Archive for the ‘Jackson Browne’ Category

Today’s Top 5: Song Requests for CMA’s Next Livestream

Posted: April 11, 2020 in 2020, 2020s, Anita Carter, Courtney Marie Andrews, Emmylou Harris, Jackson Browne, Neil Young, Today's Top 5, Top 5
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Days blur together. Nights, too. The rinse-and-repeat life has gotten old for everyone, as has the incompetent, incoherent and intolerable hack whose mismanagement led us to this abyss. But for 70 minutes yesterday on YouTube Live, Courtney Marie Andrews provided a respite from the madness and sadness that accents life during the great pandemic. She sang songs old and new, including a few requests and a beautiful rendition of John Prine’s “Angel From Montgomery.”

The entire show can be watched here:

Unlike her never-ending livestream event from a few weeks back with the Tallest Man on Earth, Sam Evian and Hannah Cohen, this one was perfectly paced. Songs flowed. Her voice soared. Souls were soothed. I should mention that the show served a purpose larger than lifting spirits: It was to raise funds for her bandmates, who are – like many others – out of work. (I donated what we likely would’ve paid for two concert tickets to see her, $50.) 

She said, near the end, that she hopes to do another livestream event and sing a few more of the requests, which she gathered from her social-media accounts. I’ll be happy to donate again, no matter what she plays, but… as fate dictates, two years ago today – not long after seeing her in our old (and missed) hometown of Philadelphia – I posted this top 5, Timeless Songs, which collected tunes I thought would be cool for Courtney to cover in concert. I’d still love to hear those songs, but now have additional suggestions…

Which leads to today’s Top 5: Song Requests for CMA’s Next Livestream. With one exception, they’re all covers because… well, I love cover versions. They’re cool.

1) Diane and I still talk about “Warning Sign,” an unreleased song Courtney performed at her 2018 show at the Boot & Saddle in Philly, with fondness. It sounded like a long-lost Dan Penn tune, just about. Now, stripping the song to an acoustic core might be difficult, but still… I’d love to hear her try.

2) “Prayer in Open D” is, hands down, my favorite Emmylou Harris song, and its lyrics take on an even greater poignancy now: “I can find no bridge for me to cross/No way to bring back what is lost…” Courtney is one of few singers who could do it justice. 

3) “All My Trials” is an old folk song that’s been covered many times through the years by everyone from Peter, Paul & Mary to Paul McCartney. One of my favorite renditions of it, though, is by Anita Carter of the Carter Family. It seems apropos for these times…

4) On that never-ending livestream I referenced above, Courtney and pals performed not one, not two, but four Neil Young songs – “One of These Days” and “Unknown Legend” from Harvest Moon, “Helpless” from CSNY’s Deja Vu, and “Motion Pictures” from On the Beach. Originally for this one, on social media, I suggested one of two classic Neil songs – “Powderfinger” or “Human Highway.” But the more I think about it, this song from his recent Colorado album seems a better fit – “Where did all the people go?/Why did they fade away from me?/They meant so much to me and now I know/That they’re here to stay in my heart.”

5) Jackson Browne released “A Little Soon to Say” a few weeks back, after it was revealed that he was recovering from COVID-19. Although written before the pandemic, its lyrics seem appropriate to today: “I wanna see you holdin’ out your light/I wanna see you light the way/But whether everything will be alright/It’s just a little soon to say…”

 

The Essentials: Jackson Browne’s Hold Out

Posted: March 28, 2020 in 1980, 1980s, Jackson Browne, The Essentials
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Released in June 1980, Jackson Browne’s Hold Out album is notable for two reasons. Critics disliked it, as evidenced by Rolling Stone‘s Kit Rachlis calling it “probably the weakest record he’s ever made”; and, powered by the singles “Boulevard” and “That Girl Could Sing,” the platter spun its way to the top of the charts, becoming his first (and only) No. 1 LP. 

It’s also notable within my life for another reason: It was the first current Jackson Browne LP that I purchased. As I’ve written before, my journey into music fandom began in earnest in the spring of 1978. Everything was new to me, even the old; I was, literally and figuratively, a kid in a candy store. I picked up the “Doctor My Eyes” 45 at some point that summer and followed it on occasion with a few of his LPs; I had a hierarchy of fallbacks when I went to record stores, and Jackson’s were usually third, fourth or fifth down the rung. By the time I picked up Running on Empty, which was released in late 1977, it was late 1979. (In some respects, in those days, he was singing about things that were beyond my years – but that was part of the appeal.)

In any event, I came home with Hold Out not long after hearing “Boulevard,” the first single, on either WMMR or WYSP.

“Down on the boulevard/they take it hard/they look at life with such disregard/they say it can’t be won/the way the game is run…” Those lyrics echoed life then and echo life now, some 40 years later. “The hearts are hard and the times are tough.” Amen.

“That Girl Could Sing” was another immediate favorite. Written for singer-songwriter/backup vocalist Valerie Carter, it’s an evocative portrait of a free spirit: “She was a friend to me when I needed one/Wasn’t for her I don’t know what i’d done/She gave me back something that was missing in me/She could of turned out to be almost anyone/Almost anyone/With the possible exception/Of who I wanted her to be…”

Those are tracks 3 and 4 on the LP; the opener, “Disco Apocalypse,” sets the stage for them quite nicely, detailing the mindless appeal of the era’s club scene; in some respects, it’s “The Pretender” for the disco age: “In the dawn the city seems to sigh/And the hungry hear their children cry/People watch the time go by/They do their jobs and live and die/And in their dreams they rise above/By strength, or hate, or luck, or love…”

Cowritten with David Lindley, “Call It a Loan,” – about the fear that comes with falling in love – is another highlight.

The remainder of the album is as strong. Lyrically, sure, at times it teeters on the brink, especially on the song for Lowell George, “Of Missing Persons,” but – melodically and sonically speaking – it just sounds great. Warm. It could well have been recorded yesterday.

That said, I’d be lying if I said I wore out the album’s grooves at the time. In truth, I moved on to other albums, other songs. As one does. In the decades that followed, I’ve played Late for the Sky and Running on Empty many, many times – and, until a few months ago, Hold Out not once. A month or so ago, however, I found myself stuck in stop-and-go traffic on the 15/501 during my evening commute. “That Girl Could Sing” began circulating and percolating in my brain, and I remembered lying on the floor of my old bedroom and reading the lyrics on the record sleeve as Jackson sang them. There was and is something magical and mystical about the first listen, of having the music usher you elsewhere. 

I’ve listened to the album quite a bit in the weeks since that ride home. As one does. I’m surprised at how well it’s aged and that, at their best, the lyrics are sage and true in detailing matters of the heart. Hell, I even like the closing “Hold On Hold Out,” which every critic I’ve read lambasts for its schmaltzy declaration of love.

The track list:

Today’s Top 5: Life During the Great Pandemic, Vol. I

Posted: March 27, 2020 in 2020, 2020s, Allison Moorer, Bob Dylan, Courtney Marie Andrews, Hannah Cohen, Hayes Carll, Jackson Browne, Top 5
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For the past two weeks, like many others, I’ve led a shuttered existence – just me, Diane and our wooly bully of a boss in the apartment. Although my alarm still sounds at 5:45AM, instead of heading out the door to work within an hour, as is my custom, I bide my time until 7AM, when I telecommute into the office. Once I sign off at 4PM, weather permitting, Diane and I go for a walk – and breathe in the fresh pollen.

In other words, aside from allergies, we’re doing okay.

Tomorrow, Diane and I will do what we did last weekend – take a 30-minute ride into the countryside while E Street Radio provides us a perfect soundtrack. We’ll also tune in, at 8PM ET, to watch Allison Moorer perform on Facebook and then, on Sunday afternoon, attend a Church of Birch revival meeting on StageIt. Last weekend, we watched First Aid Kit on Instagram, which was fun; Courtney Marie Andrews, the Tallest Man on Earth, Sam Evian and Hannah Cohen on YouTube, which was interchangeably entrancing and interminable; and Diane Birch on StageIt, which cheered us up a lot. I also enjoyed Neil Young’s first Fireside Sessions at the Neil Young Archives; it was pre-recorded, edited and – with all respect to the others – the best of the bunch.

Until Wednesday, I hadn’t listened to much music beyond E Street Radio and those online affairs; I just wasn’t in the mood – which I’m sure others can identify with. But that morning I had the hankering to hear Bob Seger & the Silver Bullet Band’s classic Against the Wind, which I played a few times, and followed it with Jackson Browne’s equally classic Late for the Sky and his under-appreciated Hold Out, Courtney Marie Andrews’ May Your Kindness Remain, and Neil Young’s Trans. Yesterday, I revisited the 10,000 Maniacs’ Our Time in Eden a few times along with Paul McCartney & Wings’ Band on the Run. (“Stuck inside these four walls/never seeing no one…” takes on a new meaning in the context of today.)

This morning, my various newsfeeds were awash in new and recent songs from a host of my favorites; they provided a great distraction from the latest pandemic news and stock-market nosedive.

And, with that, here’s Today’s Top 5: Life During the Great Pandemic, Vol. I.

1) Hayes Carll & Allison Moorer – “That’s the Way Love Goes.” Originally a hit for Lefty Frizzell, this stunningly beautiful song is just that – stunningly beautiful.

2) Bob Dylan – “Murder Most Foul.” The bard of bards has apparently kept this 17-minute opus under wraps for…who knows how long. Whatever, it’s an instant classic – the kind of song that demands repeated listens. 

3) Jackson Browne – “A Little Soon to Say.” We learned on Tuesday that Jackson caught the COVID-19 virus while in New York for a benefit, but that he’s doing okay. Yesterday, he released this song, which though written and recorded before the pandemic hit, seems an apropos song for this odd time: “But whether everything will be alright/It’s just a little soon to say…”

4) Courtney Marie Andrews – “Are You Alright.” Amongst the upheaval of four non-techies trying to figure out how to livestream, Courtney delivered a spellbinding rendition of this Lucinda Williams song. (It begins at the 24:08 mark if the link doesn’t work as intended.)

5) Hannah Cohen with Sam Evian – “Motion Pictures.” Although Courtney, the Tallest Man on Earth, Sam Evian and Hannah Cohen delivered a bounty of Neil Young covers during their 2 1/2-hour livestream, this was my favorite. It’s possesses a Mazzy Star-like vibe. (It’s at the one hour and 30 minute mark if the link doesn’t work correctly.)

The Essentials: Jackson Browne’s Late for the Sky

Posted: February 16, 2020 in 1970s, 1974, Jackson Browne, The Essentials
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In 2012, in its third attempt to add order to rock history, Rolling Stone ranked the Top 500 Albums of All Time. Jackson Browne’s 1974 LP Late for the Sky came in at 375. I rate it much higher in my own Top 10, where it’s tied somewhere near the top with 100-or-so other albums. His lyrics are elegiac, knowing and human, akin (somewhat) to Robert Lowell poems set to music.

At the time of its release, I was a 9-year-old lad living in an arid foreign land. Although stark memories of various pop and rock songs from that era – including Jackson’s “Doctor My Eyes” – ricochet around my brain, my first remembrance of Late for the Sky comes from four years later, when my family lived in suburban Philadelphia. By then, an apprenticeship with Top 40 WIFI-92 had led me to the heavier rock sounds found on WMMR and WYSP, as well as the adult-oriented WIOQ; it was on those stations that I first heard the title cut, “Fountain of Sorrow,” “For a Dancer” and “The Road and the Sky.”

In short order, I picked up a few of his albums – beginning, in 1978, with his self-titled debut, the album home of “Doctor My Eyes,” which I’d already picked up on 45. I could lie and say I found the albums the best thing since sliced bread (or just Bread), but as I noted in this 2012 review of his concert at the Academy of Music, “lyrically speaking, Browne deals with subjects – love, disillusionment and death among them – that were beyond me at that point in my life. Yet there was a song or two on each of those albums that led me to buy the next, regardless, and through the years – and decades – I came to treasure the heartfelt insight of the songs I once dismissed.”

I remember listening to Late for the Sky for the first time and not knowing quite what to make of it. As I said above, many of its songs were beyond my 14- or 15-year-old comprehension – and yet they struck a chord, nonetheless. The uptempo “Road and the Sky” was my initial favorite.

As the years progressed and adulthood settled in, however, I came to hear those other songs for what they were: Adroit treatises on this thing called life. It’s often melancholic and wistful, but never downright depressing.

The title cut captures the final embers of a relationship, when the realization that it’s over has set in: “You never knew what I loved in you/I don’t know what you loved in me/Maybe the picture of somebody you were hoping I might be.” From what Jackson told Uncut magazine in 2010, prior to writing the song, the phrase “late for the sky” had been clanging around his head for quite some time. “I wrote that whole song in order to say that one phrase at the end of it.” In his speech welcoming Jackson to the Rock and Roll Hall of Fame in 2014, Bruce Springsteen listed it among the Jackson songs he’d wished he’d written.

In “Fountain of Sorrow,” finding a photograph of an old lover sends him spinning through the realities of the relationship that he didn’t recognize or understand at the time. “When you see through love’s illusions/There lies the danger/And your perfect lover just looks like a perfect fool/So you go running off in search of a perfect stranger/While the loneliness seems to spring from your life/Like a fountain from a pool.” In an interview with Mojo, he explained that “[i]t acknowledges that people are always looking for something in each other that they may not find, and says that not only is that OK, but what’s more enduring is the goodwill and acceptance of each others’ right to be on this search and to make your own choices, and that one’s longing or sorrow is part of your own search, not a byproduct of somebody else’s.” 

Another favorite song is “For a Dancer,” which he wrote for a friend who died in a fire. I’d wager that it’s been a song that’s sent off many souls in the decades since Jackson shared it with the world. It astounds me that it was written by a 26-year-old kid.  

Late for the Sky spent 24 weeks in the Billboard charts, topping off at No. 14. It went gold by the end of 1974, and achieved platinum status 15 years later. Sales alone, both short- and longterm, don’t signal an album’s greatness, of course, and such is the case here. No, these are songs that reflect the human experience like few others – for that reason alone, they should be a part of the soundtrack to everyone’s life.

The song list:

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