Another night, another great show. Since March, when we saw the Staves, Diane and I have witnessed a string of magical concerts by favorites old and new. Some nights we’ve been the oldest folks in the room; others we’ve mingled with our middle-aged peers; and, at least once, I looked around and realized we were likely the youngest in attendance.
This night, Thursday June 8th, found us sitting with fellow travelers/longtime fans of Garland Jeffreys at the World Cafe Live Upstairs in West Philly; aka, a middle-aged crowd or, more to the point, our peers. It’s the smaller of the venue’s two rooms, and intimate as intimate gets.
Garland took to the stage to the propulsive beat of “Coney Island Winter,” one of many highlights from his 2011 album The King of In Between –
It was the perfect start to a rockin’ hour-and-change set that mixed latter-day songs, including a wealth of tracks from his sterling 14 Steps to Harlem album, with such past classics as “Ghost Writer,” “35 Millimeter Dreams,” “96 Tears” and “R.O.C.K.”
Somewhere in there, I found myself drifting back to a show in New York in maybe 2002 or ‘03 at the Village Underground, Joe’s Pub or…? Whenever, wherever, Diane and I had made the long trek up the railways to see the Brooklyn-born bard on his home turf, and – as has been the case with each of the dozen times (give or take) we’ve seen him since – he more than exceeded expectations. That night, he rocked the packed house and then, afterwards, greeted fans and friends alike.
Understand that, at that point, he and Diane had bonded through an in-depth interview she’d done with him for the original Old Grey Cat website (which, now that I’ve located it, I plan to resurrect at some point). So when he saw Diane, as one might expect, he hugged her.
He also – totally unexpected – hugged me.
Now, I can count on one hand the number of men I’ve hugged. I’m of my father’s stock, in that regard; a handshake more than suffices. (I hasten to add, it’s a gender-equal disposition – other than my wife, mother and one or two others, a hug and/or kiss from a woman seems a tad touchy-feely to me. Juliana could well have written “Got No Idols” about me, in other words.)
Anyway, now 73, Garland’s still going strong, still writing songs that resonate with the soul – such as “Time and Again,” which he didn’t sing this night (but should have – even without his daughter’s beautiful voice, it would be powerful), or the title song to 14 Steps, which he linked with “Harlem Bound” from his 1973 solo debut.
And this night, as with that long-ago night, he hung out post-show to meet and greet his fans and friends. For my part, I attempted to circumvent the expected hug by asking for a photo instead – the first time for that.
It kinda-sorta worked.