So I found myself, as a visitor, in a hospital room yesterday morning with time to kill. Sure, I have a few games on my phone that I sometimes (obsessively) play, but I wasn’t in the mood. What to do? I decided to give the new-to-me Xfinity TV app, which enables subscribers to take the cable-TV experience with them, a try. (It’s Xfinity’s way of competing with Netflix, Hulu and Amazon Prime, I imagine.) It’s a good idea marred by the same basic problem of cable-TV in general: excess.
In other words, every friggin’ channel you don’t want is there, sharing space with the few you do, in the “live” TV section. As a result, scrolling through the guide is something of a nightmare.
So, just as I often do at home, I found my way to the OnDemand section; and, thus, today’s Top 5 was born. No rhyme nor reason to the picks – these are, quite literally, the first music-minded opening sequences that occurred to me (that I could find on YouTube, I hasten to add).
1) Fast Times at Ridgemont High – “We Got the Beat” (Go-Go’s). I have to say, I’ve seen this teen comedy many times, including at the movie theater at the Village Mall in Horsham in 1982, though not once in the past 25 years…until yesterday, that is, when I watched the first few minutes to gauge the quality of the picture via the hospital’s Wi-Fi. Which is to say: I’d forgotten just about everything about it, including that the Go-Go’s provided the soundtrack to the opening – and what an opening! In just a few minutes, it portrays mall-based teen life circa the early ‘80s as well if not better than anything I’ve seen.
2) Valley Girl – “Girls Like Me” (Bonnie Hayes & the Wild Combo). Another early ‘80s teen film, another early ‘80s pop masterpiece. (I wrote more about the film here.)
3) Saturday Night Fever – “Stayin’ Alive” (Bee-Gees). Through the years, the film has taken something of a backseat to its pulsating soundtrack, which is a shame: It’s a quite-good (and fairly downbeat) look at life in NYC during the late ‘70s.
4) Grease – “Grease” (Frankie Valli). What can be said about this film? Some folks hate it; I don’t. As I wrote here, I saw it a dozen times in ’78 – and have seen it far more times than I can count in the years since.
5) Foxes – “On the Radio” (Donna Summer). Another good (though not great) film that documents a slice of life experienced by some teens in the late ‘70s/early ‘80s. It’s notable for starring Jodie Foster and former Runaway Cherie Curie. (I couldn’t find just the opening credits, so the below clip is actually for the entire film. I.e., it’s sure to be removed by the YouTube gods soon…)
And a few bonuses…
6) American Graffiti – “Rock Around the Clock” (Bill Haley & the Comets). A classic film that never gets old. On a related note: Cindy Williams’ memoir, Shirley, I Jest!, includes her memories of making the movie – along with lots more. Well worth the read!
7) Billy Jack – “One Tin Soldier” (Coven) – Oh, I know: Billy Jack?! Despite its many flaws, it’s one of my favorite movies. I first saw it as a kid, when this song and the film’s fight scenes grabbed my attention; and, in the decades since, the underlying hippie message of peace and love (and karate chops to back ‘em up) appeal to me all the more…
Haven’t watched Fast Times in 25 years? C’mon, man. I have to break it out at least once a month. But that’s just me. It’s no Citizen Kane but I love the movie, the characters, and the soundtrack. Probably says more about my arrested development and addiction to teen coming of age films than I care to let on. Yes, I did see Edge Of Seventeen this weekend in theaters. Even though it’s barely been 24 hours since my viewing, I cannot recall if it opened with a song but it is my belief that all teen films should. (The internet tells me that Santigold’s “Who I Thought You Were” was the film’s opening tune.)
Curious as to what films and songs came to mind that you couldn’t find on YouTube, though. The first one that crossed my mind was Dazed and Confused and “Sweet Emotion” while the second one was Pretty In Pink even though it’s the inferior remake of the title tune.