If it seems that, of late, I’ve been referencing Maria McKee’s old band a little more than usual, there’s a reason: “Teenage Kicks,” a single released on May 28. Although “new,” it’s actually an old recording from what appears to be the second iteration of the group, aka the lineup that recorded their classic debut. The band behind the always mercurial McKee, who sang and played guitar, included Marvin Etzioni on bass, Ryan Hedgecock on guitar and Don Heffington on drums.
“Teenage Kicks” is a compelling rendition of the Undertones song that made the UK’s Top 40 in late 1978. (It was written by the band’s guitarist, John O’Neill; other members included Feargal Sharkey, who would later top the UK charts with his recording of the McKee-penned “A Good Heart.”) The song emphasizes the punk half of Lone Justice’s cowpunk sound; it’s two-and-a-half minutes of frenzied fun that, I think, only the young can get away with, though all ages can and will enjoy.
The b-side is a live version of the George Jones-Roger Miller country stomp “Nothing Can Stop My Loving You”; a studio version from December 1983 surfaced on the 2014 compilation This Is Lone Justice: The Vaught Tapes, 1983. It’s a rambunctious delight.
The single can be purchased on vinyl via Bandcamp; it’s apparently a teaser for a forthcoming new/old album, Viva Lone Justice. Where and when the a-side was recorded, who knows? The b-side, on the other hand, supposedly hails from a sold-out show in 1983 at the Palace, a Los Angeles club, and features Jo-El Sonnier on accordion. I’d like to know the logistic specifics of both, especially the date they were recorded, but scant information is provided. Hopefully the album’s liner notes fill in all the blanks.
[Update 10/25/24: My questions have mostly been answered; see my review of Viva Lone Justice here.]

Saw them open for U2 back in the 80s and have been a fan ever since. Turns out it was also about the same time I started not caring about U2. 😆
Lone Justice’s first album is a masterpiece from beginning to end. The second album is spotty and definitely suffers from “sophomore slump.” I wish they hadn’t disbanded; would love to have seen what they could have gone on to. Looking forward to whatever it is they plan on releasing.
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There was so much hype about the first album. Maria this, Maria that…turn on MTV the VJs would be talking about her or that Tom Petty gave them Ways To Be Wicked. That’s a huge obstacle to overcome. It felt like they were being set up for failure. I’m really looking forward to hearing this whole thing. I hope there’s a domestic release. The cost of shipping physical products from the UK is horribly expensive.
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They were my favorite band when I saw them November 19, 1986, at the Antenna in Memphis. I so much look forward to this record.
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