Although it seems daft to me now, in the early and mid-‘80s I often bought albums on cassette, and cassette only. I’d love to say that, for a time, I did so due to me taking not one, but two buses to travel to and from Penn State’s Ogontz campus (now known as Penn State Abington), which for a time I did, and that during those hour-or-so trips I listened to music via a Walkman clone. Or that I later purchased them for the tape deck that I installed in my ’79 Chevette.
The truth is, however, that I bought them because I bought them, which I’d been doing off and on since my folks gave me a cassette deck that plugged into my Radio Shack compact stereo/turntable in the late 1970s, though the trend picked up steam after Christmas 1982, when they presented me with a Sanyo Mini AM/FM Cassette Recorder Stereo. Sometimes I went with the cassette because the vinyl wasn’t in stock; and other times just because. In some cases, I eventually bought the same album on vinyl – but there was no rhyme or reason as to what got duplicated. Some touchstone albums in my life, such as Neil Young’s Everybody Knows This Is Nowhere, Lone Justice’s debut and Dwight Yoakam’s Guitars, Cadillacs, Etc., Etc., never made the jump to vinyl (though all, in time, made the leap to CD) while others that weren’t did.
Another touchstone album that I never picked up on vinyl: the Bangles’ All Over the Place, which – says Wikipedia – was released on May 23, 1984. I didn’t purchase it until the fall, however – on October 15th, a Monday, according to my desk diary, four days before another touchstone album, David Crosby’s If I Could Only Remember My Name…, came into my life. (It may seem incongruous to love both, yet I did…and still do.)
That is, I didn’t buy the vinyl until yesterday, when I stopped in HHH Records a used-vinyl store near me, and found it for $4. (Clean LP, no pops, crackles or snaps.)
As I wrote in my long-ago review of Susanna Hoffs’ Someday album, thanks to Rolling Stone, I’d been aware of the Bangles since March 1983, though I didn’t actually hear them until their videos for “Hero Takes a Fall” and “Going Down to Liverpool” received play on MTV in the spring and summer of ’84.
(Leonard Nimoy’s friendship with Susanna Hoffs’ parents accounts for his appearance in the video, from what I’ve read.)
The band was the focus of a Michael Goldberg-penned article in Rolling Stone that September and, presumably, a review around the same time, though my lack of access to the RS Archives means I can’t confirm the latter (and I have no memory of reading one).
Wayne King did offer a less-than-glowing review of their debut LP in the September issue of Record magazine, however. The words that would’ve caught my eyes: “bouncy guitar group sounds,” “soaring vocals” and “mid-‘60s fixation.” The criticism itself…eh. I’d already seen the videos. They sounded good to me. It was just a matter of when, not if, I invested in the LP…or, in this case, cassette.
To my ears then and now, All Over the Place echoes the mid-‘60s, specifically the Beatles and Byrds, while sounding very much of its own time. I.e., it’s both retro and modern, and – simultaneously – ahead of the curve. “Hero Takes a Fall” is one example. Another is “Tell Me”…
And another is “Dover Beach.” (Check out Vicki Peterson channeling her inner Dave Davies at the 3 minute mark.)
Really, to me, All Over the Place – despite topping out at No. 153 on the Billboard charts – is reason enough for the band (Susanna Hoffs, Vicki Peterson, Debbie Peterson and Michael Steele) to be inducted into the Rock & Roll Hall of Fame. (Additional reasons came along later in the decade, of course.)
Anyway, here they are on Late Night With David Letterman in November of ‘84…
- Hero Takes a Fall
- All About You
- Dover Beach
- Tell Me
- Going Down to Liverpool
- He’s Got a Secret
- Silent Treatment
- More Than Meets the Eye
Here’s the album in full, via YouTube…
I should mention, the playlist includes a bonus track tacked onto the CD at some point in time: a cover of the Grass Roots’ first hit, “Where Were You When I Needed You,” which the Bangles released as the b-side to “Hero Takes a Fall.” (As I point out in my (un)Essentials essay on Jan & Dean’s semi-classic, semi-kitsch Folk ’n Roll album, however, the Grass Roots weren’t the first to release the song. The surfer duo was.)