Posts Tagged ‘Philadelphia’

On Monday Sept. 25th, 1999, less than 24 hours after blowing the proverbial roof off the hallowed hall known as the Spectrum, Bruce Springsteen and the E Street Band wrapped a six-night stand in the City of Brotherly Love with a concert for the ages at the oversized barn known at the time as the First Union Center – aka the F.U. Center. (It’s since been re-named the Wells Fargo Center.)

After the Sunday extravaganza, which opened with “Growin’ Up” and closed with “Blinded by the Light,” Diane developed some health issues that briefly caused us to consider canceling this night’s foray to South Philly. I say “briefly” because, of course, seeing Bruce and band is an elixir for just about anything that ails you. (in that sense, it’s a far more potent tonic than the so-called “miracle water” pushed by snake-oil preachers the world over.) Which is to say, as planned, we met up with friends in the parking lot prior to the show…and, thanks to someone’s relative who worked in the building, the lot of us were soon ushered inside so that we could eavesdrop on the soundcheck from the concourse. 

As we entered the building, “Incident on 57th Street” – Diane’s longtime holy grail, which she only saw once in the ‘70s – echoed throughout the cavernous arena. She all but swooned into my arms, ecstatic. According to Brucebase, the pre-show set in full was “If I Should Fall Behind,” “Incident on 57th Street” (times four), “Crush on You,” “4th of July, Asbury Park (Sandy)” and “New York City Serenade.” Given the passage of time, however, I can’t confirm anything beyond “Incident” and “Crush on You” – and that Diane, to borrow a lyric from Van Morrison, was “higher than a cloud and living in the sound.”

A song performed at soundcheck doesn’t necessarily mean it’ll make the same night’s concert, of course, so we crossed our fingers. Once the doors officially opened, we parted ways with our friends and made a long trek to the worst seats we’ve ever had for a concert: Directly opposite the stage in the second level. My memory has us in the last row of the section; Diane, however, remembers us being in the second or third row. Whichever it was, this we agree on: When Bruce and band filed onto the stage, they looked like ants scrambling across a sidewalk. 

But no matter. The first notes of “Incident” swept through the sold-out arena and ushered Diane to heaven yet again…

…and the set that followed was filled with moments that, for me, were just plain nirvana (though others, I’m sure, would find them perfunctory). Nils Lofgren’s guitar histrionics on “Youngstown,” for instance, take me places no matter how often I hear them, just as the anthemic “Badlands” lifts me toward the sky. And with “Murder Incorporated” sandwiched between them? It doesn’t get much better for me, save for the 1975 trifecta of “Jungleland,” “Born to Run” and “Thunder Road.” Those songs stop time, just about.

I won’t lie and say that the lousy seats didn’t cause a disconnect on occasion, yet it was an incredible sight when the house lights came on to reveal the 20,000+ fans raising their arms and singing along as one. In that sense, this night was more than just an opera off I-95; it was a revival meeting that provided sustenance for all who sought it, be they saints or sinners, losers or winners, whores or gamblers, or lost souls…

These past few days, I’ve been re-living the concert again (and again and again) thanks to its release via the Live Bruce Springsteen/nugs.net store. Whether or not one was at the show, it’s well worth the download: The sound quality is excellent and performance beyond reproach. And let’s hope that the other five Philly shows eventually see the “Light of Day,” as well…

The set:

 

 

The second of the three Bruce Springsteen and the E Street Band reunion-tour shows I attended was no mere concert, but a blow-out bash; and while not the favorite Springsteen concert that I’ve enjoyed, it ranks near the top. Originally slated to take place on September 16th, it was pushed back eight days due to Hurricane Floyd’s unexpected visit to the East Coast. That meant the shindig fell on the day following a major Springsteen milestone: His 50th birthday. 

Unlike the other five nights in Philly, the concert took place at the Spectrum, which seemed positively tiny and quaint in comparison to the barn-like First Union Center. The site holds a special place in Springsteen lore for two reasons: When he and the E Street Band first played it on June 6th, 1973, during a 13-date stint opening for Chicago, they were greeted – for the first and possibly last time – not by shouts of “Bruuuuce!” but actual boos; in response, Bruce is said to have flipped the finger to the over-eager fans, who were no doubt clamoring for “Roxie” instead “Rosalita.” (Oh, wait – wrong Chicago!) Fast forward three years, however, and he and the band played their first and second large arena shows as a headliner at the venue on Oct. 25th and 27th, 1976. (Both nights, as all nights in Philly, sold out.)

My first memory of this show: The traffic and parking, which were insane. The Phillies were at Veterans Stadium, which was situated across the street from the Spectrum, and the Flyers were hosting the New York Rangers at the F.U. Center, which was next door. The Schuylkill Expressway and I-95 were both backed up, and Broad Street was at a standstill. We pulled into and parked in a distant lot that, I’m fairly certain, was in Timbuktu.

Although – as I mentioned in my post on the Sept. 20th F.U. Center concert – my ticket stubs have been lost to time, I recall Diane and I being situated in first or second-level seats, about 5 o’clock to the stage’s midnight. Not the world’s best, obviously, but much better than one show in ’92 when I found myself sitting in one of the Spectrum’s “obstructed” seats (aka behind a cement pylon).

My next memory: Bruce strolling stage center with a boom box, which he held to the microphone. He played a song that a fan – a neighbor of his mother’s, no less – had sent to him for his birthday. After that, he launched into one of my favorite songs by him, “Growin’ Up,” and soon enough we were havin’ a party. As on the 20th and the 25th, highlights included the five-song stretch from “Youngstown to “Tenth Avenue Freeze-Out.” In short, the night was raucous and meaningful at once, exactly what this thing called rock ’n’ roll is supposed to be about. 

Unfortunately, video-capable cell phones were still a ways away, so YouTube is not littered with clips of the concert. But two cool, fan-shot videos, both from behind the stage, are present. The first: the first performance of “The Fever” since the Darkness tour…

The other: the closing number of the night, “Blinded by the Light.”

All in all, for me and mine, it was a great show.

The set:

  1. Growin’ Up
  2. No Surrender
  3. Prove It All Night
  4. Two Hearts
  5. The Promised Land
  6. Spirit in the Night
  7. Does This Bus Stop at 82nd Street
  8. Mansion on the Hill
  9. Independence Day
  10. Youngstown
  11. Murder Incorporated
  12. Badlands
  13. Out in the Street
  14. Tenth Avenue Freeze-Out
  15. Working on a Highway
  16. The Fever
  17. Backstreets
  18. Light of Day
  19. Bobby Jean
  20. Born to Run
  21. Thunder Road
  22. If I Should Fall Behind
  23. Land of Hope and Dreams
  24. Blinded by the Light

In 1999, after a decade apart, Bruce Springsteen reformed the E Street Band. March saw the band engaged in private and public rehearsals at Atlantic City’s famed Convention Hall, where the Beatles played in 1964, with the practice interrupted only by Bruce being inducted into the Rock & Roll Hall of Fame. The 15-month tour began in Spain on April 8th, and remained in Europe for the next two-and-a-half months – a smart plan, really, as it guaranteed the band was in peak form by the time they hit the States.

And hit the States they did: On July 15th, Bruce and band kicked off a sold-out 15-night run at the Continental Airlines (aka Meadowlands) Arena in East Rutherford, N.J., followed by five nights in Boston, three in D.C., two in Michigan, and a half dozen in the city that championed him first, Philadelphia. (In total, including Europe and Canada, Bruce and the band played 133 concerts in 62 cities; as the tour wore on, there were more one-and-dones.) Most tickets cost $67.50 (or $103.76 in 2019 dollars) prior to the TicketMaster charges.

That six-night residence in the City of Brotherly Love, I should mention, saw him play five nights at the home of the Flyers and 76ers, the F.U. (aka First Union) Center, and one at the former home of the same sports teams, the hallowed Spectrum, the site of his first headlining arena show in 1976. I had tickets for three (Diane had five) and, in fact, my first night of the fun was slated to occur on the 16th at the Spectrum, but Hurricane Floyd caused the concert to be pushed back to the day after Bruce’s birthday, the 24th. As a result, this night – our 18th wedding anniversary, no less – turned out to be the first that I took in.

Though the ticket stubs have been long lost, memories of each concert remain, including one (the 25th) where Diane I sat exactly opposite the stage in the last row of the second level; and the Spectrum gig (which has gone down in Bruce lore as one of his best – I plan to write about it in the future). This night, however, is the first that springs to mind – and not because of the music, but a little girl.

Diane and I were accompanied by our good friend (and Diane’s longtime Bruce buddy) Luanne and Luanne’s 6-year-old daughter Loren, with the four of us sitting in the first level – section 102 or 103, I believe, somewhere in the 8 o’clock range. Good seats, in other words, but far from great. On that tour, however, Bruce had a member of his crew roaming the hall to offer instant upgrades to the front row; while running into this person was akin to hitting the lottery, it happened, and not just for folks in the nose-bleed sections.

I know that last part for a fact, as it happened to us this very night – almost, that is. 

Let me set the stage: We arrived somewhat early, found our seats, ran to and from the bathrooms and food vendors, and sat back and watched the arena slowly fill while talking about what we hoped for from the night. I wanted “Candy’s Room,” and a set anchored by Darkness on the Edge of Town; Diane, who’d studied the set lists up until that point, thought that unlikely. Somewhere in there, we noticed the crew member navigating through our section toward us. (The backstage pass dangling around his neck was the tell.) Words were quickly exchanged. “I can’t,” he said once he realized Loren was with us. “She’d get crushed.” People rushed the stage, he explained, and little kids could get hurt.

He moved on.   

Still, it was a great show. “Candy’s Room” led into “Adam Raised a Cain,” and three more Darkness songs were sprinkled throughout the set (though not “Promised Land,” the lack of which always disappoints me). As with every night of the tour, though some sections of the set changed, others did not. So, as on all other nights, an electric “Youngstown” – one of my favorite live songs by Springsteen with the E Street Band, as it melds the folk and rock traditions (and also features a mesmerizing solo from Nils Lofgren) – gave way to “Murder Incorporated,” “Badlands,” “Out in the Street” and “Tenth Avenue Freeze-Out.” Everyone was on their feet, dancing and singing along, fists pumping the air.

Everyone, that is, except for Loren. At some juncture, as only little kids can, she sacked out. Her eyes closed and head drooped, and despite the joyous din she found herself in, she fell fast asleep. (To this day, it’s one of the sweetest things I’ve witnessed.) By the time Bruce and the E Street Band lit up the arena with “Light of Day” and “Ramrod,” wave upon wave of bodies crashed upon the stage as if it was a seawall; she heard and saw it not, but she was safe while her mother, Diane and I were thoroughly enjoying ourselves, our so-so seats notwithstanding.

Anyway, since no video of this night exists on YouTube, here’s “Youngstown” from Live in New York City, which was filmed in April of 2000:

And, from the fifth night (7/26) of the Meadowlands stand, here’s “Light of Day”:

And, last, since it was a highlight for Diane then and now (“I’ve got goosebumps,” she just said), here’s “Back in Your Arms” from the 14th night (8/4) at the Meadowlands:

The set:

  1. Candy’s Room
  2. Adam Raised a Cain
  3. The Ties That Bund
  4. Prove It All Night
  5. Two Hearts
  6. Darlington County
  7. Something in the Night
  8. Mansion on the Hill
  9. Independence Day
  10. Youngstown
  11. Murder Incorporated
  12. Badlands
  13. Out in the Street
  14. Tenth Avenue Freeze-Out
  15. Working on the Highway
  16. The Ghost of Tom Joad
  17. Back in Your Arms
  18. Backstreets
  19. Light of Day
  20. Ramrod
  21. Bobby Jean
  22. Born to Run
  23. Thunder Road
  24. If I Should Fall Behind
  25. Land of Hope and Dreams

Seatbelts were fastened. Smoking materials were extinguished. And, after taxiing to the runway while being serenaded by Field Report (aka singer-songwriter Christopher Porterfield), the jet known as Jade Bird rocketed into the sky for a rollicking performance that featured songs from her 2017 Something American E.P., a few recent singles, new material, and two choice covers. The crowd, it’s safe to say, was wowed.

The snappy set was as compact and concise as the songs, with nary a note out of place. Introductory patter was kept to a minimum. It was as if she, guitarist Will Rees, bassist Jesske Hume and drummer Matt Johnson were a twang-infused Ramones for the night. (Not that I’ve seen the Ramones.)

The inclusion of “Walk Like an Egyptian,” especially for an old Bangles fan like me, was just plain great. The audience enjoyed it, as well, and even joined in on some of the “oh whey oh” lines.

About the only negative: the set’s brevity, which clocked in at just under an hour. Elsewhere on this tour, she’s included a stirring rendition of Kate Bush’s “Running Up the Hill”; it would have been nice if she’d played it, too.

Afterwards, we talked with a few other veteran music fans who, like us, were besotted by Jade’s talent. She reminded one of a young Carlene Carter. She reminds me, however, of a young Kasey Chambers – think “Freight Train” and “Barricades & Brickwalls.” While she doesn’t possess the same quirky humor or pathos as Kasey, she does possess a similar knack for crafting killer tunes.

The set (as best as I remember it):

  1. What Am I Here For
  2. Cathedral
  3. Good at It
  4. Good Woman
  5. Side Effects
  6. Ruins
  7. Does Anybody Know
  8. If I Die
  9. Furious
  10. Uh Huh
  11. Hold That Thought
  12. Walk Like an Egyptian
  13. Love Has All Been Done Before
  14. Lottery
  15. Going, Gone
  16. **Something American
  17. **I’ve Been Everywhere