadia is this song, written by Eric Brazilian of the Hooters. It reached No. 4 on the pop charts.

2) Courtney Marie Andrews – “May Your Kindness Remain.” Kindness, goodness, sympathy and empathy all go hand in hand. This clip is from Courtney’s appearance in the Paste Studios earlier this week…

3) The Stone Foundation with Paul Weller – “Your Balloon Is Rising.” The Stone Foundation has a new album in the works, but this one – from their last studio set, Street Rituals – says it all. “May your words go on forever/May your kindness show no measure/Keep on breathing your life into every little thing…”

4) Paul Weller – “Above the Clouds.” And speaking of Weller and clouds…

5) Rumer – “Love Is the Answer.” The British singer-songwriter’s cover of the Todd Rundgren song was a match made in heaven when she recorded it in 2015, and remains so three years later. Love is the answer, indeed.

And in the end… the Beatles – “The End.”

As I mentioned in Friday’s countdown, “This Guy’s in Love With You” may well have been lost to time if not for Herb Alpert reaching out to Burt Bacharach and asking if he had any old tunes lying around that had never been recorded. Bacharach offered him “This Guy.” Alpert liked the melody, that there was a break where he could insert a trumpet solo, and that it didn’t require vocal gymnastics on his part. He was a horn player, after all, not a singer.

That clip comes from Alpert’s TV special The Beat of the Brass, which aired on CBS on April 22, 1968. The 45 was released the same month, and flew up the charts, eventually spending four weeks at No. 1 and becoming the year’s seventh most popular single.

The song’s soothing, sweet melody can’t be denied; it lingers with you long after the song is over. Lyrically speaking, it’s the declaration of a head-over-heels guy (or gal) laying it on the line to his dream gal (or guy). It works equally well no matter the gender of the singer, or who they’re singing to. Love is love, after all.

Anyway, it quickly became one of those songs every vocalist of note wanted to sing, and I thought it might be fun to spotlight some of those other versions here. Dusty Springfield, for example, recorded it for her Dusty…Definitely LP, released on November 22, 1968 – not that folks in the U.S. heard it (except via import). Dusty was on different record labels in the U.S. and the U.K., and Atlantic – her American home – decided not to release the album. It wouldn’t become available in the States until 1972, when it was included on the A Tribute to Burt Bacharach compilation LP. (It’s since been included on a handful of best-of/rarities collections, including Dusty in London.)

Here’s the audio of her singing it on the All Kinds of Music TV special, which was broadcast in the UK on Christmas Day 1968:

That same November, the Temptations and the Supremes released their own version on Diana Ross & the Supremes Join the Temptations LP.

Before both of them, however, Petula Clark included her rendition of it on her 1968 Petula LP, which was released in the U.S. in September 1968.

Dionne Warwick, a frequent collaborator with Burt Bacharach and Hal David, also recorded it for her Promises, Promises album, which was also released in November 1968. It would become one of her greatest hits when it was released as a single the following year; it rose to No. 7 in the charts.

Also in 1969, Ella Fitzgerald covered it on her Sunshine of Your Love album. Here she is on TV performing it…

Sammy Davis Jr. also laid down a jazzy rendition of it on The Goin’s Great the same year. Here he is in Germany:

In early 1970, Aretha Franklin released her This Girl’s in Love With You album, though the song wasn’t issued as a single.

That same year, Smokey Robinson & the Miracles covered it on their whatlovehas… concept album.

Hundreds of others have covered it in the years since (and thousands more in karaoke bars). In 1982, the Reels – an Aussie pop-rock band – scored a No. 7 hit with it Down Under:

In 2009, jazz-pop singer Jane Moneheit included her dreamy take on the song on her The Lovers, the Dreamers and Me album:

Here’s She & Him (Zooey “One Day You’ll Be Cool” Deschanel & M. Ward) from their 2014 album Classics:

Finally, British singer-songwriter Rumer released her rendition of it on This Girl’s in Love: A Bacharach & David Songbook in late 2016. (That’s Burt Bacharach himself at the song’s start.) It and Dusty’s are my favorite versions, though every rendition has something going for it.

Of late, Facebook has been in the news for all the wrong reasons. As most folks now know, unscrupulous data miners utilized a personality-quiz app to scrape the innards of millions upon millions of profiles, and then used the information to push political ads during the 2016 election aimed at dissuading Democrats from voting and boosting Republican turnout. Micro-targeted ads, of course, are tailored for specific audiences. In this case, they played off of the hopes and/or fears that the scraped data indicated they have. 

There’s still much we don’t know, however, such as what the ads looked like – and whether they worked. But we do know this: It’s a foreshadow of what’s to come, writ large, and not just for political advertisements or on Facebook. It’s the wave of the future.

I should note that, somehow, my data wasn’t scraped. So the political ads in question came to me the old-fashioned way: by hook, not crook. Someone reacted vociferously to an ad, in other words, and decided to share their outrage or support. (And then I, in turn, ignored it.) In fact, after downloading my 10 years’ worth of Facebook data a few weeks back, what became obvious is that, by and large, the ads I interact with are music-related (artists, albums, concerts) or, more broadly, entertainment-related. (Veronica Mars meet Jason Bourne!)

Hmmm…I wonder why?

All that being said, I happen to like and enjoy Facebook. After a long day at the office, or even during a long day at the office, it provides a quick pick-me-up – Charlie Brown cartoons, silly animal videos, and music recommendations from friends and sponsored ads. It’s also a good way to keep up with friends old and new, as well as a few pets of said friends.

Anyway, I was “tagged” on Facebook several times over the past few weeks regarding one of the latest memes to make the rounds, which is supposed to be played out over 10 days: “In no particular order – 10 all-time favorite albums that really made an impact and are still on your rotation list, even if only now and then. Post the cover, no need to explain, and nominate a person to do the same. Today, I nominate…[insert tag].” After some internal back-and-forth, I gave into the whim and shared 10 “all-time favorite albums” over the next 10 days.

I hasten to add: They are not my All-Time Top 10 picks, just 10 albums I love. And, with that, here’s today’s Top 5: 10 All-Time Favorite Albums, Part 1.

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Day 1: Lone Justice – Lone Justice. The 1985 debut of Maria McKee’s old band needs no introduction on these pages. It sounds as fresh to my ears now as it did then. It was the first pick for my occasional “Essentials” series. 

Day 2: Neil Young & Crazy Horse – Everybody Knows This Is Nowhere. Another “Essentials” pick. 

Day 3: Rumer – Seasons of My Soul. And yet another “Essentials” pick. (See a pattern here?)

Day 4: The Bangles – Different Light. A future “Essentials” pick. Despite their success, the Bangles are one of the most underrated bands in the annals of rock ’n’ roll. (Why they aren’t in the Rock Hall of Fame is beyond me.) And this album is a sheer delight.

Day 5: Paul McCartney & Wings – Band on the Run. Another future “Essentials” pick. It should need no introduction to any self-respecting rock fan. 

I’m not sure which is worse: the mendacious Chump, the Clown Car of Corrupt Cronies (aka the current incarnation of the GOP), or the Grammy Awards. Since this is a music blog, I’ll skip the first two. And, for the same reason, I’ll just sideswipe the Grammy Awards and say that, for as long as I can remember, they’ve been simultaneously entertaining and meaningless. Which is why, at 10 o’clock last Sunday night, with an hour left in the ceremony, I felt no remorse in turning off the tube and turning in for the night.

And with that, here’s today’s Top 5: #ReleaseThisBlogPost.

1) Bob Dylan – “It’s Alright, Ma (I’m Only Bleeding)” from Bringing It Back Home (1965).

2) Neil Young – “Ambulance Blues” from On the Beach (1974).

3) Juliana Hatfield – “On Video” from Made in China (2005).

4) Paul Weller – “Wake Up the Nation” from Wake Up the Nation (2010).

5) First Aid Kit’s Klara Söderberg – “The Times They Are a-Changin’” from The Freewheelin’ First Aid Kit (2017).

And two bonuses…

6) Courtney Marie Andrews – “Heart and Mind” (2017). Written shortly after the 2016 election

7) Rumer – “Love Is the Answer” from the Love Is the Answer EP (2015) – a cover of the Todd Rundgren/Utopia classic.