Some things just take me back – the opening to Room 222, for instance. I’m immediately transported to one summer in the early 1970s when we visited my grandparents on my dad’s side. I remember sitting on the living-room floor in their one-bedroom apartment, eyes glued to their color TV, in awe of the big kids walking across their big campus. I couldn’t wait to grow up.
Those were the years, I should mention, that color TV was a big deal to me. As I wrote a few years ago, we moved to Saudi Arabia in August 1970, when I was 5, and lived there until late May 1975, a month and change before my 10th birthday. While we owned a portable black-and-white TV, and Jeddah’s lone TV station carried some English-language fare, there wasn’t much to watch – Mighty Mouse, The Brady Bunch, The Invaders and UFO are four shows that I recall seeing over there, but never on a regular basis. Often, you’d turn on the TV to find old men playing traditional Middle Eastern music on traditional Middle Eastern instruments – or a test pattern. There either wasn’t a set schedule or I was too young to decipher it; and, even if there was, there were so many other things to do that watching TV was a second- or third-tier activity.
In other respects, however, life – from my perspective, I hasten to add – wasn’t that different than if we’d remained in the States: We lived in a community with other American families, took a bus to an American school, and watched American movies – the compound had an outdoor movie theater, which is where I first saw one of my all-time favorite films, Billy Jack. (Oh, I know: It’s far from a five-star classic. Yet I enjoy it. Like Room 222, it takes me back.)
And, just like other families, we took summer vacations – not to the shore, but Beirut, Ethiopia and Disney World, plus back to Philadelphia to see the grand folks.
Music had yet to become an omnipresent force in my life at that stage, but Johnny Horton’s Greatest Hits received a lot of play on my portable record player, especially the novelty historical songs.
Another novelty song that my friends and I enjoyed – Carl Douglas’ “Kung Fu Fighting.”
My parents, on the other hand, weren’t into novelties. They preferred Neil Diamond, including “Holly Holy” –
– and the second side of Tap Root Manuscript.
Returning to the top: TV themes. This is another one that takes me back – though not to the early ‘70s, but 1977 or ’78, or thereabouts, when I started watching The Mary Tyler Moore Show in reruns. Like Room 222, it made me want to grow up faster.