First Impressions: Maria McKee’s La Vita Nuova

Posted: March 13, 2020 in 2020, 2020s, First Impressions, Maria McKee
Tags: , , , , , , ,

As I write, the world has been swept into a whirlwind of worry, fear and panic previously known only within dystopian novels, movies and TV shows. A simple trip to the supermarket turns into a bumper-car battle of grocery carts for most, while for others it graduates into a fistfight over something as mundane as toilet tissue. Yet, today, a sense of calm enveloped my being thanks to Maria McKee’s first studio album in 13 years, La Vita Nuova.

The 14-song, 65-minute set conjures the operatic stylings of Life Is Sweet and High Dive, though more the latter than the former, and taps into the collective unconscious in ways that belie articulation. In some ways, “Effigy of Salt,” echoes Kate Chopin’s The Awakening

I hate the things I know
I wish I could retrace my steps
Before I went down to the sea
Where I crept along the depths
And prodded underneath
All along and far too deep

…though there’s far more packed into its four minutes than that. As with Life Is Sweet, the lyrics may seem to be stream-of-consciousness admissions of the heart and soul, but – as with Life Is Sweet – they’re well-crafted odes to the Archetypes of Life Internal and External. The title tune, for instance, finds Maria musing on her long-ago youth…

Once heady in the Pentecost
With tongues unknown and full of praise
Then one day all of that was lost
Now I’m a drone bereft of faith

It’s not quite Frank O’Hara’s “Poem (All the mirrors in the world),” yet that’s the first thing that popped into my mind when I listened to it this morning. Looking away from what O’Hara calls the “overgrown bludgeons” of his youth eases the pain, just as eyeing the other reflections at the bar enables him to brush aside what he’s become. In Maria’s case, however, she’s facing her life’s journey head-on: “Now when I face what I’ve become/I laugh into the ashen gloom.”

(That said, after only a few listens, I’m sure my interpretation is daft.)

There’s far more to unpack with La Vita Nuova. For now, however, after a day of worry and supermarket waits, I’m content to let the music wash over me, Maria’s voice to course through my veins, and for the lyrics – about life, love, youth and more – to settle into my subconscious. As a whole, it’s operatic, dramatic, poetic and, always, always, heartfelt. “However Worn,” the closing song, is proof of that. (I’ll undoubtedly have more to say about it in the weeks to come.)

The track listing:

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