Posts Tagged ‘Stand Under My Love’

PledgeMusic, which began operations in 2009, has gone belly-up.

For those unaware, it was a crowdfunding website that connected indie music artists with fans who provided backing for specific projects. It was a win-win for everyone. The artists weren’t left footing the upfront costs for their projects (no mortgaging the house!) and, if they were smart, priced in a profit for themselves. Fans, for their part, scored new music plus, if they chose, nifty premiums – everything from autographed items to pay-to-order cover songs to house concerts to a chunk of an artist’s hair. They also gained access to an online diary that chronicled the project via posts and audio/video uploads.

The PledgeMusic model had artists receiving 85 percent of their raised funds through two payments over the life of a given project, with the company deducting its portion – 15 percent – from the second. There’s also this: The site’s terms and conditions says that “Monies collected by PledgeMusic for a Campaign will be held on account for the Artist.” That infers, at least to me, that the money raised by each artist was segregated from the company’s operating funds, and perhaps that was the case at first. Over time, however, it appears that Pledge dipped into the 85 percent supposedly earmarked for the artists, though why we don’t know. What we can say for certain: Payments to artists were delayed. And delayed again. And, finally, stopped altogether. 

PledgeMusic is now expected to enter bankruptcy, perhaps as soon as this week. The money sent in by fans to support specific artists will likely go to the company’s creditors, whoever they may be, and not the artists themselves. I’ll leave it to others to expound on and investigate the whys and wherefores of the company’s stumbles, and instead state the obvious: There’s no coming back from it.

And while Kickstarter, IndieGoGo and other crowdfunding sites remain, PledgeMusic’s absence will be felt – at least for me. I found it, by far, the most user-friendly. It’s always where I began my searches for new or established artists to support.  

The first PledgeMusic project I backed was in 2011, when I signed on for the Juliana Hatfield album that became There’s Always Another Girl. In the years since, in addition to signing on for Juliana’s additional Pledge projects (and the Blake Babies), I backed a variety of other artists, including (but not limited to) 10,000 Maniacs, Josh Rouse, Garland Jeffreys, Rickie Lee Jones and, most recently, Church of Birch pastor Diane Birch, whose plate-passing campaign came in 14 percent above her goal just as PledgeMusic began suspending payments to artists.

So, for today’s Top 5: RIP PledgeMusic (aka Songs from PledgeMusic Albums I Helped Fund).

1) Juliana Hatfield – “Taxicab.” This driving tune – which is made for listening to while speeding down the highway – hails from Juliana’s under-rated There’s Always Another Girl album, which began life as “Juliana Hatfield New Album” on PledgeMusic in 2011.  

2) Garland Jeffreys – “Is This the Real World?” Garland’s 2013 Truth Serum album was highlighted by quite a few songs, but this one is – hands down – my favorite. One listen and, trust me, you’ll be hooked.

3) Rickie Lee Jones – “Feet on the Ground.” That artists such as Juliana, Garland and Rickie Lee had to turn to PledgeMusic says all one need know about the state of the music industry circa the 2010s. This song is one of the highlights from her 2015 Other Side of Desire album.

4) The Stone Foundation – “Next Time Around.” The British soul/R&B band’s Everybody, Anyone album was one of my favorites from last year. Absolutely addictive. And this tune is a stone-cold classic.

5) Diane Birch – “Stand Under My Love.” Diane’s 2018 PledgeMusic project reached its goal, only to have the money swiped from her collection plate. So I’m reaching back to this insta-classic tune from her 2016 EP, Nous. In another era, it would have been a huge hit.

(If you like it, head over to Diane’s BandCamp page and buy the EP.) 

Mesmerizing. Melancholic. Those two words, more than any other, sum up Diane Birch’s new single, “The End,” which asks why a star shines brightest at the end. On Facebook, she noted that it’s in honor of her father, who passed away in January 2013.

Head over to her Bandcamp page to purchase and download it.

In addition to being the pastor of the Church of Birch, Diane is a wondrous singer-songwriter – one of my favorites, in fact. Her 2009 debut album, Bible Belt, was a delight (and my Album of the Year); it sounded like a lost treasure from the 1970s. A year later, her second offering, The Velveteen Age, recast seven classic goth songs of the ‘80s and ‘90s with a pop sheen that was simply hypnotic. Speak a Little Louder, from 2013, was less the Carole King and Laura Nyro of her debut and more Fleetwood Mac/Stevie Nicks, and no less astounding.

Three years later, and the Nous EP glowed liked embers in the dark. As I wrote in my review, “It’s atmospheric, restrained and moody, accented by muted vocals and figurative wisps of smoke swirling from speakers.”

Which leads to today’s Top 5: Diane Birch.

1) “Nothing but a Miracle.” So I read a review of Bible Belt in Rolling Stone about a month before the album’s release. It received, if I remember correctly, three-and-a-half stars, and sounded like something potentially up my alley. So I did what any self-respecting potential fan would do: looked her up on Facebook, and began playing the four songs she’d posted on her page, including this gem. Halfway through, my Diane called in, “Who are you listening to? I love her!” And, thus, the Church of Birch gained its 201st and 202nd parishioners.

2) “Photograph.” The first time we saw her, in July 2009, I didn’t have a smartphone, just a cheap Virgin Mobile cellphone that I kept in my car’s glove compartment for emergencies. But I wanted to – if nothing else – get a picture. So I brought our Canon digital camera with 720p video capability, took a few shots, and then set it on the table and hit play for this song.

3) “Fall in Philadelphia.” Bible Belt garnered lots of press and TV appearances for Diane, but none that was as much fun to watch as her appearance on Live From Daryl’s House. Here, she and Hall sing a Hall & Oates classic…

4) “Bring on the Dancing Horses.” My favorite song from The Velveteen Age. Here, she breaks down why she recorded it and performs it solo.

5) “Dreams/Superstars.” This clip comes from a 2013 StageIt show. I’ve only watched a handful of live-streamed shows – the most recent was Neil Young’s Hometown concert. (They’re always fun, though never as much fun as the real thing.) Since I couldn’t figure out how to capture this stream for posterity’s sake, I held up my…I think it was an iPod Touch, as I’d yet to make the leap to the iPhone. (I still relied on the cheap cellphone that lived in the glove compartment.) So the quality isn’t the best.

And a few bonuses…

“Pretty in Pain.” Five months after that StageIt show, we were lucky enough to see Diane at the World Cafe Live Upstairs promoting Speak a Little Louder. We arrived early to eat, as the venue doubles as a restaurant, and saw (and enjoyed) her soundcheck. She channels her inner-Stevie Nicks in parts of this song.

“Heavy Cross.” I’ve shared this clip before, but no matter. It’s a classic, killer performance.

And here’s “Fools,” another Bible Belt standout, from the same show:

And, finally, “Stand Under My Love.” I’ve shared it before – it’s a stripped-down version of one of the Nous tracks. It’s always worth watching again.

This is my 67th post of 2016. Some missives were good, others not, and most a mix of the two, primarily due – I see now – to my over-reliance on the Top 5 format. In and of itself, that tip of the hat to High Fidelity works well – especially when I’m digging through an old magazine. But week in, week out, it grows tiresome. As a result, in the new year, I plan less Top 5s and more straightforward essays and reviews.

And, yes, I see the irony in saying that within a Top 5.

With that said, onward to today’s Top 5: An Old Grey Cat Retrospective, Part 2. In Part 1, of course, I listed the most popular posts of the year along with a clip from each. Here, I’m sharing – in chronological order – the posts I most enjoyed writing.

1) Today’s Top 5: Classics, Old & New (1/9/16): “Whether they come from the pen of Wallace Stevens or piano of Carole King, or the hills of Appalachia, expressions of the heart, soul and psyche have remained constant through the ages. It’s why music, like all art, doesn’t come with an expiration date. We, as a people, live, long, love, lose and love again, and argue amongst ourselves, forever and ever. Amen.”

2) The “Nous” Church of Birch (2/6/16): “We expect life, when young, to unfold much like school: first grade leads to second leads to third, and on down the line until, one late-spring day, we’re tossing our caps in the air at high-school graduation. But life – for most, at any rate – doesn’t unfurl like the step-by-step directions proffered by Google or Apple maps. Detours and wrong turns are inevitable. We stride forward, stumble, tumble backwards and regroup, and head out yet again.”

3) Bruce Springsteen in Philly, 2/12/16: We Have Met the Future and It Is Us (2/14/16): “The young 30-something who released The River and the young fans who first embraced it would likely laugh at the idea that, 35 years on, they’re still spirits in the night, albeit just for the night.”

4) Today’s Top 10: It Was 30 Years Ago Today… (9/5/16): “Looking back, the ‘80s were somewhat like a snow globe: America was shaken at its start, but everything settled into place by decade’s end. That the era is often derided for its fashion miscues, pop music and political retrenchment is a shame; there was much good to be found.”

5) Bruce Springsteen: A Fleeting Meet-and-Greet (10/1/16): “Life can be challenging. We wake, roll out of bed and, often, dread the day to come – maybe it’s the morning commute or pile of work awaiting us at the office; perhaps a dead-end job for dead-end wages; or, at times, something much, much worse. But the music takes us away from whatever it is, albeit for a few minutes, and helps us muster the strength to soldier on.”

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And two bonuses…

6) Today’s Top 5: The Promise of Tomorrow (circa 1970 & Billboard) (11/26/16): “When we strip the gauzy nostalgia from the reality of any time, we’re left with this: What often made the time wonderful was less day-to-day life and more the promise of what had yet to come. It’s why succeeding generations continue to embrace the music of the ‘60s and ‘70s, I think – despite the tumult of the ‘60s and woes of the ‘70s, the messages that powered much of the music were hopeful. And, by and large, we’re a hopeful lot.”

7) Album(s) of the Year, 2016 (12/4/16): “And so the year comes to a close not with a bang or whimper, but a melody that’s older than my time on Earth: ‘What the World Needs Now Is Love.’”

Although the final stats will have to wait until New Year’s Eve, it’s safe to say that 2016 has been a banner year for the Old Grey Cat blog: 500+ more visitors and 2100+ more page views than 2015. Wow! Thank you to everyone who has stopped by from time to time.

Anyway, this week, I thought I’d look back at the Old Grey Cat’s 2016. First up: my most-viewed (new) posts of the year, along with one featured clip from each. (I’ll post a roundup of my favorite posts on Thursday.)

1) Today’s Top 5: August 1984 (via Record Magazine): Little Steven & the Disciples of Soul – “I Am a Patriot.”

2) Diane Birch – Nous: “Stand Under My Love.”

3) Today’s Top 5: Songs of the Seventies: Fleetwood Mac – “Rhiannon.”

4) Today’s Top 5: Saturday, 6/25/2016: Rylie Bourne – “Mary Ann.”

5) Bruce Springsteen in Philly, 2/12/16: We Have Met the Future and It Is Us: “Prove It All Night.”

And what would one of my Top 5s be without a few bonuses?

6) Today’s Top 5: Blake Babies: “Temptation Eyes.”

7) Today’s Top 5: September 1983 (via Musician): The Plimsouls – “A Million Miles Away.”