The Essentials: Neil Young & Crazy Horse – Everybody Knows This Is Nowhere

The first Neil Young album I purchased was re*ac*tor in late 1981, when I was 16. Flawed though it was, I loved it – “Southern Pacific,” “Rapid Transit” and “Shots,” to say nothing of “Opera Star” and “Surfer Joe and Moe the Sleaze,” sawed against the grain of what my brain understood to be rock music. It wasn’t Beatlesque or Stones-ish, or New Wave. It was unique, guitar heavy and great. I named it my Album of the Year.

The second Neil Young LP I purchased – a few months later, though I could be wrong there – was Hawks & Doves, which he had released the previous year. I remember being surprised by the subdued sonics of Side One, a collection of acoustic songs, and taken aback by Side Two, which consists of country-flavored tracks. Don’t get me wrong: I liked Side One, and played it quite a bit. Side Two, however…I don’t think I revisited those songs until the CD release, which I picked up years after its 2003 street date.

In other words, I liked Neil. I quickly came to know and enjoy other songs by him thanks to WMMR and WYSP, Philly’s two rock stations, and WIOQ, which was more oriented towards singer-songwriters and soft rock.

But, like many teens, my record-buying budget was slim. Time and circumstance, in other words, conspired against me – until the week after Christmas of 1982, when I was flush with cash. In one fell swoop, I picked up five Neil Young albums on cassette (along with, over the course of the week, a slew of other albums).

Everybody Knows This Is Nowhere quickly became my most-played Neil album – and it still is.

Most fans already know the story behind Everybody Knows This Is Nowhere: In the mid-1960s, while with the Buffalo Springfield, Neil met and jammed with another Laurel Canyon-based rock group, the Rockets, and liked what he heard; they jammed again after he’d split (for good) from the Springfield and, when he was ready to record his second solo album, he “borrowed” the band’s rhythm guitarist, bassist and drummer (Danny Whitten, Billy Talbot and Ralph Molina), rechristened them Crazy Horse – and never gave them back.

What can be written about the album itself that hasn’t been said before? That, to my ears, it’s one of the greatest albums of all time? That the swirling guitar jams with Whitten are akin to jazz greats trading horn riffs? That the swirling melodies lift you up when you need it most, and usher you back down when you’re too far from the ground? Yeah. It’s been said before. Which is why, on my old website in the late ‘90s, I summarized it as thus:

“Cinnamon Girl.” “Everybody Knows This Is Nowhere.” “Down by the River.” “Cowgirl in the Sand.” ‘Nuff said. I graded it an A+. I’d grade it even higher now.

Side One:

  1. Cinnamon Girl
  2. Everybody Knows This Is Nowhere
  3. Round & Round (It Won’t Be Long)
  4. Down by the River

Side Two:

  1. The Losing End (When You’re On)
  2. Running Dry (Requiem for the Rockets)
  3. Cowgirl in the Sand

12 thoughts

  1. I just gotta ask:

    What the heck are we looking at in the very first pic?
    Similar pics have adorned other posts. Apologies if I missed earlier explanation.

    Is it a desktop?
    A table?
    Stacks of music sitting on the carpet?
    A drawer?
    A box?
    The new IKEA music media holder for those who do not like organizing of any kind?


    1. That is the top of my closed turntable with recently played LPs spread out on the lid in a way that I think looks cool. A real-Life mural, in a way, with the “essential” pick in the middle. To the left are stacks of CDs – and, out of the picture, a speaker. To the right, which you can’t see, is the body of my Samsung stereo. The other speaker is to the right of that.


  2. Hey, man, haven’t read your earlier posts, being new to your blog, but wondering if you have ever done a post on West Coast Canada’s main 60s psychedelic group, The Collectors, forerunners of Chilliwack. Their “What Love (Suite) was groundbreaking at the time, and their follow-up album “Grass and Wild Strawberries” is still one of my top 50. I grew up in Winnopeg, so was used to very good music, and The Collecters were all of that and more…


      1. No such thing as ignorance, only lack of knowledge. There are a lot of good bands who were barely known outside their home markets, although The Collectors playrd a number of gigs in California, and across the US mid-west. Their recording company never pushed their records for some reason, but they were musically sound, and excellent on stage. And they were Canadian, which meant to be second-class in the record industry no matter how good you really were. And The Collectors were good…


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