Posts Tagged ‘What the World Needs Now’

This is my 67th post of 2016. Some missives were good, others not, and most a mix of the two, primarily due – I see now – to my over-reliance on the Top 5 format. In and of itself, that tip of the hat to High Fidelity works well – especially when I’m digging through an old magazine. But week in, week out, it grows tiresome. As a result, in the new year, I plan less Top 5s and more straightforward essays and reviews.

And, yes, I see the irony in saying that within a Top 5.

With that said, onward to today’s Top 5: An Old Grey Cat Retrospective, Part 2. In Part 1, of course, I listed the most popular posts of the year along with a clip from each. Here, I’m sharing – in chronological order – the posts I most enjoyed writing.

1) Today’s Top 5: Classics, Old & New (1/9/16): “Whether they come from the pen of Wallace Stevens or piano of Carole King, or the hills of Appalachia, expressions of the heart, soul and psyche have remained constant through the ages. It’s why music, like all art, doesn’t come with an expiration date. We, as a people, live, long, love, lose and love again, and argue amongst ourselves, forever and ever. Amen.”

2) The “Nous” Church of Birch (2/6/16): “We expect life, when young, to unfold much like school: first grade leads to second leads to third, and on down the line until, one late-spring day, we’re tossing our caps in the air at high-school graduation. But life – for most, at any rate – doesn’t unfurl like the step-by-step directions proffered by Google or Apple maps. Detours and wrong turns are inevitable. We stride forward, stumble, tumble backwards and regroup, and head out yet again.”

3) Bruce Springsteen in Philly, 2/12/16: We Have Met the Future and It Is Us (2/14/16): “The young 30-something who released The River and the young fans who first embraced it would likely laugh at the idea that, 35 years on, they’re still spirits in the night, albeit just for the night.”

4) Today’s Top 10: It Was 30 Years Ago Today… (9/5/16): “Looking back, the ‘80s were somewhat like a snow globe: America was shaken at its start, but everything settled into place by decade’s end. That the era is often derided for its fashion miscues, pop music and political retrenchment is a shame; there was much good to be found.”

5) Bruce Springsteen: A Fleeting Meet-and-Greet (10/1/16): “Life can be challenging. We wake, roll out of bed and, often, dread the day to come – maybe it’s the morning commute or pile of work awaiting us at the office; perhaps a dead-end job for dead-end wages; or, at times, something much, much worse. But the music takes us away from whatever it is, albeit for a few minutes, and helps us muster the strength to soldier on.”

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And two bonuses…

6) Today’s Top 5: The Promise of Tomorrow (circa 1970 & Billboard) (11/26/16): “When we strip the gauzy nostalgia from the reality of any time, we’re left with this: What often made the time wonderful was less day-to-day life and more the promise of what had yet to come. It’s why succeeding generations continue to embrace the music of the ‘60s and ‘70s, I think – despite the tumult of the ‘60s and woes of the ‘70s, the messages that powered much of the music were hopeful. And, by and large, we’re a hopeful lot.”

7) Album(s) of the Year, 2016 (12/4/16): “And so the year comes to a close not with a bang or whimper, but a melody that’s older than my time on Earth: ‘What the World Needs Now Is Love.’”

And so the year comes to a close not with a bang or whimper, but a melody that’s older than my time on Earth: “What the World Needs Now Is Love.”

Jackie DeShannon’s rendition of that Bacharach-David classic, Wikipedia tells us, was released as a single on April 15, 1965; and, according to Weekly Top 40, it entered the Top 10 on July 3rd and peaked at No. 7 three weeks later. It’s a song that’s been sung by hundreds of singers since, including Rumer on her new This Girl’s in Love: A Bacharach & David Songbook album. Somewhere there’s war, somewhere there’s heartache and somewhere some people hate while others fear. It’s not fair. It’s never fair. But it’s why the song resonates when it’s sung. It’s always true. The world needs love. Sweet love. Not for some. For everyone.

But I’m getting ahead of myself. The Old Grey Cat’s “Album of the Year” award is not an honorific doled out lightly. The selection process – which I began in 1978 at age 13 – is quite simple: I deep-dive into the music that riveted me during the previous 12 months, whittle down the choices to a few candidates and pick my Album of the Year from them. But this year? There was no need. To quote myself from 2014:

“Sometimes you just know – call it love at first listen. The first notes of the first song seep from the speakers with the grace of an Audrey Hepburn or the grit of a Humphrey Bogart and, well, that’s that. Without listening to the rest, you know that this is it, the one, the set of music that will fill the soundtrack of your life not just for the foreseeable future, but for the rest of it.”

Except, in this instance, I knew long before the first notes sauntered from the speakers. But, again, I’m getting ahead of myself. (Let’s call it “building suspense.” Ha!)

ryliebourneFirst, a caveat: Rylie Bourne’s self-titled debut album was and remains among my favorite discoveries of 2016; it would easily make my Top 5 for the year save for the fact that it wasn’t released in 2016, but late 2015. As I explained in this post, “It’s country music the way country music should be, of the soul and heart. It conjures the Carter Family, Merle Haggard and the outlaw sound. At times, it’s light; more often, however, it’s dark and cathartic – think Hank Jr.’s Whiskey Bent and Hell Bound (minus the orneriness).” If you haven’t sought it out, you should. Here’s a taste:

And one more caveat: Neil Young’s Peace Trail is due out on Dec. 9th, five days from now. It could, conceivably, eke its way into a top spot, given that “Indian Givers” – released a few months back – is damn good.

There’s little chance that the album will eke its way into my Top 3, however; those have been set in stone since Thanksgiving night. Because of Peace Trail, however, I’m not going to breakdown what falls where within Numbers 10 to 4, as they’re all (fairly) equal to my ears and could get bumped down a notch (and/or out of the Top 10): Alicia Keys’ Here; Bat for Lashes’ The Bride; Blake Babies’ Earwig Demos; Emily Jane White’s They Moved in Shadow All Together; Neil Young’s Earth; Norah Jones’ Day Breaks; and, at my wife’s urging, Van Morrison’s Keep Me Singing.

And, with all that acknowledged, onward to the year’s Top 3:

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3) Sarah Jarosz – Undercurrent. What an amazing album. The singer-songwriter’s guitar playing reminds me of Stephen Stills – magic is made with every pluck and strum. Her vocals, though a different shade and texture, conjure Shawn Colvin’s; and the songs…as I’m apt to say, “Wow. Just wow.” Here’s a 10-minute Attics Sessions video of the Texas native:

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2) Diane Birch – Nous + “Nite Time Talking.” The Church of Birch pastor began the year with the intoxicating Nous. In my review, I wrote that the set is “atmospheric, restrained and moody, accented by muted vocals and figurative wisps of smoke swirling from speakers. The music smolders, in other words, and conjures an assortment of current and classic recordings – from Anna Calvi and Bat for Lashes to David Bowie and Pink Floyd – while retaining its own unique sound.”

“Nite Time Talking,” a one-off single released on Bandcamp at the end of November, is equally seductive and dreamlike.

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1) Rumer – This Girl’s in Love: A Bacharach and David Songbook. Was there any doubt? As I said above, sometimes you just know; and I knew in August of 2015, when Rumer announced her plan to record an album of Bacharach-David songs. That voice with those songs?! It’s a match made in heaven. However, the end result is even better than anticipated. To tweak what I wrote a few weeks back, it’s a lilting and lush set that possesses the grace of Audrey Hepburn, soul of Dusty Springfield and finesse of the 5th Dimension.

In other words, it blows my mind every time I listen to it (and I’ve listened to little else since its release). Here’s another highlight – with a vocal cameo by none other than Burt Bacharach, who also plays piano on the track:

 

Thanksgiving night, after a wonderful get-together with family, Diane and I continued our trek through Good Girls Revolt. One episode centered on New Year’s Eve of 1969: As the ‘60s came to an end, Patti (Genevieve Angelson) and editor Finn (Chris Diamantopoulos) concluded that the decade had been about suppression and repression; the ‘70s, they predicted, would be about expansion. Then, at about 10:50pm, I received a message from iTunes: Rumer’s This Girl’s in Love: A Bacharach and David Songbook was available for download.

It’s a lilting and lush set; the music possesses the grace of Audrey Hepburn, soul of Dusty Springfield and vocal finesse of the 5th Dimension, if that makes sense, and evokes the era in which the songs were born while remaining firmly rooted in the present. While one can imagine Rumer singing, say, “One Less Bell to Answer” on The Tonight Show in 1969, one can also imagine her swaying to the same music on The Tonight Show next month. At its best, music transcends time and space; and this set does just that.

Anyway, the juxtaposition of Good Girls Revolt and This Girl’s in Love (and, perhaps, too much turkey) led me to reflection – and to the realization that Patti and Finn, in their rush to pass judgment on the ’60s, were wrong. The decade was not a time of suppression or repression. To the contrary. It was a time when the collective American mindset pushed past a centuries-old prejudice (race) and began to do the same with another (gender). That’s not to say prejudice was eliminated; far from it. But the majority of folks realized it was wrong.

Consider this clip from Petula, a TV special starring British pop singer Petula Clark that aired on NBC on April 2, 1968:

The moment near the end, when Petula puts her arm on Harry Belafonte’s? Believe it or not, it spurred a controversy. A vice president of Chrysler, which was sponsoring the show, demanded that another take be used due to the “interracial touching.” Petula Clark and her husband, the special’s producer, said no; NBC sided with them; and the special, when it aired, was a hit. But if that touch had occurred a decade earlier? NBC likely would’ve cut the song or, if not, many TV stations, primarily in the South, would’ve refused to air the show.

That said, despite the decade’s advances, life wasn’t great. Two days after that special aired, for example, Martin Luther King Jr. was assassinated; two months later, Robert Kennedy was killed; four months later, the Democratic National Convention in Chicago turned violent; six months later, Richard Nixon was elected president; and, all the while, the Vietnam War raged – more than 16,592 American soldiers died and 87,388 were wounded that year.

When we strip the gauzy nostalgia from the reality of any time, we’re left with this: What often made the time wonderful was less day-to-day life and more the promise of what had yet to come. It’s why succeeding generations continue to embrace the music of the ‘60s and ‘70s, I think – despite the tumult of the ‘60s and woes of the ‘70s, the messages that powered much of the music were hopeful. And, by and large, we’re a hopeful lot.

Which leads to today’s Top 5: The Promise of Tomorrow, circa 1970 and Billboard. These are the year’s top singles…

1) Simon & Garfunkel – “Bridge Over Troubled Water”

2) The Carpenters – “(They Long to Be) Close to You”

3) The Guess Who – “American Woman”

4) B.J. Thomas – “Raindrops Keep Falling on My Head”

5) Edwin Starr – “War”

6) Diana Ross – “Ain’t No Mountain High Enough”

And a few singles that didn’t make the year’s top 100:

7) The 5th Dimension – “One Less Bell to Answer”

8) Elton John – “Your Song”

9) Dusty Springfield – “A Brand New Me”

 

IMG_4223Big news out of Rumer land: The sublime singer-songwriter is slated to make a record of Burt Bacharach-Hal David songs – and has solicited suggestions from fans as to which ones they should be. So, for today’s Top 5: Bacharach-David songs that she should consider for the project.

Of course, the songwriting pair has written many classic tunes, including “Do You Know the Way to San Jose,” “Walk on By,” “(They Long to Be) Close to You,” “I Say a Little Prayer” and “What the World Needs Now Is Love.” All great choices. I thought I’d go a slightly different route, however, with this first of two Top 5s, and make it a double-themed endeavor that also spotlights one of my favorite singers, Dusty Springfield. (And, yes, you read right: Today’s Top 5 is a twin spin.)

1) “I Just Don’t Know What to Do With Myself.” Originally sung by Tommy Hunt in 1962, but definitively covered by Dusty Springfield, who had a No. 3 hit with it in the U.K. two years later.

2) “Twenty Four Hours From Tulsa.” A country & western-flavored story-song about a guy leaving his gal for another. Few thought twice about it when it was a hit for Gene Pitney in 1963, but when Dusty covered it a year later the switch in gender perspective caused a minor uproar. Why? Because, well, it was 1964.

3) “A House Is Not a Home.” Dionne Warwick had the honors with the original version, which cracked the Top 100 in 1964; and Rumer herself sang it at the White House a few years back (see below for that). But, for the purposes of this Top 5, here’s Dusty singing it with Burt Bacharach on his “Another Evening with” 1970 TV special:

4) “The Look of Love.” A stone-cold Dusty classic that garnered Bacharach-David an Oscar nomination due to its use in the 1967 spy spoof Casino Royale.

5) “This Girl’s in Love With You.” Covered numerous times by many people, both as “Guy” and “Girl.” Herb Albert had a No. 1 hit with it in 1968, and Dionne Warwick scored a No. 7 hit with it a year later. This, though, is my favorite version. Why? It’s Dusty.

And now… the second Top 5 for today, this one of Bacharach-David songs that Rumer has already covered.

1) “Alfie.”

2) “Do You Know the Way to San Jose” – with the Dutch Metropole Orchestra.

3) “Raindrops Keep Falling on My Head.”

4) “What the World Needs Now.”

5) “A House Is Not a Home.”