Melody Gardot’s Sunset in the Blue finds the soft hues of the chanteuse’s heart lilting like a leaf lifted from the ground by a gentle breeze on an autumn afternoon. In many respects, it conjures her 2009 breakthrough, the classic My One and Only Thrill, in sound and style, with deft orchestral touches underscoring her emotive vocals. The main reason for the similarity: she’s again working with that set’s production team – Grammy Award-winning producer Larry Klein, arranger/composer Vince Mendoza and engineer Al Schmitt. Yet Sunset in the Blue is no mere retread; the album incorporates the life and musical lessons she’s learned in the years since.
As evidenced by “If You Love Me,” the leadoff track, the space between notes is on full display throughout; she never rushes a phrase, preferring to hang back and, a la that leaf I mentioned above, ride the wind. Actually, now that I think about it, that metaphor is off: Her vocals are akin to a hawk gliding high in the sky until it spots prey, when it swoops low, talons out. She plucks us from the ground again and again, in other words, though we’re never left bloody. (Maybe that’s not the best metaphor, either.) Anyway, “C’est Magnifique,” which features Portuguese singer António Zambujo, is another example of what I mean.
The languid pace of the album is accented by similar, sumptuous melodies and rhythms; it’s like listening to a lush dreamscape, just about, and one you won’t want to wake from. Nine of the 13 tracks are originals co-written by Melody, though one of those – the duet with Sting, “Little Something” – is only available on the physical release, though it can be streamed from the usual suspects, including YouTube. (Which means, since my vinyl isn’t slated to be delivered until January, I’m stuck without it for the time being.)
Of the four covers: “Love Song,” written by Lesley Duncan, hails from Elton John’s 1970 Tumbleweed Connection LP, “You Won’t Forget Me,” by Richard Spielman and Kermit Goell, was first performed by Helen Merrill in 1956 (though it’s probably best known, these days, for Carly Simon’s rendition from her underrated 1997 Film Noir album); “Moon River” is, of course, the classic Henry Mancini/Johnny Mercer song from Breakfast at Tiffany’s; and “I Fall in Love Too Easily,” by Sammy Cahn and Julie Styne, was first sung by Frank Sinatra in the 1945 musical Anchors Aweigh. Each, as one might expect, is luscious and wondrous in Melody’s hands.
I’ll sidestep everything else I planned to write, as – honestly – words alone can’t quantify the beauty inherent in Sunset in the Blue. My wife says she hears hints of Billie Holiday within some songs; that may be so, but most of all I hear Melody, her heart and her soul. The music stops time for me in a way few other releases have this year.
The track list: