An Opera Off I-95: Bruce Springsteen & the E Street Band in Philadelphia, 9/25/99

Posted: July 5, 2020 in 1990s, 1999, Bruce Springsteen, Of Concerts Past
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On Monday Sept. 25th, 1999, less than 24 hours after blowing the proverbial roof off the hallowed hall known as the Spectrum, Bruce Springsteen and the E Street Band wrapped a six-night stand in the City of Brotherly Love with a concert for the ages at the oversized barn known at the time as the First Union Center – aka the F.U. Center. (It’s since been re-named the Wells Fargo Center.)

After the Sunday extravaganza, which opened with “Growin’ Up” and closed with “Blinded by the Light,” Diane developed some health issues that briefly caused us to consider canceling this night’s foray to South Philly. I say “briefly” because, of course, seeing Bruce and band is an elixir for just about anything that ails you. (in that sense, it’s a far more potent tonic than the so-called “miracle water” pushed by snake-oil preachers the world over.) Which is to say, as planned, we met up with friends in the parking lot prior to the show…and, thanks to someone’s relative who worked in the building, the lot of us were soon ushered inside so that we could eavesdrop on the soundcheck from the concourse. 

As we entered the building, “Incident on 57th Street” – Diane’s longtime holy grail, which she only saw once in the ‘70s – echoed throughout the cavernous arena. She all but swooned into my arms, ecstatic. According to Brucebase, the pre-show set in full was “If I Should Fall Behind,” “Incident on 57th Street” (times four), “Crush on You,” “4th of July, Asbury Park (Sandy)” and “New York City Serenade.” Given the passage of time, however, I can’t confirm anything beyond “Incident” and “Crush on You” – and that Diane, to borrow a lyric from Van Morrison, was “higher than a cloud and living in the sound.”

A song performed at soundcheck doesn’t necessarily mean it’ll make the same night’s concert, of course, so we crossed our fingers. Once the doors officially opened, we parted ways with our friends and made a long trek to the worst seats we’ve ever had for a concert: Directly opposite the stage in the second level. My memory has us in the last row of the section; Diane, however, remembers us being in the second or third row. Whichever it was, this we agree on: When Bruce and band filed onto the stage, they looked like ants scrambling across a sidewalk. 

But no matter. The first notes of “Incident” swept through the sold-out arena and ushered Diane to heaven yet again…

…and the set that followed was filled with moments that, for me, were just plain nirvana (though others, I’m sure, would find them perfunctory). Nils Lofgren’s guitar histrionics on “Youngstown,” for instance, take me places no matter how often I hear them, just as the anthemic “Badlands” lifts me toward the sky. And with “Murder Incorporated” sandwiched between them? It doesn’t get much better for me, save for the 1975 trifecta of “Jungleland,” “Born to Run” and “Thunder Road.” Those songs stop time, just about.

I won’t lie and say that the lousy seats didn’t cause a disconnect on occasion, yet it was an incredible sight when the house lights came on to reveal the 20,000+ fans raising their arms and singing along as one. In that sense, this night was more than just an opera off I-95; it was a revival meeting that provided sustenance for all who sought it, be they saints or sinners, losers or winners, whores or gamblers, or lost souls…

These past few days, I’ve been re-living the concert again (and again and again) thanks to its release via the Live Bruce Springsteen/nugs.net store. Whether or not one was at the show, it’s well worth the download: The sound quality is excellent and performance beyond reproach. And let’s hope that the other five Philly shows eventually see the “Light of Day,” as well…

The set:

 

 

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