Posts Tagged ‘Everybody Knows This Is Nowhere’

Today’s Top 5: 10 All-Time Favorite Albums, Part 1

Posted: April 21, 2018 in 2010s, 2018, Bangles, Crazy Horse, Lone Justice, Maria McKee, Neil Young, Paul McCartney, Rumer, Top 5, Wings
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Of late, Facebook has been in the news for all the wrong reasons. As most folks now know, unscrupulous data miners utilized a personality-quiz app to scrape the innards of millions upon millions of profiles, and then used the information to push political ads during the 2016 election aimed at dissuading Democrats from voting and boosting Republican turnout. Micro-targeted ads, of course, are tailored for specific audiences. In this case, they played off of the hopes and/or fears that the scraped data indicated they have. 

There’s still much we don’t know, however, such as what the ads looked like – and whether they worked. But we do know this: It’s a foreshadow of what’s to come, writ large, and not just for political advertisements or on Facebook. It’s the wave of the future.

I should note that, somehow, my data wasn’t scraped. So the political ads in question came to me the old-fashioned way: by hook, not crook. Someone reacted vociferously to an ad, in other words, and decided to share their outrage or support. (And then I, in turn, ignored it.) In fact, after downloading my 10 years’ worth of Facebook data a few weeks back, what became obvious is that, by and large, the ads I interact with are music-related (artists, albums, concerts) or, more broadly, entertainment-related. (Veronica Mars meet Jason Bourne!)

Hmmm…I wonder why?

All that being said, I happen to like and enjoy Facebook. After a long day at the office, or even during a long day at the office, it provides a quick pick-me-up – Charlie Brown cartoons, silly animal videos, and music recommendations from friends and sponsored ads. It’s also a good way to keep up with friends old and new, as well as a few pets of said friends.

Anyway, I was “tagged” on Facebook several times over the past few weeks regarding one of the latest memes to make the rounds, which is supposed to be played out over 10 days: “In no particular order – 10 all-time favorite albums that really made an impact and are still on your rotation list, even if only now and then. Post the cover, no need to explain, and nominate a person to do the same. Today, I nominate…[insert tag].” After some internal back-and-forth, I gave into the whim and shared 10 “all-time favorite albums” over the next 10 days.

I hasten to add: They are not my All-Time Top 10 picks, just 10 albums I love. And, with that, here’s today’s Top 5: 10 All-Time Favorite Albums, Part 1.

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Day 1: Lone Justice – Lone Justice. The 1985 debut of Maria McKee’s old band needs no introduction on these pages. It sounds as fresh to my ears now as it did then. It was the first pick for my occasional “Essentials” series. 

Day 2: Neil Young & Crazy Horse – Everybody Knows This Is Nowhere. Another “Essentials” pick. 

Day 3: Rumer – Seasons of My Soul. And yet another “Essentials” pick. (See a pattern here?)

Day 4: The Bangles – Different Light. A future “Essentials” pick. Despite their success, the Bangles are one of the most underrated bands in the annals of rock ’n’ roll. (Why they aren’t in the Rock Hall of Fame is beyond me.) And this album is a sheer delight.

Day 5: Paul McCartney & Wings – Band on the Run. Another future “Essentials” pick. It should need no introduction to any self-respecting rock fan. 

The Essentials: Neil Young & Crazy Horse – Everybody Knows This Is Nowhere

Posted: July 30, 2017 in 1960s, 1969, 1982, Crazy Horse, Neil Young, The Essentials
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(As noted in my first Essentials entry, this is an occasional series in which I spotlight albums that, in my estimation, everyone should experience at least once.)

The first Neil Young album I purchased was re*ac*tor in late 1981, when I was 16. Flawed though it was, I loved it – “Southern Pacific,” “Rapid Transit” and “Shots,” to say nothing of “Opera Star” and “Surfer Joe and Moe the Sleaze,” sawed against the grain of what my brain understood to be rock music. It wasn’t Beatlesque or Stones-ish, or New Wave. It was unique, guitar heavy and great. I named it my Album of the Year.

The second Neil Young LP I purchased – a few months later, though I could be wrong there – was Hawks & Doves, which he had released the previous year. I remember being surprised by the subdued sonics of Side One, a collection of acoustic songs, and taken aback by Side Two, which consists of country-flavored tracks. Don’t get me wrong: I liked Side One, and played it quite a bit. Side Two, however…I don’t think I revisited those songs until the CD release, which I picked up years after its 2003 street date.

In other words, I liked Neil. I quickly came to know and enjoy other songs by him thanks to WMMR and WYSP, Philly’s two rock stations, and WIOQ, which was more oriented towards singer-songwriters and soft rock.

But, like many teens, my record-buying budget was slim. Time and circumstance, in other words, conspired against me – until the week after Christmas of 1982, when I was flush with cash. In one fell swoop, I picked up six Neil Young albums on cassette (along with, over the course of the week, a slew of other albums).

Everybody Knows This Is Nowhere quickly became my most-played Neil album – and it still is.

Most fans already know the story behind Everybody Knows This Is Nowhere: In the mid-1960s, while with the Buffalo Springfield, Neil met and jammed with another Laurel Canyon-based rock group, the Rockets, and liked what he heard; they jammed again after he’d split (for good) from the Springfield and, when he was ready to record his second solo album, he “borrowed” the band’s rhythm guitarist, bassist and drummer (Danny Whitten, Billy Talbot and Ralph Molina), rechristened them Crazy Horse – and never gave them back.

What can be written about the album itself that hasn’t been said before? That, to my ears, it’s one of the greatest albums of all times? That the swirling guitar jams with Whitten are akin to jazz greats trading horn riffs? That the swirling melodies lift you up when you need it most, and usher you back down when you’re too far from the ground? Yeah. It’s been said before. Which is why, on my old website in the late ‘90s, I summarized it as thus:

“Cinnamon Girl.” “Everybody Knows This Is Nowhere.” “Down by the River.” “Cowgirl in the Sand.” ‘Nuff said. I graded it an A+. I’d grade it even higher now.

Side One:

  1. Cinnamon Girl
  2. Everybody Knows This Is Nowhere
  3. Round & Round (It Won’t Be Long)
  4. Down by the River

Side Two:

  1. The Losing End (When You’re On)
  2. Running Dry (Requiem for the Rockets)
  3. Cowgirl in the Sand